COME TO WHERE I’M FROM: Salisbury

Meet the four playwrights who will be performing their own short plays on the 20 February at Salisbury Playhouse.

Since 2010 writers from across the UK have returned to their home towns to pen plays about the places that shaped them. At theatres from Bristol to Belfast, Cardiff to Coventry and Nottingham to Newcastle, these plays have been performed by the playwrights themselves, coming home to tell their tale.

Now COME TO WHERE I’M FROM visits Salisbury to invite four of the city’s finest playwrights to join this celebrated nationwide project by performing their own short plays about their home.

HANNAH TREADAWAY

Hannah is a writer, director and composer and is currently a writer on Graeae Theatre Company’s Write to Play Scheme. Hannah has worked with a range of theatres including Wiltshire Creative, Lighthouse Poole, Diverse City, Wyldwood Arts, The Bunker Theatre, Nuffield Southampton Theatres, HighTide Festival Theatre and is currently assistant director on PEELING with Taking Flight Theatre. In 2017 Hannah was resident director at Wiltshire Creative through the Regional Theatre Young Director’s Scheme 3 month placements. Since then Hannah has worked with Wiltshire Creative on a number of projects and productions, including adapting and directing a modern version of ALI BABA with youth theatre Stage 65 in the Salberg last summer, integrating live audio description, BSL and captioning into the piece. @hannahtreadaway

BARNEY NORRIS

Barney Norris was born in Sussex in 1987. After leaving university he founded the touring theatre company Up in Arms with Alice Hamilton.

His plays include: NIGHTFALL (The Bridge Theatre); WHILE WE’RE HERE (Up in Arms at the Bush and on tour); ECHO’S END (Salisbury Playhouse); EVENTIDE (Up In Arms, Arcola and on tour); THE ACCLAIMED VISITORS (Up in Arms, Arcola and on tour – Winner of the Critics’ Circle Award for Most Promising Playwright and nominated for an Evening Standard Award). His short plays include: EVERY YOU EVERY ME (Salisbury Playhouse and on tour); FEAR OF MUSIC (Up in Arms and Out of Joint); and AT FIRST SIGHT (Up in Arms at Latitude Festival and on tour).

His novels TURNING FOR HOME and the bestselling FIVE RIVERS MET ON A WOODED PLAIN are published by Transworld, his non-fiction books THE WELLSPRING: CONVERSATIONS WITH DAVID OWEN NORRIS and TO BODIES GONE: THE THEATRE OF PETER GILL are published by Seren. He is a Martin Esslin playwright in residence at Keble College, Oxford and a Fellow of the Royal Society of Literature.

VERONICA DEWAN

Of Indian and Irish heritage, Veronica was born and raised in England by adoptive parents, Frances from Dublin and Syd from Suffolk.  Her first play, SHE IS NOT HERSELF, drawing on her experience of reunion with her birth mother, was a Kali Theatre Company production. Directed by Helena Bell, it received a rehearsed reading at The Salberg, Salisbury Playhouse as part of Theatre Fest West 2015, and was a Kali Workshop production at Tristan Bates Theatre in 2016. Work-in-progress includes BUSTARD which began life at Paula B. Stanic’s Writing for Multicultural Voices at Salisbury Arts Centre.  BUSTARD was workshopped and given a rehearsed reading, directed by Hannah Treadaway, at Nuffield Southampton Theatres (NST) Laboratory in 2017. 

In 2013, Veronica moved to Salisbury from the Isle of Wight, developing her playwriting skills with mentor Angela Street, and as a student of the Salisbury Playhouse/Out of Joint Writers’ Academy led by Samantha Potter and Barney Norris. In 2018, Veronica joined the new writers’ programme launched by NST in partnership with Up in Arms Theatre Company.

HARRY BLAKE

Harry is a composer, sound designer and writer. His musical THOR AND LOKI premiered at Edinburgh Fringe, HighTide and The Lowry last year. He is currently adapting ETA Hoffman’s THE SANDMAN for the Andrew Lloyd Webber Foundation Bridge Company at Southwark Playhouse.  Harry is one half of award-winning comedy cabaret duo HOUSE OF BLAKEWELL.

Composition credits include: CAPTAIN CORELLI’S MANDOLIN (The Rose, Kingston and national tour); WILD EAST (Young Vic); PARADISE, THE GLASS SUPPER (Hampstead); HER NAKED SKIN, NIGHT MUST FALL, HEDDA GABLER, BIKE (Salisbury Playhouse); THE MARCH ON RUSSIA (Orange Tree); ODE TO LEEDS, RUDOLF (West Yorkshire Playhouse); BLUSH (Soho Theatre and tour); SEPTIMUS BEAN, JASON AND THE ARGONAUTS, THE SNOW CHILD (Unicorn); MEGABALL (National Theatre Let’s Play); RAPUNZEL (Cambridge Junction); THE SECRET SEVEN, THE BEGGAR’S OPERA (Storyhouse Chester); THE GRADUATE (Leicester Curve and tour); MANGA SISTER, RHINEGOLD (The Yard); THE ISLAND NATION (Arcola); CASA VALENTINA (Southwark Playhouse); P’yongyang (Finborough); TO DREAM AGAIN (Theatr Clwyd). In 2017, Harry was appointed Cameron Mackintosh Resident Composer at West Yorkshire Playhouse.

Stepping Into Movement with Polly Bennett: March workshop

Calling all movers and shakers

Last year we held our very first STEPPING INTO MOVEMENT workshop with the legendary Polly Bennett to give aspiring movement directors an insight into the art, craft and career. 

Here at PP we want to expand our network of movement directors and Polly wants to meet movement directors at the start of their careers with a view to offering mentorship. So we teamed up, and our first workshop was such a success we’re going again.

So guys, our next STEPPING INTO MOVEMENT workshop will be on Thursday 28 March, 10.30am – 5.00pm at The Mono Box Studio in London.

Movement Directors are becoming an increasing part of the theatre-making process, but how do you become one?

One of Movement Director Polly Bennett’s first solo jobs was at Paines Plough, where working with small companies, getting quick results and engaging actors from all backgrounds is the name of the game. With a view to meet movement directors at the beginning of their careers and offer mentorship, Polly Bennett invites you to come and share practice and rehearsal room ideas in this session. Working with text, space (and lack of space) she will create a dialogue around establishing and acknowledging your own movement practice and how to take your first steps into production work.

This is an opportunity to share your ideas and experiences of movement practice and to learn more about the work Paines Plough are doing to support emerging creatives. If you have an inclination for movement and want to explore the next steps this is a session for you.

Expect to move, work with text and meet potential collaborators.

TO APPLY:

Please apply here. We ask for a copy of your CV and a short paragraph about why you would like to take part in the workshop.

Deadline for applications is Friday 8 March, and you can expect to hear from us by Monday 18 March. 

We particularly welcome applications from disabled and BAME candidates as disabled and BAME people are currently under-represented in movement direction. We also welcome applications from, LGB and Trans and non-binary candidates. 

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ABOUT POLLY BENNETT:

Polly Bennett is a Movement Director and Choreographer working nationally and internationally. She holds an MA in Movement from the Royal Central School of Speech and Drama and is Associate Movement Practitioner at the RSC.

Theatre includes: The Village (Stratford East Theatre), The Lehman Trilogy (National Theatre), As You Like It (Regents Park Open Air Theatre), Travesties (Menier Chocolate Factory, West End and Broadway), The Great Wave (National Theatre), Circle Mirror Transformation (Home), People, Places & Things (National Theatre; also West End, UK Tour and off-Broadway); Touch (Soho), Don Juan in Soho (Wyndhams), Blush (Soho), Salome (RSC), Woyzeck (Old Vic), Junkyard (Bristol Old Vic), How My Light Is Spent (Manchester Royal Exchange), A Streetcar Named Desire (Manchester Royal Exchange), My Country; a work in progress, (National Theatre and UK Tour), The Deep Blue Sea (National Theatre),Three Days in the Country (National Theatre), Pomona (National Theatre, Royal Exchange and Orange Tree), Henry V (Shanghai Dramatic Centre of Performing Arts), A Midsummer Night’s Dream (RSC), The Famous Victories of Henry V (RSC), Doctor Faustus (Duke of York’s), The Maids (Trafalgar Studios), Yen (Royal Court), Plaques and Tangles(Royal Court) hang(Royal Court), The Lion, the Witch and the Wardrobe (Birmingham Rep), The Rise and Fall of Little Voice (West Yorkshire Playhouse), A Mad World My Masters (RSC and UK Tour), The Angry Brigade (Bush), Dunsinane (National Theatre Scotland, US, Asia and UK tours), The King’s Speech (Chichester, Birmingham Rep and on UK tour), To Kill a Mockingbird (Regent’s Park Open Air Theatre), nut (National Theatre.)

Film: Bohemian Rhapsody (Movement Coach),The Little Stranger (Choreographer),Stan and Ollie (as Assistant Choreographer.)

TV:The Crown Series 3 (Netflix), Killing Eve (BBC America), Urban Myths (Sky Arts) and Gareth Malone’s Best of British (BBC)

Other work includes: Assistant Movement Director on the London 2012 Olympics Opening Ceremony, Mass Cast Choreographer on the London 2012 Paralympic Opening Ceremony and Mass Cast Choreographer on Sochi Winter Olympics Opening and Paralympic Ceremonies 2014.

Polly is co-founder of The Mono Box.

Recruitment: Production and Marketing Placement

Here at Paines Plough we are always looking for ways to demystify the way we go about commissioning, producing and touring new plays in order to provide support for theatre makers at any stage of their careers through a programme called Insights.

As part of Insights we offer a flexible programme of work placements designed to support the study of students on university and drama school courses at MA or BA level with practical work experience of a busy touring theatre company.

As our Production and Marketing Placement you will attain experience in: tour logistics, castings/rehearsal administration, proof reading, copy writing, content generation, audience development, website editing, social media marketing and day to day running of the office.

Previous placements at Paines Plough have gone on to work for companies such as: Donmar Warehouse, National Theatre of Scotland, Lyric Hammersmith, Les Enfants Terribles and Young Vic.

“I learnt a lot specifically about how Paines Plough goes about the marketing process for its shows in Edinburgh – from the admin side of things through to interviewing the playwrights, merchandising and social media. It was really interesting to see how PP goes about targeting different audiences for new writing, and how it not only markets the shows themselves but how they can work together, along with the image of PP’s Roundabout which is already a well-known Edinburgh venue, and how playing on the space itself can attract new audiences to the space and to the work.”     

– Anushka Chakravarti, Marketing Placement, Summer 2017.

“The passions for new writing and fostering new talent was there every single day … and it made the whole experience completely brilliant.”

-Alice Rush, Production Placement, Spring 2018

The Spring placement period will run for 12 weeks from 11 March to 31 May 2019.
You will be at PPHQ 2-3 days per week, although this can be flexible depending on the placement and your personal study requirements.

If these dates are not quite suitable for your course, please do send in your application anyway as we will be open to discussing alternatives.

HOW TO APPLY

Our Production and Marketing Placement Application Pack and Equal opportunities form available at the bottom of this page. To apply, please send a completed equal opportunities form, CV and one-page covering letter detailing your experience, why you are interested in Paines Plough and what you hope to gain from the placement to emanpreet@painesplough.com.

Deadline for applications is 10am on Monday 18 February 2019.

Good luck!

Team PP

Production and Marketing Placement Application Pack

Equal Opportunities Form

Featured

Recruitment: Artistic Director

After a brilliantly accomplished ten-year tenure James Grieve and George Perrin will step down as joint artistic directors of Paines Plough in the summer of 2019. The Board of Trustees, led by the Chair Kim Grant, are seeking to appoint dynamic and visionary artistic leadership to build on their legacy and to ensure that Paines Plough continues to grow in profile and reputation and remains at the forefront of discovering and developing new writers and producing new plays for the UK theatre ecology and around the world.  In addition, Paines Plough will continue to be a fertile developmental company for theatre artists, technicians and administrators.

What The Board is looking for:

The Board of Trustees is looking for exceptional artistic leadership, be that an individual artistic director or a different form of artistic and executive partnership, who will bring a coherent ambitious and compelling vision for the company and proven commitment to nurturing and developing new writers, combined with artistic flair, innovation and sound financial judgement.

You will have a strategic understanding of the field of new playwriting, a commitment to working with playwrights, be committed to creating industry-respected, excellent and innovative work and a proven ability to collaborate with a diverse range of practitioners and inspire the highest standards of work across all aspects of the company. You will have a profound commitment to touring small and medium scale plays to communities across the UK, with little cultural infrastructure; forming creative and strategic partnerships with other arts organisations and providers and making best use of digital innovation to increase access.

How to Apply:

The Application pack, available at the bottom of this page, contains the following information for the position of Artistic Director at Paines Plough:

  • Job description
  • Person specification
  • Terms and conditions
  • Extract from Paines Plough Business Plan

If you wish to apply for the position you need to provide the following information by 10am on Friday 1 March 2019:

  • A comprehensive CV
  • A covering letter (no longer that two sides of A4) telling us why you feel you are the right person(s) for the role and demonstrating your ability to meet the attributes and skills as detailed in the person specification, including your artistic vision to develop the company
  • A completed equal opportunity form (also available at the bottom of this page)

Send all three documents to: chair@painesplough.com, please state Artistic Director in the subject line. Alternatively you may post your application to:
Kim Grant, Chair, Paines Plough, 4th Floor, 43 Aldwych, London WC2B 4DN.

If you have any questions:

For an initial, confidential and informal conversation about the role, with either Kim (Chair) or James or George (Artistic Directors) please contact Gemma Grand, Administration and Finance Manager at PP, who will make the arrangements. By email: chair@painesplough.com or call Gemma: 0207 240 4533.

Interviews:

First round interviews will take place on either Tuesday 12 March 2019 or Wednesday 13 March 2019, in the evening.

Second round interviews will take place on Monday 18 March 2019 in the evening.

Please advise if you have any problems with availability on these dates.


We look forward to receiving your application and thank you for your interest in Paines Plough.

Kim Grant

Chair, on behalf of the Paines Plough Board of Trustees

Application pack available here.

Equal Opportunities form available here.

PAINES PLOUGH PROGRAMME 2019

Featured

Today we announce Programme 2019: a must-see celebration of the most striking and original playwriting talent in 10 thrilling productions out on tour to every nook and cranny of the UK and beyond.

#PP2019 features our pick of the most distinctive, observant and entertaining new voices in British theatre with brand new plays by Zia Ahmed, Nathan Bryon, Ifeyinwa Frederick, Daf James, Anna Jordan, Sarah McDonald-Hughes, Charley Miles and Sam Steiner. You can catch their words on tour across the length and breadth of the UK in city centres, seaside towns and village halls.

ROUNDABOUT once again hosts a jam-packed Edinburgh Festival Fringe programme and brings mini-festivals to each stop on its nationwide tour. We’ll broadcast Anna Jordan’s POP MUSIC live and celebrate 10 years of COME TO WHERE I’M FROM with special live events and our COME TO WHERE I’M FROM app featuring more than 180 short audio plays available to download free from the App Store and GooglePlay. We will once again be holding OPEN AUDITIONS as part of our pledge to actors. Our new series of podcasts, INSIGHTS, offers a view into the writer’s experience of life inside the rehearsal room.

And as ever, we’ll be announcing a host of exciting new stuff to add to the mix as we go through the year.

Wherever you are, a Paines Plough show is touring to you soon.

James and George said:

“This programme epitomises what Paines Plough has always been about for us: urgent new plays from original new voices featuring top new talent on wide-ranging tours the length and breadth of the UK. We’re hugely proud to be presenting the best of a new generation of British playwrights. We’re celebrating 10 years of COME TO WHERE I’M FROM and another three years of ROUNDABOUT funding. Graduates of our Playwright Fellowship and Trainee Director Bursary headline the programme. Loyal venue partners reaffirm their commitment to the importance of new plays. Our newly launched podcast series INSIGHTS aims to make us ever more open and accessible, joining existing initiatives like OPEN AUDITIONS, our Casting Pledge and our UNSOLICITED SCRIPT policy. It’s everything we think a national theatre of new plays should be.”

Introducing our playwrights for 2019…

Zia Ahmed has written one of the most exciting debut plays we’ve come across in years. In partnership with Tamasha, we’re hitting the road on a national tour with the tender and lyrical love story I WANNA BE YOURS, a co-production with Tamasha, directed by our former Trainee Director Anna Himali Howard.

Zia is from North West London. He is a London Laureate, having been shortlisted to be the Young Poet Laureate for London 2015/16. He is a former Roundhouse Poetry Slam champion. Zia was Paines Plough’s Channel 4 Playwright in Residence 2016/2017. In 2016 he was one of the commissioned writers for the London leg of Paines Plough’s ongoing COME TO WHERE I’M FROM series.

Nathan Bryon is writing one of this year’s Roundabout rep plays in co-production with Theatr Clwyd, directed by Stef O’Driscoll. Nathan was our Playwright Fellow in 2016 and we co-produced his one-man show MIXED BRAIN with tiata fahodzi in 2017. We’re thrilled he’s back at PP writing a brand new show for all ages for this year’s ROUNDABOUT rep.

Nathan is a writer and actor, who grew up eating as much Uxbridge Road Caribbean food as his bank balance would allow. He is best known to viewers for his role as regular character Jamie in SOME GIRLS and BENIDORM’s sunniest holiday maker, Joey Ellis. Nathan has written for critically acclaimed CBeebies’ animation RASTAMOUSE, BAFTA award winning SWASHBUCKLE and on all three series of BAFTA nominated APPLE TREE HOUSE (CBeebies) alongside BAFTA winning GIGGLEBIZ. Last Year Nathan’s one-man show MIXED BRAIN a show about his mixed heritage premiered in Roundabout at the Edinburgh Fringe Festival. Nathan has secured a 3 picture book deal with Penguin Random House. His first book LOOK UP! will hit shelves in the US and UK in June 2019.

Daf James is writing one of this year’s ROUNDABOUT rep plays in co-production with Theatr Clwyd, directed by Stef O’Driscoll. We are long time admirers of Daf’s sharp and potent writing and we’re excited to welcome him to PP with a brand new play for ROUNDABOUT audiences everywhere.

Daf is an award-winning writer, composer and performer working across theatre, radio television and film in English and Welsh. Having trained in the Lecoq pedagogy at the London International School of Performing Arts he went on to earn a doctorate in Theatre Studies from the University of Warwick.  His first full-length play LLWYTH[Tribe] was described in Contemporary Welsh Plays as ‘a water-shed play that changed the landscape of Welsh language theatre forever.’

Charley Miles is writing the third of this year’s ROUNDABOUT rep plays in co-production with Theatr Clwyd, directed by Stef O’Driscoll. Charley is our current Playwright Fellow. We fell in love with her debut play BLACKTHORN as it wowed audiences in Edinburgh last summer and we can’t wait for her new ROUNDABOUT play as part of this year’s rep.

Charley Miles is a playwright from rural North Yorkshire. She is currently the Paines Plough Playwright Fellow. Her debut play, BLACKTHORN, was produced in 2016 and went on to become a finalist for the Susan Smith Blackburn award in New York in 2017. She was the Channel 4 Playwright in Residence at the West Yorkshire Playhouse in 2017, and has recently written plays for the Royal Welsh College of Music and Drama, the Royal Court, and Leeds Playhouse. Her original television drama, IN MEMORIAM, is in development with Buccaneer Media.

With Soho Theatre we have co-commissioned a new play from Ifeyinwa Frederick, one of the 2019 Soho Six, a yearlong attachment programme for artists at Soho Theatre. Ifeyinwa’s debut THE HOES announced a major new talent, and we’re pumped to be producing her new play.

Ifeyinwa is a writer and entrepreneur, using both writing and business as creative outlets. Writing alongside her full-time job as co-founder of Chuku’s – the world’s first Nigerian tapas restaurant – she has been featured in Forbes’ list of 100 Women Founders in Europe. She began writing in 2016, joining Soho Theatre Writers’ Lab. Supported by the programme, she wrote her debut play THE HOES which received a full production at Hampstead Theatre in 2018. The play was shortlisted for the 2017 Tony Craze Award and Character 7 Award and longlisted for the 2017 Verity Bargate Award. Fuelled by a childlike curiosity and fascination with people, her stories explore the intricacies of people and the dichotomy between how we really are and how society or we portray ourselves to be.

Our Birmingham Repertory Theatre co-production of Anna Jordan’s POP MUSIC returns for live dates and a live broadcast following an acclaimed national tour in 2018. Turbo charged by non-stop pop hits from the past 30 years of chart toppers, POP MUSIC is a euphoric, nostalgic, poptastic theatre party for anyone who’s ever been a dick on the dancefloor.

Anna won the 2013 Bruntwood Prize for Playwriting for Yen (Royal Court) after having been twice longlisted for her plays MARIANNE and CHICKEN SHOP. YEN has had productions at Manchester Royal Exchange, the Royal Court and MCC New York as well as several international productions. It was also shortlisted for the Susan Smith Blackburn Prize 2015-2016.   Her current projects include THE UNRETURNING (Frantic Assembly / Theatre Royal Plymouth) and a new adaptation of MOTHER COURAGE (Royal Exchange / Headlong). She is also under commission to the Royal Court Theatre.

We’re teaming up once again with Royal Welsh College of Music and Drama and The Gate Theatre to showcase the world premiere of Sarah McDonald-Hughes’s electrifying TURBINES, directed by former Trainee Director Emily Ling Williams. Sarah returns to Paines Plough following her award-winning play for young people HOW TO BE A KID.

Sarah is an actor and writer from Manchester.  Plays include:  SHERBET (Octagon Bolton), HOW TO BE A KID (Paines Plough); BLACKOUT (Dukes Lancaster) THE MANCHESTER PROJECT (Monkeywood Theatre/HOME/National Theatre), TRIAL, MULTI STORY (Octagon Bolton/Monkeywood), WONDROUS PLACE (Northern Spirit/Liverpool Unity/Sheffield Crucible/Northern Stage/Royal Exchange), FLESH (Monkeywood Theatre/Royal Exchange), BY FAR THE GREATEST TEAM, ONCE IN A HOUSE ON FIRE, MAINE ROAD (Monkeywood Theatre), THE TREE, NIGHT TRAIN (Action Transport Theatre), OUR PALS and THE NORTH (Royal Exchange Studio).


YOU STUPID DARKNESS! is the World Premiere of an urgent new play by rising star Sam Steiner (LEMONS, LEMONS, LEMONS, LEMONS, LEMONS; KANYE THE FIRST), directed by Paines Plough Joint Artistic Director James Grieve. In a call centre for Brightline helpline, four volunteers spend a few hours every Tuesday night on the phone to strangers telling them everything is going to be ok. A hopeful play about the struggle for optimism and community amid the chaos of a collapsing world. The production marks the continuation of a long-standing relationship between Paines Plough and Theatre Royal Plymouth and follows the success of LOVE LOVE LOVE and THE ANGRY BRIGADE.

Sam was our inaugural Playwright Fellow in 2015. YOU STUPID DARKNESS! runs at Theatre Royal Plymouth 7 – 23 February with an Opening Night on 12 February. Check out our brand new trailer below:

Thank you to our brilliant season launch creative team:

And that’s Programme 2019. Let us know what you think.

@painesplough on Twitter or comment below.

#PP2019