On Thursday 17 October we will be hosting a series of workshops in ROUNDABOUT @ Stratford East.
10am – 12pm
Casting Workshop with Annelie Powell CDG
Annelie Powell will lead a workshop on the audition process, including practical work and Q and A session. Take part in practical work with Annelie, or observe and apply skills to your own predatory work.
Annelie Powell CDG is a London based Freelance Casting Director working in all forms of media and is also Head of Casting for Nuffield Southampton Theatres. Annelie has worked with various companies over the years in Adverts and TV in including ROSEROCK FILMS, WARNER BROS, APPLE TV, SC FILMS INTERNATIONAL, BBC, DOITY amongst others. This year she has completed the UK casting on DEEP BLUE SEA 3, Principal and ensemble casting on animated film DRAGONKEEPER, starring BILL NIGHY, BILL BAILEY AND BRENDAN COYLE, the animated documentary ANOTHER DAY OF LIFE, and Children’s Casting on an Apple TV series. Recent Theatre work includes VASSA directed by Tinuke Craig for the ALMEIDA, CINDERELLA for NST, THE POPE for Northampton Theatres, PAVILLION for THEATRE CLYWD, THE AUDIENCE for NST, HAMLET, for THE RSC, LEAR for THE RSC, DON QUIXOTE for GARRICK/RSC. A full cv spanning over 50 productions including productions cast over 5 years at THE ROYAL SHAKESPEARE COMPANY is available from Kim Donovan at The Artists Partnership.
12.15pm – 1pm
Hosted by PP Producer/Technical Stage Manager, explaining the history of Roundabout and showing the Sound & Light Show – each of these tours will last approx 15 minutes
1.15pm – 2.45pm
Captioning Workshop with Paines Plough
Members of Team PP will talk you through how we caption shows in ROUNDABOUT.
3.30pm – 5.30pm
Acting in the Round with Stef O’Driscoll
Join Stef O’Driscoll in a workshop on working in-the-round. A snapshot look at playing the most exposing, exhilarating and energising of all configurations – the round. Come on down to Paines Plough’s pop-up amphitheatre ROUNDABOUT for a quick guide to 360° theatre.
Stef is the Artistic Director of nabokov and previously the Associate Director at Paines Plough and at the Lyric Hammersmith.
As director, theatre includes: Island Town, Sticks & Stones, How to Spot an Alien, With a Little Bit of Luck, Hopelessly Devoted, Blister, On The Other Hand We’re Happy, Daughterhood, Dexter and Winter’s Detective Agency (Paines Plough); Last Night (nabokov/Roundhouse); Storytelling Army (nabokov/Brighton Festival); Slug (nabokov/Latitude); Box Clever (Bunker); Yard Gal (Ovalhouse); The Unmaster, A Tale from the Bedsit (& Bestival), Finding Home (Roundhouse); A Guide to Second Date Sex, When Women Wee (Underbelly/Soho); A Midsummer Night’s Dream [co-director] (Lyric, Hammersmith).
Admission to any workshop comes free when you buy a ticket to any of the Paines Plough plays:
We are delighted to annouce Charlotte Bennett and Katie Posner‘s inaugural programme for Paines Plough…
The Live Out Loud Season celebrates some of the most exciting, distinctive, observant and entertaining voices in British theatre.
This season focuses on platforming ground-breaking playwrights and empowering them to take up space with the stories they want to tell. It’s about embracing and celebrating a plethora of voices from around the country, giving playwrights the space to develop their big ideas and tell bold stories that encourage people to live out loud.
Charlotte and Katie said: “We are honoured to be working with such a wealth of talent and experience in our first season. We are also delighted to be working with partners across the country including Sheffield Theatres, Oldham Coliseum, York Theatre Royal, Soho Theatre, Ellie Keel Productions and LAMDA and also celebrating an existing partnership with Royal Welsh College of Music and Drama. These are stories that celebrate what it is to live life out loud, own who you are and speak your truth. And they are ready to be heard.”
RUN SISTER RUN by CHLOË MOSS
In February 2020 Paines Plough will co-produce a new play by Chloë Moss with Soho Theatre and Sheffield Theatres. RUN SISTER RUN will run at Sheffield Theatres studio 27 February – 21 March, and then at Soho Theatre from 25 March – 2 May.
RUN SISTER RUN explores the lives of two sisters and the different directions life takes them in as they desperately hold onto their unbreakable bond.
From award-winning playwright
Chloë Moss, this story of family, love and dependence asks who gets it right?
Chloë is an accomplished playwright and screenwriter. Her celebrated play THIS WIDE NIGHT 2008/2009 (Clean Break, Soho) won the prestigious Susan Smith Blackburn prize and was subsequently produced off Broadway. Chloe has written numerous other shows including THE GATEKEEPER 2012 (Royal Exchange Theatre), FATAL LIGHT 2010/2011 (Soho Theatre), CHRISTMAS IS MILES AWAY 2005/2006 (Bush theatre and off Broadway), and HOW LOVE IS SPELT 2002 (Bush Theatre & New York’s Summer Play Festival).
She is currently under commission to the Royal Court and Headlong Theatre.
Chloë has also written extensively for television. She is currently working on an original teen drama for CBBC. She is also under commission to BBC Radio 4.
MOON LICKS by CHARLOTTE JOSEPHINE
Once again PP will partner with Royal Welsh College of Music and Drama to showcase the world premiere of Charlotte Josephine’s new play. MOON LICKS will open at in Cardiff on 17 March, followed by a run in London at the start of April.
‘She looked at me and said, I want you to remember you came from the sky. Said you’re made of stardust. Said you deserve to be here.
Then the rains came, and all fucking hell broke loose.’
Stuck to shiny slick screens, pretending to be people, our
animal instincts spill out sideways with catastrophic consequences. Animal
humans or human animals, did we forget mother nature’s in charge? A generation
let down by those who should have known better, have one chance to put things
Charlotte Josephine is an award-winning playwright and actor. In 2012 BITCH BOXER won the Soho Theatre Young Writers Award, the Old Vic New Voices Edinburgh Season 2012, the Clonmel Junction Best Theatre Award 2013, the Holden Street Theatre’s Award 2013 and the Adelaide Fringe Award 2014. In 2017 Charlotte won the inaugural BBC Screenplay First Award, and was named on the BBC New Talent Hotlist. BLUSH is currently being adapted into a television drama and BITCH BOXER into a feature film. Charlotte is one of this year’s Old Vic 12 writers and is currently under commission at Boundless Theatre, Audible and Theatre Centre. Their new play POPS premiered at this summer’s Edinburgh Fringe Festival.
ROUNDABOUT SEASON 2020:
For the first time ROUNDABOUT will host a musical, with Chinonyerem Odimba’s new work exploring love and relationships with musuc by Ben and Max Ringham, will play in rep with Chris Bush’s new play investigating food and our dysfunctional relationships with our bodies and Phoebe Eclair-Powell’s new family show about a girl who loses her voice and has a madcap adventure to find it again – AND, in another first, a brand new trailblazer short commission from Charlotte Keatley!
ROUNDABOUT will once again return to Summerhall, Edinburgh and bring mini-festivals to each stop on its nationwide tour.
HUNGRY by CHRIS BUSH
me your fridge and I’ll show you what you’re worth.”
We are what we eat, and Bex eats shit. It’s not like she has any choice though – when times are tough the last thing you think about is your five-a-day. Today is different though. Today the table groans, and the best china is out. Today things will change.
HUNGRY is a new play about food, class and grief in a world where there’s little left to savour.
CHRIS BUSH is an award-winning playwright, lyricist and theatre-maker. Her past work includes PERICLES (National Theatre), THE ASSASSINATION OF KATIE HOPKINS (Theatr Clwyd), STANDING AT THE SKY’S EDGE, STEEL (both Sheffield Theatres) and THE CHANGING ROOM (NT Connections). Upcoming work includes FAUSTUS: THAT DAMNED WOMAN (Headlong/Lyric Hammersmith/Birmingham Rep), THE LAST NOEL (Attic Theatre) and a new musical adaptation of THE CAUCASIAN CHALK CIRCLE (National Theatre).
BLACK LOVE by CHINONYEREM ODIMBA
With Music byBen and Max Ringham
LOVE is brand new musical about love. Chinonyerem’s latest work explores romantic
relationships between black people, and in particular of how this is portrayed,
or more often than not, isn’t portrayed in theatre and on stage.
Chinonyerem is a Nigeria-born, Bristol based playwright, director and poet. Her work for theatre includes JOANNE and AMOMNGST THE REEDS for Clean Break, London /The Yard, a modern retelling of TWIST for Theatre Centre, MEDEA at Bristol Old Vic, and WE TOO, ARE GIANTS for Kiln Theatre. More recently, a new play PRINCESS AND THE HUSTLER toured across the UK for Eclipse Theatre/Bristol Old Vic/HullTruck. She was the Writer-in-Residence at Live Theatre/Northumbria University and is now an Associate Artist at Live. Her work has been shortlisted for several awards including the Adrienne Benham Award, Alfred Fagon Award, and the Bruntwood Playwriting Award. She is the joint winner for the 2018 Sonia Friedman Award for a new play HOW TO WALK ON THE MOON written for C4/Talawa Theatre. Currently Chinonyerem has the world premiere of a community play THE SEVEN AGES OF PATIENCEopening at Kiln Theatre, a new playUNKNOW RIVERS at Hampstead Theatre this October, and an adaptation of THE PRINCE AND THE PAUPER for Watermill Theatre Christmas season. She also writes for radio and TV, with a new 30-minute drama for Channel 4 scheduled to be broadcast in 2020.
REALLY BIG AND REALLY LOUD by PHOEBE ECLAIR-POWELL
Phoebe’s new play for families is about living loudly.
Ten year old Charli is always being told to sit down and be quiet, so much so that one morning she wakes up and – nothing – her voice is gone. Her Mum is worried, her older brother thinks it’s hilarious, everyone keeps offering her a lozenge. But Charli knows this is big – she needs to find it before it’s too late.
Phoebe is a writer from South East London. In 2015 her debut play WINK received rave reviews and four Off West End Nominations including ‘Most Promising New Playwright’. Her play FURY was runner up for the Verity Bargate Award 2015, and subsequently won the Soho Young Writer’s Award and received an Offie nomination for ‘Best New Play’. For 2016-17 Phoebe was the resident playwright at Soho Theatre through the Channel 4 Playwright scheme. In 2018 Phoebe’s play THESE BRIDGES was part of the National Theatre Connections Festival. Prior to this Phoebe completed the Channel 4 Screenwriting course. She was also on the Soho Writers’ Lab for 2014/15. Phoebe was a previous member of the RCYW and the Royal Court invited group under Alice Birch. Phoebe has completed the BBC writersroom drama programme with Sid Gentle Films, and took part in Nick Frost and Simon Pegg’s YA incubator at their company Stolen Picture. Phoebe has written for award winning Channel 4 Continuing Drama Hollyoaks. She is also under commission from Fremantle Australia, and Newcastle Live theatre, and adapting a graphic novel with Twelve Town.
THE INCONVENIENCE STORE by CHARLOTTE KEATLEY
How many versions of yourself are you wearing today? Just those three? Do they really fit you? Bee doesn’t fit hers. So she’s opened a shop, where the changing room actually does change you. The Inconvenience Store offers what is needed by those who aren’t Mr Normal- whoever he is.
Charlotte’s MY MOTHER SAID I NEVER SHOULD is the most widely produced play ever written by a woman, now translated into 31 languages, named as one of the National Theatre Significant Plays of the 20th Century, and a GCSE text. Other plays include: OUR FATHER AND ALL THE DAUGHTERS OF WAR for the RSC. Charlotte has written for film, television, radio and won an EMMY for filming in children’s prisons for a C4 documentary. Charlotte also teaches creative writing anywhere in the world on request.
SESSIONS by IFEYINWA FREDERICK
In 2019 Paines Plough co-commissioned a new play by Ifeyinwa Frederick, one of the 2019 Soho Six, in a year-long attachment programme for artists run by Soho Theatre. As part of their 2020 season Paines Plough together with Soho Theatre present the result! The production will open at Soho Theatre in Autumn 2020 as part of a 30-date small-scale tour. This will be the final production in a three-year partnership with Paul Hamlyn Foundation and Esmée Fairbairn Foundation.
Exploring the complexity of depression and therapy, SESSIONS asks what happens when your last resort doesn’t work. The play follows the life of Tunde – a 30-year-old loveable rogue – as we try to understand how such a seemingly happy young man has ended up here and how does he get out?
Ifeyinwa is a fervent believer in the power of storytelling and human connection, which fuels her work as a writer and entrepreneur. She began writing in 2016, joining Soho Theatre Writers’ Lab. Supported by the programme, she wrote her debut play THE HOES which received a full production at Hampstead Theatre in 2018. The play was shortlisted for the 2017 Tony Craze Award and Character 7 Award and longlisted for the 2017 Verity Bargate Award. Writing alongside her full-time job as co-founder of Chuku’s – the world’s first Nigerian tapas restaurant – she’s a Young British Foodie award winner and has been featured in Forbes’ list of 100 Female Founders in Europe.
LAMDA LIVE LAB: JADE ANOUKA
Live Lab is a new partnership with LAMDA exploring new ways of working in ROUNDABOUT by experimenting with early-career playwrights, actors and technicians alongside some of the most exciting, pioneering female playwrights from the last 30 years.
For 2020 the first co-commission built in Live Lab will be a brand new play by Jade Anouka.
Jade Anouka most recently appeared on our screens in ITV’s CLEANING UP alongside Sheridan Smith, Idris Elba’s Netflix comedy TURN UP CHARLIE and feel good feature film FISHERMAN’S FRIEND’S.
In theatre Jade most recently played the title roles in Hampstead’s Olivier nominated THE PHLEBOTOMIST and QUEEN MARGARET at The Royal Exchange. A seasoned Shakespeare performer, she starred in the Donmar Warehouse all-female Shakespeare Trilogy hit directed by Phyllida Lloyd where she played ‘Mark Antony’ in JULIUS CAESAR, ‘Hotspur’ in HENRY IV and ‘Ariel’ in THE TEMPEST. Other cherry-picked theatre credits include, Old Vic two-hander COVER MY TRACKS opposite musician Charlie Fink, Ophelia and Juliet in the Globe Theatre’s production of HAMLET and ROMEO AND JULIET respectfully and MOON ON A RAINBOW SHAWL at the National.
As a poet Jade has performed regularly around London including The Southbank Centre, Richmix and The Roundhouse. Her first collection of poems was published by Poetry Space and titled EGGS ON TOAST.
Her first play, HEART combined her love of writing and acting when she performed it at the Vault festival in the spring. Last year Jade did a TED talk: ‘Being Black, Being a Woman, Being ‘Other’.
ELLIE KEEL PRODUCTIONS and PAINES PLOUGH PRESENT: THE WOMEN’S PRIZE FOR PLAYWRITING
We have teamed up with the brilliant EKP to launch The Women’s Prize for Playwriting, which will support exceptional UK and Ireland-based playwrights. The winning playwright will receive £12,000 in respect of an exclusive option for EKP and Paines Plough to co-produce the winning play. The founding sponsor of The Women’s Prize for Playwriting is PER.
The Women’s Prize for Playwriting is designed to celebrate and raise the profile of these playwrights by providing them with a national platform. Any person of 16 years or older who is resident in the UK or Ireland and who identifies as female can enter. The prize is for a full-length play (defined as over 60 minutes in length), written in English. Musicals and pantomimes are not eligible. Submissions will open on Monday 11 November and close on Monday 2nd March.
The judging panel for The Women’s Prize for Playwriting 2020 is chaired by senior literary agent Mel Kenyon, and further comprises: playwright Tanika Gupta, Sarah Frankcom, playwright Ella Hickson; theatre producer and former Executive Director of the Donmar Warehouse, Kate Pakenham. actress and writer Monica Dolan, actress Maxine Peake and Artistic Director of Kiln Theatre, Indhu Rubasingham.
Full details of the Prize, including full eligibility criteria and details of second and third prizes, will be available on Monday 11 November, from which date submissions will also be open. Please visit www.womensprizeforplaywriting.co.uk for further details.
Thank you to our brilliant season launch creative team:
Monday 21 October 2019, 9.00am – 7.00pm @ Theatre Royal Stratford East
No, you’re not having déjà vu – we’re running Open Auditions
As usual, we’re looking to meet actors previously unknown to Paines Plough with a passion for new writing, this time in East London and the surrounding area. You can apply from now until midnight on Wednesday 02 October.
We will be seeing approximately 40 pairs of actors and preference will first be given to those living within 10 miles of Stratford East, with any remaining slots being allocated at random. We hope this means that everyone who wants to apply is able to, and that the selection process is fair to everyone.
You would be meeting Charlotte Bennett (Co-Artistic Director)
and another member of the Paines Plough team, Bella Rodrigues (Senior Producer)
from Theatre Royal Stratford East, and casting director Francesca Bradley from
Priscilla John Casting.
Sound good? This is how to apply…
Find yourself a partner – we’re auditioning people in pairs. Make sure one person applies on behalf of the pair as any duplicates (even if it’s with different partners) will be automatically excluded.
Register by filling in this form by midnight on Wednesday 02 October. There’s no need to send in anything else in advance.
If you are selected to audition, we’ll get in touch with you by Tuesday 08 October with an audition time – make sure you let us know if you can make it or not as soon as possible. If we don’t hear from you by midday on Friday 11 October we will reallocate you slot to someone on the waiting list.
Don’t worry, you’ll hear from us whatever the outcome. If you’re not selected to audition this time, we may keep you on a waiting list and may offer you an audition if a slot becomes available.
Once everything’s confirmed, please prepare a three-minute duologue from a play written in the last 15 years.
Some things to bear in mind:
If you have auditioned for Paines Plough before (either at an Open Audition or as part of casting for a specific show), unfortunately we won’t be able to see you this time round.
To give everyone a fair shot, agent or not, we only accept applications from actors so, if you have an agent, please apply using your own email address.
Places are all allocated in advance. Due to high demand we can’t accommodate requests for a different time, and we will be unable to see people on a walk-up basis. In the application, you’ll be able to indicate what time of day you’re available and we’ll try our best to accommodate this.
If for any reason you can’t make your audition please let us know ASAP by emailing email@example.com. If you don’t turn up to your audition without letting us know in advance, you won’t be able to apply for future Paines Plough Open Auditions.
We can only accept applications made with this form before the deadline.
Due to the large volume of people we’ll be seeing, we unfortunately won’t be able to offer feedback.
We aren’t casting for a particular show at the moment – we just want to meet some new actors so that we can bear you in mind for future productions.
Check out our FAQs for more information about the application process and what to expect on the day, or ping us an email at firstname.lastname@example.org if you’re not sure about anything.
Don’t worry if you don’t live in the area – we try to hold as many Open Auditions as we can throughout the year all around the UK. Join our mailing list or keep an eye on our social media for details of the next ones…
We’re delighted to announce the full programme for ROUNDABOUT @ Summerhall.
Paines Plough in co-production with Theatr Clwyd will stage three World Premieres from the phenomenal Daf James, Nathan Byron and Charley Miles. All three productions will be directed by former Paines Plough Associate Director, nabokov Artistic Director and total legend Stef O’Driscoll.
Visiting company productions in ROUNDABOUT will be: ISLANDER, a new musical with a Scottish folk-inspired score about a mysterious stranger from Helen Milne Productions; Tim Cowbury’s absurd and quietly shattering response to stories of those seeking refuge in the UK, THE CLAIM; Dirty Protest’s HOW TO BE BRAVE, Siân Owen’s one-woman love story to Newport, the city that made her; PARAKEET from Brigitte Aphrodite with Boundless Theatre and Boom Shakalaka Productions, a new musical about finding your flock and ruffling feathers, told through song, poetry and electronic sounds – the spirit of punk with empathy; Edinburgh Comedy Award Winner Richard Gadd’s chilling story about obsession, delusion, and the terrifying ramifications of a fleeting mistake in BABY REINDEER from Francesca Moody Productions in association with the Bush Theatre; and Middle Child return with THE CANARY AND THE CROW, brand new gig theatre about the journey of a working-class black kid who is accepted to a prestigious grammar school. We’re thrilled that Francesca Moody Productions’ Fringe First winner SQUARE GO penned by Kieran Hurley and Gary McNair will also return to ROUNDABOUT, following acclaim in 2018, this time featuring GAME OF THRONES star Daniel Portman (Podrick).
James and George said today:
“We’re immensely proud to present our ROUNDABOUT @ SUMMERHALL line-up for 2019, jam-packed with outstanding new plays from around the UK.
Our ROUNDABOUT repertory features a company of shapeshifting actors in three extraordinary world premieres from three of the UK’s most exciting writers and we’re welcoming thrilling, trailblazing new writing companies, playwrights and artists to ROUNDABOUT. From the return of our Associate Company Middle Child with an all new gig theatre show to the chilling debut play from Richard Gadd, this is a programme that showcases the very best new talent in British theatre. We can’t wait to welcome audiences to Roundabout @ Summerhall for a sixth consecutive summer at the Fringe.”
A Paines Plough and Theatr Clwyd production ON THE OTHER HAND, WE’RE HAPPY ByDaf James
A single Dad meets his adopted daughter for the first time. Then he agrees to meet her birth mother. When their two worlds collide, will what they have in common outweigh their differences?
A one-off meeting. But three lives will be changed forever. ON THE OTHER HAND, WE’RE HAPPY is a tender, funny, hopeful play about being a mum when your name is Dad.
Get tickets for ON THE OTHER HAND, WE’RE HAPPY here.
A Paines Plough and Theatr Clwyd production DEXTER AND WINTER’S DETECTIVE AGENCY By Nathan Bryon
When Dexter’s mum is sent to jail for getting mixed up in a jewellery robbery, it’s up to Dexter and Winter to get her out. On their journey to uncover the truth and free mum, their detective work leads them to some surprising discoveries.
A mad-cap adventure story for all the family from one of the writers behind CBeebies hits RASTAMOUSE, APPLE TREE HOUSE and SWASHBUCKLE.
Get tickets for DEXTER AND WINTER’S DETECTIVE AGENCY here.
A Middle Child production THE CANARY AND THE CROW By Daniel Ward Music by Prez 96 and James Frewer
The award-winning Middle Child present brand
new gig theatre about the journey of a working-class black kid who is accepted
to a prestigious grammar school.
This lyrical, semi-autobiographical piece from writer and performer Daniel Ward uses grime, hip hop and theatre to tell the story of the struggle between a new environment that doesn’t accept you and an old one that has no opportunity.
Helen Milne Productions present ISLANDER By Amy Draper, Stewart Melton & Finn Anderson
Eilidh stares out to sea and dreams of a new life beyond her lonely island. Myth and reality collide when the tide washes a mysterious stranger onto her beach, changing her life forever.
Epic storytelling, intimately staged with a contemporary Scottish folk-inspired score. The cast live-record and layer their voices to create an ethereal adventure for the ears and imagination. Originally developed in association with Comar. ISLANDER: A NEW MUSICAL is part of the Made in Scotland 2019 showcase.
Tim Cowbury, Mark Maughan in association with James Quaife Productionspresent THE CLAIM By Tim Cowbury Directed by Mark Maughan
A comically absurd and quietly shattering journey to the heart of our tolerant and fair society. Serge stands before us. He has a performance to give. But why is he here? What is he claiming has happened to him? And what has Willy Wonka got to do with it?
A bold, imaginative response to the stories of those seeking refuge in the UK, THE CLAIM asks what happens when your life is at stake and all you have to save it are your words. Part of the British Council Showcase 2019.
A Dirty Protest production HOW TO BE BRAVE By SiânOwen
Produced by the award-winning Welsh company behind Fringe hit Sugar Baby, this one-woman play is about what we’re made of and learning to be brave when your world’s falling apart.
When Katie was little, she was brave: climbing trees and riding bikes too fast. Now Katie’s a mum, she must be brave in a new way.
Determined her daughter will keep the fierce magic she arrived into the world with, Katie sets off on a mission around Newport with the help of a stolen BMX, a policewoman with bad hair, and a pigeon in a bag.
A Boundless Theatre & Boom Shakalaka Productions production PARAKEET By Brigitte Aphrodite and Quiet Boy
In Margate, an isolated teenager forms a band and find her voice with the help of a gang of exotic birds.
A new musical about finding your flock and ruffling feathers, Parakeet is a feast for the ears, eyes and heart told through irresistible song, poetry and electronic sounds where empathy is the new punk.
A Francesca Moody Production in association with the Bush Theatre BABY REINDEER Written and performed by Richard Gadd
‘I looked at her,
wanting her to laugh. Wanting her to share in the joke. But she didn’t. She
just stared. I knew then, in that moment – that she had taken it literally…’
Edinburgh Comedy Award winner Richard Gadd has a chilling story to tell about obsession, delusion and the terrifying ramifications of a fleeting mistake. An unmissable debut play directed by Olivier Award winner Jon Brittain and produced by 2018’s double Fringe-First winning Francesca Moody Productions in association with The Bush Theatre.
A Francesca Moody Production in association with SEARED SQUARE GO By Kieran Hurley and Gary McNair
The unmissable, Fringe First Award-winning show from Kieran Hurley and Gary McNair. Max spends his days daydreaming and hanging out with his weird wee pal Stevie. But when Max is called for his first Square Go – a fight by the school gates – it’s his own demons he must wrestle with first.
A raucous play about playground violence, myths of masculinity and the challenge to step up or run. Starring Game of Thrones’ Daniel Portman and River City’s Gavin Jon Wright and featuring an original soundtrack by members of Frightened Rabbit.
We are delighted to announce the cast and creative team for ROUNDABOUT 2019.
Once again we are thrilled to be co-producing three brand new plays with our pals at Theatr Clwyd to premiere in beautiful North Wales before setting off on tour around the UK. And we’re thrilled to introduce the band…
James and George said:
“For our final ROUNDABOUT season we are privileged to premiere three extraordinary new plays by three of Britain’s boldest, wittiest and most distinctive playwrights. This trio of plays will take you on adventures, teeter you on cliffhangers, transport you to other worlds, make you howl with laughter then rip out your heart. Both Charley and Nathan are former recipients of the Paines Plough Playwright Fellowship so we are particularly thrilled to now be premiering their full length plays. Along with Daf we think they are amongst the most entertaining and exciting new writing talent and we can’t wait to share their stories across the country in our beautiful ROUNDABOUT.”
“Working in partnership with Paines Plough and particularly with James and George during their brilliant tenure has been a joy. Together our two companies have created theatre that has thrilled audiences at our home in Wales and across the nation. This year’s three extraordinary new plays yet again prove the incredible strength of new writing talent that Wales and the wider UK has to offer.”
ROUNDABOUT 2019 Director Stef O’Driscoll said:
“ It is an honour to be back with Paines Plough and Theatre Clwyd directing this year’s ROUNDABOUT season. I believe completely in the grass roots mission of theatre for all and the need to deliver high quality new writing to underserved communities across the UK. The ROUNDABOUT actively breaks down the barriers that exist that prevent people from accessing the arts. It is local, it celebrates what it means to be human, it inspires hope and it brings communities together. I can’t wait to share these gifts of plays made by this almighty team with audiences across the UK and to see how each community we go into responds to these stories, making the ROUNDABOUT their local” .
Charlotte trained at The Royal Welsh College of Music and Drama. Her credits include:
For TV: THE WITCHER, NETFLIX Originals
For Theatre: ISLAND TOWN, Paines Plough/Theatr Clwyd, Stef O’Driscoll, STICKS AND STONES, Paines Plough/Theatr Clwyd, Stef O’Driscoll, HOW TO SPOT AN ALIEN, Paines Plough/Theatr Clwyd, Stef O’Driscoll; UNDER MILK WOOD, The Watermill Theatre, Brendan O’Hea; HUSH, Paines Plough, Hannah Bannister; THREE DAYS IN THE COUNTRY, Richard Burton Theatre Company, Eleanor Rhode; DYING FOR IT, Richard Burton Theatre Company, Dave Bond; THE TWO GENTLEMAN OF VERONA, Richard Burton Theatre Company, Caroline Byrne; THREE SISTERS, Richard Burton Theatre Company, Adele Thomas; For Radio: TORCHWOOD (Big Finish Productions) directed by Scott Handcock
Charlotte’s theatre credits include: Her in BLACKTHORN (West Yorkshire Playhouse and Edinburgh Festival); Julia in THE RIVALS (The Watermill Theatre); Goneril in KING LEAR (The Orange Tree Theatre); Kehar/ Thethuthinanng in WATERSHIP DOWN (The Watermill Theatre); Friar Laurence in ROMEO AND JULIET (Sheffield Crucible).
Charlotte’s television credits include:
CASUALTY (BBC); THE WHITE HOUSE FARM MURDERS (ITV) and PHILIP K. DICK’S ELECTRIC DREAMS (Channel 4).
Charlotte trained at The Guildhall School of Music and Drama. Credits whilst training include: Viola in TWELFTH NIGHT; Millie Crocker-Harris in THE BROWNING VERSION; Young Woman in MACHINAL; Medea in MEDEA; Sonya in UNCLE VANYA; Doris in FLARE PATH; Adrianna in THE COMEDY OF ERRORS.
Toyin Omari-Kinch recently played David Taylor for over a year in WAR HORSE at the National Theatre and during a national tour of the production. He and the production received fantastic reviews.
Toyin played the role of Eric the Archer in the RSC and National Theatre of Scotland’s US tour of DUNSINANE. The show was adapted by David Greig and directed by Roxana Silbert and went to North Carolina, Washington, Chicago and Los Angeles. He has also appeared in numerous productions for the Birmingham Rep. On the small screen, he has featured in DOCTORS for the BBC.
Stef is the Artistic Director of nabokov and previously the Associate Director at Paines Plough and Lyric Hammersmith. For Paines Plough she directed the ROUNDABOUT 2018 rep: ISLAND TOWN by Simon Longman, STICKS AND STONES by Vinay Patel and HOW TO SPOT AN ALIEN by Georgia Christou. Also for Paines Plough: WITH A LITTLE BIT OF LUCK by Sabrina Mahfouz, HOPELESSLY DEVOTED by Kate Tempest, BLISTER by Laura Lomas, and as Assistant Director: WASTED by Kate Tempest. Other director credits include LAST NIGHT (nabokov/Roundhouse); STORYTELLING ARMY (nabokov/Brighton Festival); SLUG (nabokov/Latitude); BOX CLEVER (Bunker); YARD GAL (Ovalhouse); THE UNMASTER, A TALE FROM THE BEDSIT (& Bestival), FINDING HOME (Roundhouse); A GUIDE TO SECOND DATE SEX, WHEN WOMEN WEE (Underbelly/Soho); A MIDSUMMER NIGHT’S DREAM [co-director] (Lyric, Hammersmith). As associate director, theatre includes: MOGADISHU (Lyric, Hammersmith/Royal Exchange, Manchester). As assistant director, theatre includes: HENRY IV (Donmar/St Anne’s Warehouse, Brooklyn); BLASTED (Lyric, Hammersmith). Upcoming projects include: A HISTORY OF WATER IN THE MIDDLE EAST (Royal Court Theatre), LIT (Nottingham Playhouse & High Tide).
Janisè Sadik is an Emerging Theatre maker and Director. She’s apart of the Young Vic Directors program and completed her Boris Karloff Foundation in 2017. She has been a co-workshop leader at Park Theatre leading the Creative Learning Programme since 2015 directing the end of term showcase. She’s facilitated in various creative buildings such as Hoxton Hall, Lyric Hammersmith, Oval House and Wimbledon Arts College. In 2018 she set up a Youth Theatre company at We Are Spotlight working with young actors that don’t have access to training. She has worked internationally in rural parts of South India to run creative theatre projects with young children to empower and build their confidence.
She enjoys work that is experimental, devised and bringing new writing to life. Her Directorial credits include MILK & OREOS co-written by Janisè Sadik & Seraphina Beh (Melanin Box Festival/ Winner of the Pandora Award 2015); SHE (Short Film) written by Andrè James; BREAKING THE INTERNET (Oval House Summer school 2017); BLURRED LINES (Etcetera Theatre); US written by Priscilla Lafayette Kwabi (Camden People’s Theatre); HYDRAULIC written by Tristan Fynn-Aiduenu (Wimbledon Arts College).
Nathan Bryon is a writer and actor, who grew up eating as much Uxbridge Road Caribbean food as his bank balance would allow. He is best known to viewers for his role as regular character Jamie in SOME GIRLS and BENIDORM’s sunniest holiday maker, Joey Ellis. Nathan has written for critically acclaimed CBeebies’ animation RASTAMOUSE, BAFTA award winning SWASHBUCKLE and on all three series of BAFTA nominated APPLE TREE HOUSE (CBeebies) alongside BAFTA winning GIGGLEBIZ. Last Year Nathan’s one-man show MIXED BRAIN a show about his mixed heritage premiered in Roundabout at the Edinburgh Fringe Festival.Nathan has secured a 3 picture book deal with Penguin Random House. His first book LOOK UP! will hit shelves in the US and UK in June 2019.
In addition, Nathan has recently co-written a Sky Arts short NEW BLOOD starring Samson Kayo and Jane Horrocks, this can be found to watch on NOW TV and Sky On Demand. NEW BLOOD is currently being developed by Sky One. One of Nathan’s passions is creating his own work about his black British experience. He created REALITY, a comedic social commentary ethnology series, which has had two solo premiers at the BFI in NFT1. REALITY has also screened and won various awards around the world at film festivals. Nathan is currently writing series 3.0. Nathan has various TV projects in development with Roughcut, Three Stones Media, and a feature film in development with Damian Jones and Adam Rolston.
Daf James is an award-winning writer,
composer and performer working across theatre, radio television and film in
English and Welsh. Having trained in the Lecoq pedagogy at the London
International School of Performing Arts he went on to earn a doctorate in
Theatre Studies from the University of Warwick. His first full-length
play LLWYTH[Tribe] was described in Contemporary
Welsh Plays as ‘a water-shed play that changed the landscape of Welsh
language theatre forever.’
Other past work includes: REPUTATIONS
(BBC Studios); NURSERYLAND REVOLUTION (Let’s Play/National Theatre); MY MOTHER
TAUGHT ME HOW TO SING (Radio 4); TIGER BAY (WMC/Capetown Opera); CITY OF THE
UNEXPECTED (National Theatre Wales); ALL THAT I AM (Richard Burton Theatre
Company/Gate); WONDERMAN (Gagglebabble/NTW); MOTHER COURAGE (NTW); YURI (August
012); CRACKANORY (Tiger Aspect/Dave); PSYCHOBITCHES (Tiger Aspect/Sky Arts,
Rose d’Or Award Winner); HERITAGE (NT Connections); SUE: THE SECOND COMING
(Soho Theatre and UK tour); TERRACE (Radio 3); GWAITH/CARTREF (10
episodes, Fiction Factory); THE VILLAGE SOCIAL (NTW); DEFFRO’R GWANWYN (Theatr
Genedlaethol) and MY NAME IS SUE (Total Theatre Award Winner).
Current work includes: EXODUS(Triongl/S4C);
GANOL GAEAF NOETHLWM (Cwmni Da/S4C); MARGARET & CLIVE (Fiction Factory);
THE DIANA CHRONICLES (Royal Court, Sherman Theatre and Theatr Clwyd) and
TYLWYTH (Theatr Genedlaethol/Sherman Cymru).
His TV pilot BEAST(Scott
Free/Channel 4) was on the 2018 Brit List and he is currently on the 2019 BBC
TV Drama Writers’ Programme.
Charley is a playwright from rural North Yorkshire. She has written plays for the Royal Court, Leeds Playhouse, and Royal Welsh College of Music and Drama. She has been attached to Paines Plough as their Playwright Fellow in 2018 and Leeds Playhouse as their Channel 4 Playwright in Residence in 2017. Her debut play, BLACKTHORN, was a finalist for the Susan Smith Blackburn prize in New York in 2017. Her new play, THERE ARE NO BEGINNINGS, will premiere at Leeds Playhouse in Autumn 2019. She has original television dramas in development with Buccaneer Media, Mam Tor Productions and Entertainment One.
THE CREATIVE TEAM:
ANNIE-LUNNETTE DEAKIN-FOSTER (Movement Direction)
Annie-Lunnette Deakin-Foster is a passionate contemporary dance theatre
choreographer, maker and movement director and is a co-founding member of award
winning company, C-12 Dance Theatre.
Recent theatre credits include: GRIMM TALES,Phillip
Pullman’s collection adapted by Philip Wilsondirected by Kirsty Housley at the Unicorn Theatre; JERICHO’S ROSE
by Althea Theatre at The Hope & Anchor; POP MUSIC by Anna Jordan and
directed by James Grieve (Barry Jackson and Paines Plough national tour); THE
COURT MUST HAVE A QUEEN by Ade Solanke directed by Sam Curtis Lindsay (Hampton
Court Palace); THESE BRIDGES by Phoebe Éclair-Powell (WCYT as part of National
Theatre Connections at The Bush); THE LITTLE MATCH GIRL AND OTHER HAPPIER TALES
by Joel Horwood and Emma Rice (Presented on tour 2017-2018 at Bristol Old Vic,
Theatr Clwyd, Oxford Playhouse, Theatre Royal Plymouth, Buxton Opera House,
Liverpool Everyman & Playhouse and the Shakespeare’s Globe); THE DARK ROOM by Angela Betzien (Theatre 503); I KNOW ALL THE SECRETS
OF MY WORLD by Natalie Ibu(Latitude
Festival, Watford Palace Theatre, Salisbury Playhouse, Lincoln Drill Hall,
Bristol Old Vic, The Lowry, The Drum, Nottingham Playhouse, Mercury Theatre,
Recent dance credits include: FORCE(Abbey Road Studios, Imagine
Festival Watford, Greenwich & Docklands International Festival, &
Netherlands) SHHH! (Dance City, MAC Birmingham, Norwich Playhouse, The
Woodville Gravesend, CircoMedia Bristol, Winchester Theatre Royal) THE VAN MAN
(Watch This Space at The National, St Albans Festival, Freedom Festival Hull,
The Albany Outdoors)
PETER SMALL (Lighting)
an Offie and Theatre & Technology Award-nominated lighting designer working
across theatre, dance and opera. He regularly collaborates with Paines Plough,
including lighting productions in their pop-up theatre ROUNDABOUT.
lighting design for theatre includes:
2018 SEASON (HOW TO SPOT AN ALIEN, STICKS AND STONES and ISLAND TOWN) (Paines
Plough and Theatr Clwyd); SQUARE GO (Francesca Moody Productions); OUT OF LOVE,
BLACK MOUNTAIN (Offie nominated) and HOW TO BE A KID (Roundabout 2017); PLASTIC
(Poleroid Theatre, Old Red Lion); OLD FOOLS (Southwark Playhouse); A GIRL IN
SCHOOL UNIFORM (WALKS INTO A BAR) (Offie and Theatre & Technology Award-nominated)
(New Diorama); FOX (Old Red Lion); MEMORY OF LEAVES (UK Tour); SHE CALLED ME
MOTHER (Pitch Lake Productions, UK Tour); THE VENUS FACTOR (Bridewell Theatre,
MTA Academy); EAST END BOYS AND WEST END GIRLS (Arcola Theatre and tour); A
MIDSUMMER NIGHT’S DREAM, FREE ASSOCIATION and CRAZY LADY (Forum Alpbach,
Austria); RICHARD III and BARD ON BOARD 2 (Royal Court, Queen Mary 2 Ocean
design for opera and musical theatre includes:
OF LUCRETIA (Stratford Circus); ALL OR NOTHING (West End and tour); CINDERELLA
(Loughborough Theatre); TOM & JERRY (EventBox Theatre, Egypt); THE VENUS
FACTOR (Bridewell Theatre). Peter was also a revival lighting designer on KISS
ME KATE for Oper Graz.
projects include taking AD LIBIDO and SQUARE GO on tour.
DOMINIC KENNEDY (Sound and Original Music)
Kennedy is a sound designer and music producer for performance and live events,
he has a keen interest in developing new work and implementing sound and music
at an early stage in a creative process. Dominic is a graduate from Royal
Central School of Speech and Drama where he developed specialist skills in
collaborative and devised theatre making, music composition
and installation practices. His work often fuses found
sound, field recordings, music composition and synthesis.
Recent design credits include: RAMONA TELLS JIM (Bush Theatre); AND THE REST OF ME FLOATS (Outbox); I AM A TREE (Jamie Wood); BOX CLEVER (nabokov); SKATE HARD TURN LEFT (Battersea Arts Centre); ROUNDABOUT SEASON 2017 (Paines Plough, Theatre Clwyd and Orange Tree Theatre); GAP IN THE LIGHT (Engineer); BROKEN BISCUITS (Paines Plough); ROUNDABOUT SEASON 2016 (Paines Plough, Theatr Clwyd and Sherman Theatre); WITH A LITTLE BIT OF LUCK (Paines Plough and Latitude Festival); THE HUMAN EAR (Paines Plough, national tour); THE DEVIL SPEAKS TRUE (Goat and Monkey); RUN (Engineer) and ONO (Jamie Wood).
TOM DAVIS (Lighting Programmer)
undertook his training at Rose Bruford College, and graduated with a first
Creative Lighting Control. His recent lighting programming credits include:
LES MISÉRABLES(Imperial Theatre, Toyko), MARVEL
SUPERHEROES UNITED, (Disneyland Paris), AMELIE(Werk7, Munich), BAT OUT OF HELL, (North America Tour), SATURDAY NIGHT
FEVER,(UK Tour), ALL OR NOTHING (Ambassadors
Theatre, London), ROUNDABOUT 2018
SEASON(UK Tour), THIS IS ELVIS(UKTour), ALICE’S
ADVENTURES UNDERGROUND (London & Shanghai), PYGMALION (UK Tour), GREASE(Curve), KING LEAR(The Old Vic, London), MADE IN
DAGENHAM (Queens Theatre, London), CRIME AND PUNISHMENT(Theatre of Musical, Moscow), HAIRSPRAY (UK Tour), BEAUTIFUL THING
(UK Tour), LOS MISÉRABLES (Spain Tour).
RACHEL GRAHAM (Stage Management)
Rachel is a
freelance stage manager based in London. She graduated in 2016 with a 1st
Class BA (Hons) Stage Management from Rose Bruford College of Theatre and
Theatre Credits include: RAGS (Aria Entertainment, Hope Mill Theatre), CRAZY FOR YOU (Mountview at Pleasance), ROBIN HOOD (Qdos Productions), THE POLITICAL HISTORY OF SMACK AND CRACK (Edinburgh and London, W14 Productions),BLACKTHORN (InSite, Roundabout @ Edinburgh),LONELY PLANET (Trafalgar Studios), NOT TALKING (defibrillator, Arcola Theatre), A NIGHT AT THE OSCARS (Aria Entertainment), ALADDIN (Qdos Productions), WHITE CHRISTMAS (Curtain Call Productions, Crewe Lyceum), 31 HOURS (W14 Productions, Bunker Theatre), SOME LOVERS (Aria Entertainment, The Other Palace), JAM (W14 Productions, Finborough Theatre), POSH (Can’t Think Theatre Company, Pleasance Theatre), THE PAJAMA GAME (Urdang Academy at Pleasance Theatre), CINDERELLA (First Family Entertainment), SWEENEY TODD (Royal Academy of Music, TRSE), SISTER ACT (Curtain Call Productions, Crewe Lyceum)
Are you a producer, artist or company ready to take your show on tour?
We set up our Small Scale Touring Network (SSTN) in 2018 – a network of 30 venues across the UK to which we tour a production every year. Last year we toured Anna Jordan’s POP MUSIC, and in 2019 we will be taking Zia Ahmed’s I WANNA BE YOURS on tour cross-country.
In the interest of strengthening and broadening this network, we are looking to share our experience with companies committed to touring, with an aim to introduce them to our network venues across the UK.
We will be holding three FREE masterclasses on small-scale touring. How do you make work to tour? How do you write a tour pack? How do you book a tour? How do you avoid touring pitfalls? Come armed with questions and wanderlust.
13 June – Square Chapel, Halifax
13 August – ROUNDABOUT @ Summerhall (Edinburgh)
October (exact date TBC) – Theatre Royal Stratford East, London
To apply for a place on one of these three sessions, please email email@example.com with your preferred location and 200 words on how the masterclass would benefit you and/or your company. The deadline for applications is 5pm on Friday 03 May.
announce Programme 2019: a must-see celebration of the most striking and
original playwriting talent in 10 thrilling productions out on tour to every
nook and cranny of the UK and beyond.
#PP2019 features our pick of the most distinctive, observant and entertaining new voices in British theatre with brand new plays by Zia Ahmed, Nathan Bryon, Ifeyinwa Frederick, Daf James, Anna Jordan, Sarah McDonald-Hughes, Charley Miles and Sam Steiner. You can catch their words on tour across the length and breadth of the UK in city centres, seaside towns and village halls.
ROUNDABOUT once again hosts a jam-packed Edinburgh
Festival Fringe programme and brings mini-festivals to each stop on its
nationwide tour. We’ll broadcast Anna Jordan’s POP MUSIC live and celebrate 10 years of COME TO WHERE I’M FROM with special live events and our COME TO WHERE
I’M FROM app featuring more than 180 short audio plays available to download
free from the App Store and GooglePlay. We will once again be holding OPEN AUDITIONS as part of our pledge to actors. Our new
series of podcasts, INSIGHTS, offers a view into the writer’s experience of
life inside the rehearsal room.
ever, we’ll be announcing a host of exciting new stuff to add to the mix as we
go through the year.
you are, a Paines Plough show is touring to you soon.
James and George said:
“This programme epitomises what Paines Plough has always been about for us: urgent new plays from original new voices featuring top new talent on wide-ranging tours the length and breadth of the UK. We’re hugely proud to be presenting the best of a new generation of British playwrights. We’re celebrating 10 years of COME TO WHERE I’M FROM and another three years of ROUNDABOUT funding. Graduates of our Playwright Fellowship and Trainee Director Bursary headline the programme. Loyal venue partners reaffirm their commitment to the importance of new plays. Our newly launched podcast series INSIGHTS aims to make us ever more open and accessible, joining existing initiatives like OPEN AUDITIONS, our Casting Pledge and our UNSOLICITED SCRIPT policy. It’s everything we think a national theatre of new plays should be.”
Introducing our playwrights for 2019…
has written one of the most exciting debut plays we’ve come across in years. In
partnership with Tamasha, we’re hitting the road on a national tour with the
tender and lyrical love story I WANNA BE YOURS, a co-production with Tamasha, directed by our former Trainee Director Anna Himali Howard.
Zia is from North West London. He is a London
Laureate, having been shortlisted to be the Young Poet Laureate for London
2015/16. He is a former Roundhouse Poetry Slam champion. Zia was Paines
Plough’s Channel 4 Playwright in Residence 2016/2017. In 2016 he was one of the
commissioned writers for the London leg of Paines Plough’s ongoing COME TO
WHERE I’M FROM series.
Bryon is writing one of this year’s Roundabout rep plays in co-production with Theatr Clwyd, directed by Stef O’Driscoll. Nathan was our
Playwright Fellow in 2016 and we co-produced his one-man show MIXED BRAIN with tiata fahodzi in 2017. We’re thrilled
he’s back at PP writing a brand new show for all ages for this year’s ROUNDABOUT rep.
Nathan is a writer and actor, who grew up
eating as much Uxbridge Road Caribbean food as his bank balance would allow. He
is best known to viewers for his role as regular character Jamie in SOME GIRLS
and BENIDORM’s sunniest holiday maker, Joey Ellis. Nathan has written for critically
acclaimed CBeebies’ animation RASTAMOUSE, BAFTA award winning SWASHBUCKLE and
on all three series of BAFTA nominated APPLE TREE HOUSE (CBeebies) alongside
BAFTA winning GIGGLEBIZ. Last Year Nathan’s one-man show MIXED BRAIN a show about his mixed heritage premiered in Roundabout at the
Edinburgh Fringe Festival. Nathan has secured a 3 picture book deal with
Penguin Random House. His first book LOOK UP! will hit shelves in the US and UK
in June 2019.
Daf James is writing one of this year’s ROUNDABOUT rep plays in co-production with Theatr Clwyd, directed by Stef O’Driscoll. We are long time admirers of Daf’s sharp and potent writing and we’re excited to welcome him to PP with a brand new play for ROUNDABOUT audiences everywhere.
Daf is an award-winning writer, composer and
performer working across theatre, radio television and film in English and
Welsh. Having trained in the Lecoq pedagogy at the London International School
of Performing Arts he went on to earn a doctorate in Theatre Studies from the
University of Warwick. His first full-length play LLWYTH[Tribe]
was described in Contemporary
Welsh Plays as ‘a water-shed play that changed the landscape of
Welsh language theatre forever.’
Miles is writing the third of this year’s ROUNDABOUT rep plays in co-production with Theatr Clwyd, directed by Stef O’Driscoll. Charley is our current
Playwright Fellow. We fell in love with her debut play BLACKTHORN as it wowed
audiences in Edinburgh last summer and we can’t wait for her new ROUNDABOUT
play as part of this year’s rep.
Charley Miles is a
playwright from rural North Yorkshire. She is currently the Paines Plough Playwright
Fellow. Her debut play, BLACKTHORN, was produced in 2016 and went on to become
a finalist for the Susan Smith Blackburn award in New York in 2017. She was the
Channel 4 Playwright in Residence at the West Yorkshire Playhouse in
2017, and has recently written plays for the Royal Welsh College of Music and
Drama, the Royal Court, and Leeds Playhouse. Her original television drama, IN
MEMORIAM, is in development with Buccaneer Media.
With Soho Theatre we have co-commissioned a new play from Ifeyinwa Frederick, one of the 2019 Soho Six, a yearlong attachment programme for artists at Soho Theatre. Ifeyinwa’s debut THE HOES announced a major new talent, and we’re pumped to be producing her new play.
Ifeyinwa is a writer and entrepreneur, using both
writing and business as creative outlets. Writing alongside her full-time job
as co-founder of Chuku’s – the world’s first Nigerian tapas restaurant – she
has been featured in Forbes’ list of 100 Women Founders in Europe. She began
writing in 2016, joining Soho Theatre Writers’ Lab. Supported by the programme,
she wrote her debut play THE HOES which received a full production at Hampstead
Theatre in 2018. The play was shortlisted for the 2017 Tony Craze Award and
Character 7 Award and longlisted for the 2017 Verity Bargate Award. Fuelled by
a childlike curiosity and fascination with people, her stories explore the
intricacies of people and the dichotomy between how we really are and how
society or we portray ourselves to be.
Our Birmingham Repertory Theatre co-production of Anna Jordan’s POP MUSIC returns for live dates and a live broadcast following
an acclaimed national tour in 2018. Turbo charged by non-stop pop hits from the
past 30 years of chart toppers, POP MUSIC is a euphoric, nostalgic, poptastic
theatre party for anyone who’s ever been a dick on the dancefloor.
Anna won the 2013 Bruntwood Prize for Playwriting
for Yen (Royal Court) after having been twice
longlisted for her plays MARIANNE and CHICKEN SHOP. YEN has had
productions at Manchester Royal Exchange, the Royal Court and MCC New York as
well as several international productions. It was also shortlisted for the
Susan Smith Blackburn Prize 2015-2016. Her current projects include
THE UNRETURNING (Frantic Assembly / Theatre Royal Plymouth) and a new
adaptation of MOTHER COURAGE (Royal Exchange / Headlong). She is also under commission
to the Royal Court Theatre.
We’re teaming up once again with Royal Welsh College of Music and Drama and The Gate Theatre to showcase the world premiere of Sarah McDonald-Hughes’s electrifying TURBINES, directed by former Trainee Director Emily Ling Williams. Sarah returns to Paines Plough following her award-winning play for young people HOW TO BE A KID.
Sarah is an actor and writer from
Manchester. Plays include: SHERBET (Octagon Bolton), HOW TO BE A
KID (Paines Plough); BLACKOUT (Dukes Lancaster) THE MANCHESTER PROJECT
(Monkeywood Theatre/HOME/National Theatre), TRIAL, MULTI STORY (Octagon
Bolton/Monkeywood), WONDROUS PLACE (Northern Spirit/Liverpool Unity/Sheffield
Crucible/Northern Stage/Royal Exchange), FLESH (Monkeywood Theatre/Royal Exchange),
BY FAR THE GREATEST TEAM, ONCE IN A HOUSE ON FIRE, MAINE ROAD (Monkeywood
Theatre), THE TREE, NIGHT TRAIN (Action Transport Theatre), OUR PALS and THE
NORTH (Royal Exchange Studio).
YOU STUPID DARKNESS! is the World Premiere of an urgent new play by
rising star Sam Steiner (LEMONS, LEMONS, LEMONS, LEMONS, LEMONS; KANYE THE
FIRST), directed by Paines Plough Joint Artistic Director James Grieve. In a
call centre for Brightline helpline, four volunteers spend a few hours every
Tuesday night on the phone to strangers telling them everything is going to be
ok. A hopeful play about the struggle for optimism and community amid the chaos
of a collapsing world. The
production marks the continuation of a long-standing relationship between
Paines Plough and Theatre Royal Plymouth and follows the success of LOVE LOVE LOVE andTHE ANGRY BRIGADE.
Sam was our
inaugural Playwright Fellow in 2015. YOU STUPID DARKNESS! runs at Theatre Royal
Plymouth 7 – 23 February with an Opening Night on 12 February. Check out our
brand new trailer below:
Thank you to our brilliant season launch creative team:
We are delighted to announce the full cast and creative team for the nation-wide tour of Zia Ahmed’s I WANNA BE YOURS 2019.
Writer: ZIA AHMED
Zia Ahmed is from north-west London. He is part of
the London Laureates, having been shortlisted for London’s Young Poet Laureate
2015/16. He is a former Roundhouse Poetry Slam winner and writer
in residence at Paines Plough as part of Channel 4’s Playwright Scheme. He is one of the Bush Theatre’s Emerging
Writers’ Group 2018/19.
writing and performance credits include C11 (Bush Theatre) and FRAGMENTS
(Roundhouse). His poetry has featured on BBC Radio 4, DAZED and notable
gigs include performing at Kate Tempest’s collection launches at the Old Vic,
Hackney Arts Centre, Boiler Room x V&A, Latitude Festival and the ICA.
Twitter/Instagram – @ziaahmedx
Direction: ANNA HIMALI HOWARD
Anna Himali Howard is a director and theatremaker. She was Paines Plough’s Trainee Director in 2016 and is an alumnus of the Birmingham REP Foundry. She was recently the Staff Director on SMALL ISLAND at the National Theatre. Her work as a Director includes: A SMALL PLACE by Jamaica Kincaid (Gate Theatre); I WANNA BE YOURS by Zia Ahmed (Paines Plough/Tamasha/Rural Arts), ALBATROSS by Isley Lynn for NEW (Paines Plough/ RWCMD/Gate Theatre). As a theatremaker, work includes:
ANGER (Yard Theatre Live Drafts), MAHABHARAT/A by Anna Himali Howard and Zarina
Muhammad (Camden People’s Theatre), THE BEANFIELD by Breach Theatre (New
Diorama/national tour 2016).
was Associate Director on FLEABAG by Phoebe Waller-Bridge (Drywrite/Soho
Theatre international tour) and Assistant Director on OTHELLO, directed by
Ellen McDougall (Shakespeare’s Globe) and IN THE NIGHT TIME (BEFORE THE SUN
RISES) by Nina Segal, directed by Ben Kidd (Gate Theatre
EMILY STOTT as ELLA
Emily trained at The Oxford School of Drama and is a founding member of the award-winning theatre company Wildcard (ELECTROLYTE, 17, AFTER PARTY)
Theatre credits include: IF NOT NOW, WHEN? (Dorfman, National Theatre); THE COMEDY ABOUT A BANK ROBBERY (Mischief Theatre/Criterion Theatre); GIFTED (Pleasance); THE PICTURE OF DORIAN GRAY (Watermill Theatre); GLITTER PUNCH (VAULT Festival); THE KITCHEN SINK (Oldham Coliseum); INSIDE PUSSY RIOT (Les Enfants Terribles/Saatchi Gallery); PANCAKE DAY (The Bunker); EARLY DOORS (Not Too Tame/UK tour); THE SELFISH GIANT (Arcola).TV credits include: VERA (ITV).
RAGEVAN VASAN as HASEEB
credits include: SAVE ME, FORTITUDE (Sky Atlantic); THE STATE (Channel 4);
CUFFS, DOCTORS (BBC).
credits include: DUMBO (Disney); DAPHNE (The Bureau Film Company); WALK LIKE A
PANTHER (FOX Searchlight); THE LAST WITNESS (Film Polska Productions).
credits include: THE VILLAGE (Theatre Royal Stratford East); HURLING RUBBLE AT THE
SUN/MOON (Park Theatre); LOVE FOR LOVE, QUEEN ANNE (Royal Shakespeare Company).
RACHAEL MERRY as RACHAEL
is an actor and BSL/English interpreter who is delighted to be working with
Paines Plough this autumn for I WANNA BE YOURS.
member and associate artist of the DH Ensemble, she is a previous resident
artist with GLYPT (Donut Worry R&D) and most recently can be seen as Ellie
in DeafFest UK award winning short film AVA(Grint & Ash
credits include: Librarian in ALMOST(BSLBT/Flashing Lights Media);
Evil Queen in MIRROR MIRROR (Red Earth Theatre UK Tours); Shiny in SMALL WORLD (BSLBT/Mutt
& Jeff Pictures); Mrs Yellow in MR RED AND MRS YELLOW (Handprint Theatre).
Rachael holds a first class degree in Theatre Arts, Education & Deaf
Studies from The University of Reading and recently completed her role coordinating
the youth programme for Deafinitely Theatre Company.
THE CREATIVE TEAM
COMPANY STAGE MANAGER: ALICE LONGSON
Studying at Salford University, Alice gained a degree in Media Performance but was always drawn to the theatre. Post university she headed into the Manchester Fringe scene working in various stage management roles on shows including THE TRIAL (People Zoo Productions); MOTH (Ransack Productions) and HAIR THE MUSICAL (Aria Entertainment). With a passion for driving vans Alice went on to touring, working with Theatre Hullabaloo sharing THE BEAR AND BUTTERFLY with the UK in 2016/17. During her time working the Manchester fringe Alice grew close connections with Hope Mill Theatre and following her tour went on to become the Technical Manager of the venue. She also supported their in-house musicals and Production Manager. She found a new passion for set building and power tools. Onto ventures new, Alice is super excited to be hitting the road with I WANNA BE YOURS and is very proud to be part of the Paines Plough team on this project.
DESIGN: MYDD PHARO
Mydd is an award-winning
set and costume designer, director and visual dramaturg working in theatre,
live art and installation. He trained in Theatre Design at Wimbledon School of
Art and Fine Art (Installation) at Falmouth College of Art.Selected work
includes:WOLF’S CHILD (WildWorks/NNF);
THE BODY (Barbican); THE PASSION (WildWorks/NTW); PARTY SKILLS FOR THE END OF
THE WORLD (NNF); DREAM CITY – The Tunis Biennale of Art in Public Spaces, NABLUS:
CITY OF STORIES, ONCE UPON A CASTLE – Kasteel Van Gaasbeek, THE ENCHANTED PALACE (WildWorks);
ARK-IVE (National Theatre).He is founding
member, production designer and visual dramaturg for NPO company WildWorks an
international site-specific theatre company specialising in large-scale outdoor
promenade performances in unusual locations. He has also designed works for Kneehigh
Theatre, Punchdrunk, 14-18NOW, Royal College of Music, NYT, BAC, The Eden
Project and The British Council.
LIGHTING: MARTHA GODFREY
Martha Godfrey is a lighting designer based in London.Recent work includes: WHITEand GREY by Koko Brown (Ovalhouse Theatre/UK tour); PINKLEMONADEand SINCE U BEEN GONE(Queer House
Productions); FUCK YOU PAY ME(The
Bunker); BURY THE DEAD (Finborough
Theatre); HEAR ME HOWL (Old Red
Lion Theatre); PECS: THE 80S SHOW
COMPOSITION & SOUND: ANNA CLOCK
Anna Clock is a composer, sound designer and
cellist working across theatre, film, radio and installation. Recent
projects include: PLAYING UP and EPIC
STAGES (National Youth Theatre); ARMADILLO (The Yard Theatre); FIGHTER(Stratford Circus Arts Centre); LOOKING FORWARD (Battersea Arts
Centre); SOFT ANIMALS (Soho); THE BUTTERFLY LION (Barn
Theatre); FATTY FAT FAT (Roundhouse/Edinburgh Festival) WORK BITCH, MISS FORTUNATE, ADMIN (VAULT
Festival); TWELFTH NIGHT (Southwark
Playhouse); POMONA; PUNK ROCK (New
Diorama); BURY THE DEAD (Finborough
Theatre); FABRIC (Soho/community
spaces tour); KATIE JOHNSTONE, IN
THE NIGHT TIME, [BLANK] (Orange Tree Theatre); OVEREXPOSED (V&A
Museum); UNCENSORED (Theatre
Royal Haymarket); SONGLINES (Edinburgh
Festival/HighTide Festival/regional tour); FINDING FASSBENDER (VAULT Festival/Edinburgh
2018 Anna was artist in residence at SPINE Festival Borough of Harrow and
Sirius Arts Centre. Anna studied Music Composition and English
Literature at Trinity College Dublin, Cello performance at the Royal Irish
Academy of Music and holds an MA in Advanced Theatre Practice from Central
School of Speech and Drama. They also have extensive experience as a workshop
facilitator and educator, and have run workshops in schools, youth centres and
community centres. They have also worked as guest lecturer and guest sound
designer for third level institutions including University of Manchester, Mountview
Academy, Arts Ed and Fourth Monkey.
ASSISTANT DIRECTOR: JANISÉ SADIK
Janisè Sadik is an emerging theatremaker
and director. She is Paines Plough’s Trainee Director for 2019, was a part of
the Young Vic Directors program, and completed the Boris Karloff Trainee
Assistant Director Program in 2017. She has been a co-workshop leader at Park
Theatre leading the Creative Learning Programme since 2015 directing the end of
term showcase. She has facilitated in
various creative buildings such as Hoxton Hall, Lyric Hammersmith, Ovalhouse
and Wimbledon College of Arts. In 2018, she set up a Youth Theatre company at
We Are Spotlight working with young actors that don’t have access to training.
She has worked internationally in rural parts of South India to run creative
theatre projects with young children to empower and build their confidence. She enjoys work that is experimental, devised
and brings new writing to life. Theatre credits as director include: MILK
& OREOS, winner of the Pandora Award 2015, co-written by Janisè Sadik &
Seraphina Beh (Melanin Box Festival); BREAKING THE INTERNET (Ovalhouse Summer
School 2017); BLURRED LINES (Etcetera Theatre); US by Priscilla Lafayette Kwabi
(Camden People’s Theatre); HYDRAULIC by Tristan Fynn-Aiduenu (Wimbledon College
Assistant director credits include:
ROUNDABOUT Season 2019: DAUGHTERHOOD by Charley Miles, ON THE OTHER HAND, WE’RE
HAPPY by Daf James and DEXTER AND WINTER’S DETECTIVE AGENCY by Nathan Bryon
(Paines Plough/Theatr Clwyd).
Film credits as director include: SHE by
MOVEMENT: JENNIFER JACKSON
Jennifer trained at East 15 and is a movement director and actor. Movement Direction credits include: AMSTERDAM (ATC/Orange Tree/ Theatre Royal Plymouth); POPS (Jake Orr Productions); THE STRANGE UNDOING OF PRUDENCIA HART (New Vic Theatre); BE MY BABY, AROUND THE WORLD IN 80 DAYS (Leeds Playhouse); THE TRICK (Loose Tongue/Bush/High Tide); PHILOXENIA (Bush); MOUNTAINTOP UK TOUR (Desara Productions Ltd); DEATH OF A SALESMAN, QUEENS OF THE COAL AGE, OUR TOWN (Royal Exchange); PARLIAMENT SQUARE (Bush/Royal Exchange); MAYFLY, OUT OF WATER (Orange Tree Theatre); BRIGHTON ROCK (Pilot Theatre/The Lowry); ROUNDABOUT Season 2017: BLACK MOUNTAIN, HOW TO BE A KID, OUT OF LOVE (Paines Plough/Theatr Clwyd/Orange Tree Theatre); ROUNDABOUT Season 2018: ISLAND TOWN, STICKS AND STONES, HOW TO SPOT AN ALIEN (Paines Plough/Theatr Clwyd); THE MOUNTAINTOP (Young Vic); DEATH OF A SALESMAN (Royal & Derngate); THE UGLY ONE (The Park); WHY THE WHALES CAME (Southbank Centre); STONE FACE (Finborough); DEBRIS (Southwark Playhouse/Openworks Theatre); MACBETH (Passion in Practice/Sam Wanamaker Playhouse); SILENT PLANET (Finborough); PERICLES (Berwaldhallen); THE FUTURE (The Yard/Company Three); OTHER-PLEASE SPECIFY, ATOMS (Company Three); TAKEOVER 2017 (Kiln Theatre).Assistant Movement Director credits include: ROUNDABOUT Season 2014: LUNGS, THE INITIATE, MY TEACHER’S A TROLL (Paines Plough/Sheffield Theatres).
COME TO WHERE I’M FROM is 10 years old – so we’re having a party!
PP and The Criterion are hosting a special one-off event to celebrate 10 years of Paines Plough’s flagship nationwide project, COME TO WHERE I’M FROM, starring some of the nation’s leading playwrights performing their own short plays about the places they call home.
Join us at the Criterion Theatre on 18 November for an evening of short plays, and help raise funds to support the next generation of exceptional playwrights. You will see new work written and performed by long-established, award-winning playwrights including Simon Stephens, April De Angelis and Dennis Kelly, along with work from exciting new voices like Zia Ahmed, in a celebration of Paines Plough’s history of discovering and developing talented writers from across the country.
The full programme of writers performing on the night includes: James Graham, Dennis Kelly, Roy Williams, April De Angelis, Simon Stephens, Zia Ahmed and Chloë Moss.
Tickets will range from just £10 to £250 – you can book your tickets here.
Along with celebrating the success of COME TO WHERE I’M FROM, Paines Plough is aiming to raise £25,000 to help playwrights of the future flourish. So join us for an evening of performances, food and drink, and that humble staple of fundraising – a raffle. You can also support the project by donating to the COME TO WHERE I’M FROM campaign.
A little bit about the writers performing at the Come to Where I’m From 10th Anniversary Gala:
James Graham is from
Mansfield and is an Olivier and Tony Award nominated writer. Credits include
THIS HOUSE, INK and THE ANGRY BRIGADE, as well as the book of the Broadway
musical FINDING NEVERLAND and numerous film and TV projects including BREXIT:
THE UNCIVIL WAR starring Benedict Cumberbatch.
Dennis Kelly grew up in
Barnet and is an internationally celebrated playwright. He is the author of
MATILDA THE MUSICAL, ORPHANS, UTOPIA and most recently GIRLS & BOYS
starring Carey Mulligan at the Royal Court Theatre.
Roy Williams OBE grew up in Notting Hill, London, and is an Olivier and BAFTA award-winning playwright. His most decorated plays include LIFT OFF, CLUBLAND, OFFSIDE and most recently SUCKER PUNCH. He was appointed Officer of the Order of the British Empire in 2008 and sits on the board of trustees for Theatre Centre. In 2018, he was a made a fellow of The Royal Society of Literature.
is a West London writer of Sicilian descent whose 30-year career highlights
include JUMPY, WILD EAST and PLAYHOUSE CREATURES as well as an upcoming
adaptation of Elena Ferrante’s MY BRILLIANT FRIEND at the National Theatre.
Simon Stephens hails from
Stockport and is the renowned author of over 15 major plays, including THE
CURIOUS INCIDENT OF THE DOG IN THE NIGHT TIME, HEISENBERG and SEA WALL, most
recently performed at the Old Vic Theatre starring Andrew Scott.
Ahmed is a poet from North West London and is a
London Laureate and former Roundhouse Poetry Slam champion. His debut play I
WANNA BE YOURS was first produced by Paines Plough in 2018, and will be going
on a national tour in autumn 2019, finishing with a five-week run at the Bush
is a Liverpudlian playwright whose work includes HOW LOVE IS SPELT, THE
GATEKEEPER and THIS WIDE NIGHT which transferred to New York with actress Edie
Falco and for which she was awarded the Susan Smith Blackburn Playwriting
Immerse yourself in over 160 short plays on our COME TO WHERE I’M FROM mobile app.
The COME TO WHERE I’M FROM app is a digital version of the project. In 2010 we asked a group of writers to return to their home towns to pen short plays about the placed that shaped them. Since then we’ve commissioned over 160 writers from Olivier Award winners to first time writers. We’ve recorded each playwright performing their own play and created a smartphone app to house all the recordings.
‘Sam Steiner makes us beam as the world burns… When everything is falling apart, in the world or in our own private apocalypses, this hilariously bleak show suggests it might just be alright, so long as there’s someone there to listen.’ ★★★★ The Guardian
“I just think it’s, you know, important to
look at the good things that are happening as well.”
Everything’s been falling apart for a while now. In a cramped, crumbling office four volunteers spend a few hours every Tuesday night on the phone to strangers telling them everything is going to be ok. As the outside world disintegrates around them, Frances, Joey, Angie and Jon teeter on the edge of their own personal catastrophes. Their hopes and fears become entangled as they try, desperately, to connect with the callers and with each other.
YOU STUPID DARKNESS! is an urgent play from Sam Steiner about the struggle for optimism and community amid the chaos of a collapsing world.
is a playwright and screenwriter from Manchester. His debut play, the
award-wining LEMONS LEMONS LEMONS LEMONS LEMONS, was first produced by Walrus
Theatre (a company he co-founded), and has subsequently been performed all over
the world, in eight different languages. Since then Sam’s work on stage has
included KANYE THE FIRST (HighTide) and most recently A TABLE TENNIS PLAY (Walrus
Theatre) at the Edinburgh Fringe. Other pieces of Sam’s work have been
showcased at the Royal Exchange, Soho, Southwark Playhouse, Sala Beckett in
Barcelona, and the Cannes and London Film Festivals. He completed an attachment
at Paines Plough as their Playwright Fellow and holds an MA in Screenwriting
from the National Film and Television School. Sam is currently under commission
at Paines Plough, and developing television and film projects with Euston North
and Sunny March.
About JAMES GRIEVE:
JamesGrieve was Joint Artistic Director
of Paines Plough 2010-2019. He was formerly co-founder and Artistic Director of
nabokov, and Associate Director of The Bush Theatre.
His forthcoming work
includes GOD’S DICE by David Baddiel starring Alan Davies at Soho Theatre and a
new production of CABARET for Gothenburg Opera in Sweden.
Further credits include the
new musical THE ASSASSINATION OF KATIE HOPKINS (Theatr Clwyd – Winner Best
Musical Production, UK Theatre Awards 2018), a new production of LES MISERABLES
for Wermland Opera in Karlstad, Sweden, TRANSLATIONS (Sheffield Theatres / ETT
/ Rose – Winner Best Production, UK Theatre Awards 2014), 66 BOOKS: A NOBODY by
Laura Dockrill, THE WHISKY TASTER by James Graham, ST PETERSBURG by Declan
Feenan and PSYCHOGEOGRAPHY by Lucy Kirkwood (The Bush), ARTEFACTS by Mike
Bartlett (nabokov/The Bush, National Tour & Off-Broadway); KITCHEN, BEDTIME
FOR BASTARDS and NIKOLINA by Van Badham (nabokov), and the world premieres of
OLD STREET by Patrick Marber (nabokov Arts Club) and THE LIST by David Eldridge
As usual, we’re looking to meet actors previously unknown to
Paines Plough with a passion for new writing, this time in Doncaster and the
surrounding area. You can apply from now until midnight on Wednesday 18 September.
We will be seeing approximately 30 actors and preference
will first be given to those living within 30 miles of Cast, with any remaining
slots being allocated at random. We hope this means that everyone who wants to
apply is able to, and that the selection process is fair to everyone.
Sounds good? This is how to apply…
Register by filling in this form by midnight on Wednesday 18 September. There’s no need to send in anything else in advance.
If you are selected to audition, we’ll get in touch with you
by Tuesday 24 September with an
audition time – make sure you let us know if you can make it or not as soon as
possible. If we don’t hear from you by midday
on Friday 27 September we will reallocate you slot to someone on the
Don’t worry, you’ll hear from us whatever the outcome. If
you’re not selected to audition this time, we may keep you on a waiting list
and may offer you an audition if a slot becomes available.
Once everything’s confirmed, please prepare a three-minute monologue from a play
written in the last 15 years.
Some things to bear in mind:
If you have auditioned for Paines Plough before (either at
an Open Audition or as part of casting for a specific show), unfortunately we
won’t be able to see you this time round.
To give everyone a fair shot, agent or not, we only accept
applications from actors so, if you have an agent, please apply using your own
Places are all allocated in advance. Due to high demand we
can’t accommodate requests for a different time, and we will be unable to see
people on a walk-up basis. In the application, you’ll be able to indicate what
time of day you’re available and we’ll try our best to accommodate this.
If for any reason you can’t make your audition please let us
know ASAP by emailing firstname.lastname@example.org. If you don’t turn up to your
audition without letting us know in advance, you won’t be able to apply for
future Paines Plough Open Auditions.
We can only accept applications made with this form before the deadline.
Due to the large volume of people we’ll be seeing, we
unfortunately won’t be able to offer feedback.
We aren’t casting for a particular show at the moment – we
just want to meet some new actors so that we can bear you in mind for future
Check out our FAQs for more information about the
application process and what to expect on the day, or ping us an email at email@example.com
if you’re not sure about anything.
Don’t worry if you don’t live in the area – we try to hold
as many Open Auditions as we can throughout the year all around the UK. Join
our mailing list or keep an eye on our social media for details of the next
Here at Paines Plough we are always looking for
ways to demystify the way we go about commissioning, producing and touring new
plays in order to provide support for theatre makers at any stage of their
careers through a programme called Insights.
As part of Insights we offer a flexible programme
of work placements designed to support the study of students on university and
drama school courses at MA or BA level with practical work experience of a busy
touring theatre company. Please see below for information on how to apply for
our Autumn 2019 placement period.
“The passions for
new writing and fostering new talent was there every single day … and it made
the whole experience completely brilliant.”
Production Placement, Spring 2018
Timeline The Autumn placement period will run for 12 weeks
from 09 September to 06 December 2019.
You will be at PPHQ three days per week, although
this can be flexible depending on the placement and your personal study
requirements, 10am-6pm with a one-hour break for lunch.
During the autumn period we will require the
marketing placement to support Team PP with inputting feedback forms that are
crucial to our strategic projects ROUNDABOUT and our Small Scale Touring show I
WANNA BE YOURS . The Marketing Placement will also support the Marketing and
Audience Development Officer with planning our 2020 season announcement (under
new artistic leadership).
Expenses We cover travel expenses within London, as well as occasional theatre trips and touring opportunities if required on the road.
As our Marketing Placement you will attain
experience in: data entry, proof reading, copy writing, content generation, audience
development, targeting audiences, using MailChimp,
editing a website, briefing designers, creating a marketing pack and social
As well as the work experience and training
specific to your placement (see below), there will be opportunities to
participate in company-wide training. Previously Placements have received
skills and time management
Previous placements at Paines Plough have gone on to work for companies
such as: Donmar Warehouse, National Theatre of Scotland, Lyric Hammersmith, Les
Enfants Terribles and Young Vic.
“I learnt a lot specifically about how
Paines Plough goes about the marketing process for its shows in Edinburgh –
from the admin side of things through to interviewing the playwrights,
merchandising and social media. It was really interesting to see how PP goes
about targeting different audiences for new writing, and how it not only
markets the shows themselves but how they can work together, along with the image
of PP’s Roundabout which is already a well-known Edinburgh venue, and how
playing on the space itself can attract new audiences to the space and to the
Standing Too Close on Our Own in the Dark is a gig-theatre event which is as vibrant and hopeful as it is melancholic – a romantic tragedy which sees its performer labour over a journal of original poetry and comedic monologue with encouragement from a live band. Part-gig, part-spoken word ramble, part-stand up set, Standing Too Close effervesces with the endearing awkwardness of early-20s social discomfort, delivering an abundance of pop-philosophy with live music, understated wit and a charming poet who waxes lyrical about the cosmos, bike locks and ex-girlfriends’ dads.
“There’s no bullshit with
Violet. She’ll say something blunt like, ‘life can be lonely’ and I’ll be like,
‘yeah it can’ and that’s it. Then we just crack on. It’s nice”
From new playwright Bebe Sanders and award-winning company Poor Michelle, Violet is a new play about human connection and inter-generational friendships. It quietly explores themes of mental health, dementia, and loneliness without forgetting the often funny and absurd moments of ordinary life.
Join us, The Wardrobe Ensemble, for ONE NIGHT ONLY as we bring to you… The Wardrobe EnsembWheel of Fortune! A night combining all your favourite gameshows and an actual real-life three-dimensional wheel of fortune.
Part pub quiz, part
performance, with live music, highly desirable prizes and an original theme
tune. Would be nice to see you, to see you…
Soft, sensual and fresh from their extended sell-out run of SEX SEX MEN MEN at The Yard Theatre, the one and only Pecs bois are making their Edinburgh debut, bringing you some new feels straight from their aching hearts.
Get ready for some serious softness
and sensitivity this summer.
“It’s a space to be silly.
It’s empowering. It’s liberating. It’s f***ing sexy.” Evening Standard
We are delighted to announce that our Big Room Playwright Fellow 2019 / 2020 is Frankie Meredith.
THE BIG ROOM Playwright Fellowship is awarded annually to a writer of exceptional promise at the very start of their career. The Fellowship invites the writer to spend nine months on attachment to Paines Plough, and we design a bespoke programme for each individual to tailor the support they receive to their specific needs, ambitions and circumstances. The Fellow receives a bursary, a desk at PPHQ and mentorship from our Artistic Directors and wider team.
Frankie started out at the Lyric Hammersmith on their Young Writers Program and followed this with the Soho Theatre Writers Lab. She then wrote many shorts which were performed at various theatres around London including Southwark Playhouse and Old Red Lion. Her debut play Turkey performed a sell out run at the Hope Theatre. She is currently under commission with LB Productions and has recently worked with MiddleChild up in Hull. She has just started her own company BoysClub in the midlands and is currently developing new work, one of which Petticoat Council is being supported by Warwick Arts Centre. Her play 17, which was longlisted for the Bruntwood Prize, had its first run at Vaults this January and will soon be seen throughout the rest of the UK.
James and George said:
“Frankie is a writer of great flair and ingenuity. Her work is joyously witty and full of heart. We think she is a major talent in the making and we are thrilled to be able to support the next stage of her career with the Paines Plough Fellowship. We are truly grateful to the anonymous donors who fund the fellowship and provide life-changing support for writers at the start of their careers. Our Programme 2019 features plays by three former Fellows – Charley Miles, Sam Steiner and Nathan Bryon – proving the efficacy of the Fellowship in launching the brightest new writing talent. We can’t wait to welcome Frankie to Paines Plough as our Fellow for 2019/20.“
“I’m thrilled to have received Paines Plough’s fellowship this year and can’t wait to be a part of this wonderful company. The opportunities they’re giving me are incredible and I’m so grateful for this time and support.”
Charley Miles and Nathan Bryon are both previous recipients of the Big Room Fellowship, and now make up 2/3 of the ROUNDABOUT 2019 season with DAUGHTERHOOD and DEXTER AND WINTER’S DETECTIVE AGENCY. Catch them at the Edinburgh Fringe and on tour.