Recruitment: Festival Team

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Roundabout. Photo: The Other Richard.

Team PP is packing up and moving to Edinburgh for the Festival Fringe and we are looking for a team of hard working theatre lovers to help us deliver a packed programme of shows in our beautiful pop-up theatre Roundabout. Once again this August Roundabout will be in the courtyard of Edinburgh’s Summerhall housing a season of extraordinary work in a thrilling 360-degree setting.

Roundabout will host more than 200 performances over 26 days with over 30,000 available tickets for 300 hours of theatre ranging from world premieres to international award winners. Roundabout is the place to be at EdFringe 2018. You can see all 11 shows in our bumper programme here.

WHO ARE WE LOOKING FOR?

We are seeking people who are engaged, open and fans of new writing to join our Festival Team and work across two roles for the duration of the festival. These are:

  • Visitor Services
  • Street Team

Working in the Festival Team is flexible so would suit students living in Edinburgh, anyone who might be working on their own shows at the fringe – whatever brings you to the festival we want to hear from you. We strongly encourage all team members to see as much as possible whilst at the festival, and offer shifts at varying times to allow this.

“You really are the loveliest venue at the fringe. You enhanced my fringe experience, my shifts were good and being given different timed shifts made it great to see all shows over the month…You just create a really relaxed and friendly environment, which is so productive in enhancing an audiences experience. I’d recommend you to anyone wanting to work for a company at fringe next year.”  Natasha Ravenscroft, Festival Team member 2017

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Hasan Dixon performs Black Mountain by Brad Birch. Photo: The Other Richard.

HOW DOES IT WORK?

The venue is open to the public 1-26 August inclusive. Shift lengths will be between 4 and 5 hours, and will be available between 10:30am and 1am each day, depending on your position and availability. You can expect to work no more than six shifts a week during this period as dictated by our rota.

You will be paid an hourly rate of £7.83.

Additional benefits of working as part of Paines Plough’s Festival Team include:

  • Training from Paines Plough and Summerhall’s dedicated and experienced Fringe team to perform your role to the best of your ability.
  • A Summerhall Pass, which permits the holder free entry to all shows in the Summerhall programme, provided they’re not sold out. This gives access to over 140 shows.
  • Free playtexts for all of the Paines Plough Roundabout plays.
  • An end of run party with us so you can celebrate your achievements together before finishing for the season.

“Summerhall’s 2017 programme was as eclectic and invigorating as we’ve come to expect over the past few years, and nowhere more so than in the Paines Plough Roundabout; it’s not just one of the fringe’s most exciting venues, but one of Britain’s.” The Stage

“Paines Plough’s travelling Roundabout Auditorium is probably the loveliest venue at the Fringe.” The List

“Summerhall has effectively rewired the Fringe, becoming home to some of the most exciting work at the festival.” The Stage

Jonny Donahoe performs Every Brilliant Thing by Duncan Macmillan. Photo: The Other Richard.
Jonny Donahoe performs Every Brilliant Thing by Duncan Macmillan. Photo: The Other Richard.

WHAT DOES THE JOB INVOLVE?

Visitor Services

  • Welcoming audience members into Roundabout, including assisting any patrons with access needs.
  • Taking tickets and seating audience members.
  • Assisting with the set up for accessible performances.
  • Managing latecomers.
  • Selling merchandise.
  • Updating any signage and maintaining the appearance of the site.
  • Troubleshooting and being the point of contact in the event of an evacuation.
  • Being an enthusiastic ambassador for Roundabout and the shows, which includes wearing our branded uniform.

Street Team

  • Flyering and postering around Edinburgh (come rain or shine).
  • Talking to the public about the shows.
  • Sticking up and stapling reviews.
  • Watching the Roundabout productions so you can confidently promote the shows when flyering.
  • Being an enthusiastic ambassador for Roundabout and the shows, which includes wearing our branded uniform.

PERSON SPECIFICATION

Essential

  • Experience in a customer services role.
  • An ability to work independently with the stamina to keep going at the world’s most vibrant arts festival.
  • Extremely friendly, enthusiastic and comfortable with talking to anyone.
  • An interest in and passion for theatre, performance and visual arts.
  • Natural ability to think on your feet and use initiative.

Desirable

  • Front of House experience.
  • Street Team experience.
  • An understanding of Fringe audiences and how the festival operates, even if you have not previously attended.

“I really enjoyed working with such a lovely, inclusive bunch of people…my Edinburgh experience was a lot of fun, largely due to everyone I met working with Paines Plough. It was fantastic to feel like an important part of a large team…I had a ball, basically.” Rory Horne, Festival Team member 2016-17

 

TO APPLY

To apply just fill out this form. We can only accept applications through this form. If you have any questions or problems just give us a ring on 020 7240 4533 or drop Charlotte an email on charlotte@painesplough.com.

Deadline for applications: Thursday 31 May, 10am.

Recruitment day in London for shortlisted applicants: Tuesday 12 June, 6.30pm – 8.30pm.

If you are successful, you must be able to attend our training day Edinburgh. This will be a key opportunity to meet fellow staff and get to know our exciting venue. The training day will be Tuesday 31 July at Summerhall, Edinburgh.

In order to apply we require all applicants to have a UK bank account and required visas to work within the UK. Please note you must be over 18 to apply for this position.

Although we would prefer team members to be around for the whole festival season we are still happy to accept applications from those with a limited availability.

Paines Plough is committed to being an equal opportunities employer.

Roundabout @ Summerhall 2018

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Roundabout. Photo: The Other Richard.

We’re delighted to announce the full programme for Roundabout @ Summerhall.

Our Artistic Directors James Grieve and George Perrin said today:

“We’re proud to present our ROUNDABOUT @ SUMMERHALL line-up for 2018, packed with outstanding new plays from around the UK.

Our Roundabout rep features three world premieres:  Vinay Patel’s razor-sharp satire STICKS AND STONES, Simon Longman’s beautiful, elegiac ISLAND TOWN and Georgia Christou’s rip-roaring adventure through space HOW TO SPOT AN ALIEN.

We’re also welcoming some of the UK’s most innovative and exciting new writing companies and playwrights to Roundabout. Our Associate Company Middle Child return with an all new theatre gig ONE LIFE STAND by Eve Nicol, Boundless Theatre present musical comedy DRIP by Tom Wells, Olivier Award winning Sherman Theatre present Brad Birch’s new play TREMOR. Ed Edwards’ THE POLITICAL HISTORY OF SMACK AND CRACK chronicles the fallout for communities crushed by the heroin epidemic of the 80s with great anger and wit, and we’re thrilled that Fringe First winners Kieran Hurley and Gary McNair will join forces for SQUARE GO, a raucous story of playground violence deconstructing myths of masculinity.

Also in our programme we’re thrilled to welcome our newly announced Playwright Fellow for 2018 Charley Miles with her Susan Smith Blackburn nominated debut play BLACKTHORN. Written on attachment with West Yorkshire Playhouse, BLACKTHORN is a touching exploration of growing up in a North Yorkshire village.

We’ll be welcoming back old friends Dirty Protest as Alan Harris’ SUGAR BABY returns with tales of Cardiff drug dealer Marc and Billy the Seal. After last year’s sell-out run and numerous awards Middle Child’s ALL WE EVER WANTED WAS EVERYTHING by Luke Barnes returns for one week only.

Our LATER programme returns with an eclectic mix of electric new work from the very best companies, comedians, musicians and more throughout the Fringe so keep an eye on our social channels for announcements.”

Tickets are on sale now from EdFringe and Summerhall.

Keep scrolling to read about the whole programme:

A Paines Plough and Theatr Clwyd production
HOW TO SPOT AN ALIEN
By Georgia Christou

Alien Blog Crop

What do you do if you think your aunt is an alien? 12 year old Jelly and her brother Jonjo have their suspicions.

She won’t let them leave the house. Or ask questions. And she definitely won’t let them in the attic.

Join Jelly and JonJo on their quest to discover the truth in a rip-roaring adventure through space full of friendship, fun and flying saucers.

Contains: one confused alien, two brave kids and a busted spaceship.

For space cadets age 5 and up.

Get tickets for HOW TO SPOT AN ALIEN here.

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A Paines Plough and Theatr Clwyd production
STICKS AND STONES
By Vinay Patel

Sticks and Stones Blog Crop

“So we’re clear
You know, right?
You know I’m not that kind of person.”

Sometimes we can’t find the right words. Sometimes the wrong word just slips out. Sometimes the right words become the wrong words. Sometimes that ruins everything.

When a misfiring joke turns their life upside down, B sets off on a surreal journey looking for answers. In an age when technology multiplies every mistake, can we find a way to understand each other?

A razor sharp satire about the search for a sure footing in an uncertain world from BAFTA nominated Vinay Patel.

Get tickets for STICKS AND STONES here.

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A Paines Plough and Theatr Clwyd production
ISLAND TOWN
By Simon Longman

Island Town Blog Crop

Kate, Sam and Pete are stuck. The town they live in doesn’t have much going on. But they don’t really care about that when they’ve got cheap cider and their whole lives ahead of them.

And they’re going to break away anyway. Someone’s about to get a car. And all roads go somewhere else. Right?

ISLAND TOWN is bittersweet story about friendship, hope and dreams of an escape.

Written by Simon Longman, recipient of the 2018 George Devine Award for Most Promising Playwright (GUNDOG; Royal Court, MILKED; Pentabus Theatre Company).

Get tickets for ISLAND TOWN here.

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A Middle Child production
ONE LIFE STAND
By Eve Nicol
Music by James Frewer and Honeyblood

One Life Stand Blog Crop

When we can have sex whenever we want, with whomever we want, why settle for a normal relationship? With the promise of fresh excitement just a swipe away, is Kat’s long-term lover her lifelong dream? One Life Stand is a late-night search for intimacy across a hyperconnected, hypersexual city, exposing the loneliness sometimes found in modern relationships, where expectations of love and lust are ever-changing.

Written by Eve Nicol with music by James Frewer and Honeyblood, this is brand-new gig theatre from the award-winning company behind All We Ever Wanted Was Everything.

Get tickets for ONE LIFE STAND here.

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An InSite Performance in association with West Yorkshire Playhouse
BLACKTHORN
By Charley Miles

Blackthorn Blog crop

‘What you think’s a completely different plant on ‘surface – it’s all from the same roots.’

The only two children born in a North Yorkshire village for a generation cannot imagine ever being apart, but as their lives shift, so too do the ties that bind them. Charley Miles’ outstanding debut play explores the changes and choices that pull us from the places and people we love. Blackthorn was a finalist for the prestigious Susan Smith Blackburn prize in 2017 and is presented as an InSite production in association with the West Yorkshire Playhouse.

Get tickets for BLACKTHORN here.

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A Most Wanted and Offstage Theatre production in association with W14 Productions and Alastair Michael, co-commissioned by Soho Theatre
THE POLITICAL HISTORY OF SMACK AND CRACK
By Ed Edwards

Smack and Crack Blog edit

‘The history of England jumps off its axis. 2am, 8th July, 1981, 20 cities across England burn.’

The night of the Manchester uprising. That night should change everything. Drawing on his own personal experience, Ed Edwards’ script crackles with anger, humour and authenticity as he chronicles the fallout for communities crushed by the heroin epidemic at the height of Thatcherism. Shot through with home truths about the road to recovery this is an epic love song to a lost generation.

Get tickets for THE POLITICAL HISTORY OF SMACK AND CRACK here.

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A Francesca Moody production
SQUARE GO
By Kieran Hurley and Gary McNair

Square Go Blog Crop

Max is a normal-ish kid in a normal-ish town. He spends his days daydreaming and hanging out with his weird wee pal Stevie Nimmo. But when Max is called for his first Square Go, a fight by the school gates, it’s his own demons he must wrestle with first. This is an unmissable collaboration between Fringe First-winning writers Kieran Hurley (Heads Up) and Gary McNair (A Gambler’s Guide to Dying) is a raucous and hilarious new play about playground violence, myths of masculinity and the decision to step up or run.

Get tickets for SQUARE GO here.

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A Sherman Theatre production
TREMOR
By Brad Birch

Tremor Blog Crop

Once our lives are touched by tragedy, can we ever truly move on? Sophie and Tom’s relationship fell apart in the aftermath of a catastrophe. Four years on and as they come face to face once again, the aftershocks of that fateful day can still be felt.

Tremor is the world premiere production from the Olivier Award-winning Regional Theatre of the Year. This thrilling new play by Brad Birch (Black Mountain, Roundabout 2017) explores how society chooses to live in a time riddled with tension, anxiety and division.

Get tickets for TREMOR here.

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A Boundless Theatre and Script Club production
DRIP
Words by Tom Wells
Music by Matthew Robins

Drip Blog Crop

A one-man musical comedy by award-winning duo Tom Wells (words) and Matthew Robins (music) fresh from a sell-out tour. Liam is 15 and he’s just signed up for Bev Road Baths’ first ever synchronised swimming team. It’s for his best mate Caz really. She needs to get a team together to win the annual Project Prize at school. She tries every year. She always loses. But Liam’s an optimist, he’s determined to help. There’s just one problem. Liam can’t swim.

‘Matthew Robins’ music and Wells’ lyrics feel like Victoria Wood for a new generation.’ (Stage).

Get tickets for DRIP here.

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A Dirty Protest production
SUGAR BABY
By Alan Harris

Sugar Baby Blog Crop

Being a small-time drug dealer in Cardiff is tough. Marc avoids his mum, disguises his cannabis plants with fake tomatoes at the allotment, and now has to bail his old man out of £6,000 owed to local loan shark Oggy. When he meets Lisa for the first time in years, things get even messier. Oggy wants Lisa. Lisa wants Marc. Marc wants to survive the day. Critically acclaimed one-man comedy from award-winning Welsh company Dirty Protest.

‘The packed audience loves it’ ★★★★ (Scotsman).

‘Theatrical tour de force’ ★★★★ (Times).

Get tickets for SUGAR BABY here.

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A Middle Child production
ALL WE EVER WANTED WAS EVERYTHING
By Luke Barnes
Music by James Frewer

All We Ever Wanted Blog Crop

Meet Leah and Chris: raised on Harry Potter, New Labour and a belief that one day they would be as special as their parents promised. But what happens when those dreams don’t become reality? Set across three decades, from 1997’s Cool Britannia to today’s Brexit Britain, this is multi award-winning gig theatre that mixes original live music from James Frewer with bold new writing by Luke Barnes. 2017 Broadway Baby Bobby Award; 2017 The Stage Excellence Award; 2017 Edinburgh Festival Fringe sell-out show.

‘Superb gig theatre’ (Lyn Gardner, Guardian).

Get tickets for ALL WE EVER WANTED WAS EVERYTHING here.

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Let us know what you’re most excited for on @painesplough with #RoundaboutPP

Roundabout 2018: Meet the team

Team Roundabout
Team Roundabout. Photo: Rebecca Need-Menear.

We’re delighted to announce the cast and creative team for Roundabout 2018. Here’s what James and George had to say:

“We’re thrilled to announce that ROUNDABOUT will tour the UK for the fifth year running. Once again we’re producing three world premieres in rep; ISLAND TOWN is a bittersweet story about friendship, hope and dreams of an escape from George Devine Award Winner Simon Longman. STICKS AND STONES is an incisive satire on the modern condition from BAFTA nominated Vinay Patel. Georgia Christou’s HOW TO SPOT AN ALIEN is a rip-roaring space odyssey for adventurous young people and older stargazers. Georgia, Simon and Vinay are amongst the most distinctive, observant and entertaining new voices in British theatre and we are thrilled to showcase their work across the UK in our beautiful pop-up ROUNDABOUT.

We can’t wait to see what Stef does with the plays. Since she joined us as Assistant Director on Kate Tempest’s WASTED in 2011 she has directed two shows for Paines Plough including WITH A LITTLE BIT OF LUCK which was recently broadcast on BBC Radio 1Xtra. Her work on Monsay Whitney’s BOX CLEVER for nabokov which played ROUNDABOUT in Edinburgh last year was extraordinary.

We’ll be running our Trainee Director scheme for the third year welcoming Balisha Karra from Birmingham Rep’s REP Foundry artist development programme.

All three ROUNDABOUT plays will be performed by an ensemble of superb, shapeshifting actors Charlotte O’Leary, Katherine Pearce and Jack Wilkinson.

And we’re delighted to be teaming up with Theatr Clwyd again to produce the season which begins in Mold in June.”

Here’s what Roundabout 2018 Director Stef said:

“It’s an incredible honour to direct the ROUNDABOUT season this year and be a part of taking the best of the best in new writing around the UK to areas that new plays wouldn’t normally be able to reach. To develop and engage new audiences we need to take stories to people in their communities on their doorsteps.

I am hyped to be working with such an incredible team including some of the nation’s greatest playwrights. The plays are joyous, funny and heart breaking. I can’t wait to share these beautiful stories and see how audiences around the UK vibe with them.”

Keeping scrolling to meet the team working on Roundabout. You can find tickets for our run in Wales here.

Tickets for the tour will go on sale throughout the year, keep an eye on the venue’s websites for details.

TOUR

06-09 September Salford with The Lowry

13-16 September Grasmere with Brewery Arts Centre, Kendal

19-22 September Margate

26-29 September Lighthouse Poole

04-07 October Lincoln with Lincoln Performing Arts Centre

11-14 October Stoke-on-Trent with Appetite

18-21 October Luton with Luton Culture

 

THE ACTORS:

CHARLOTTE O’LEARY 

Charlotte O'Leary
Charlotte O’Leary. Photo: Rebecca Need-Menear.

Charlotte Trained at The Royal Welsh College of Music and Drama.

Theatre credits include: UNDER MILK WOOD (The Watermill Theatre), directed by Brendan O’Hea, HUSH (Paines Plough), directed by Hannah Bannister, THREE DAYS IN THE COUNTRY (Richard Burton Theatre Company), directed by Eleanor Rhode, DYING FOR IT (Richard Burton Theatre Company) directed by Dave Bond, THE TWO GENTLEMAN OF VERONA (Richard Burton Theatre Company) directed by Caroline Byrne, THREE SISTERS (Richard Burton Theatre Company), directed by Adele Thomas.

Radio: TORCHWOOD (Big Finish Productions) directed by Scott Handcock.

KATHERINE PEARCE

Katherine Pearce
Katherine Pearce. Photo: Rebecca Need-Menear.

Katherine trained at The Royal Welsh College.

Katherine’s theatre credits include; THE LAST BALLAD OF LILLIAN BILLOCCA (Hull Truck), LOW LEVEL PANIC (Orange Tree Theatre), HUSBANDS AND SONS, PORT (National Theatre), HUSBANDS AND SONS, OUR PALS (Royal Exchange), EARLY DOORS (Not Too Tame), SECRET THEATRE: STAB IN THE DARK, CHAMBER PIECE, STREETCAR NAMED DESIRE, WOYZECK (Lyric Hammersmith).

Television credits include; GIRLFRIENDS, VERA (ITV), THREE GIRLS, YOUNG HYACINTH, OUR GIRL (BBC).

Film credits include; MY COUSIN RACHEL (Fox Searchlight), ENGLAND IS MINE (Honlodge Productions), THE LAST PHOTOGRAPH (The Works International).

JACK WILKINSON

Jack Wilkinson
Jack Wilkinson. Photo: Rebecca Need-Menear.

Jack trained at Drama Centre London.

Theatre includes: TWELFTH NIGHT, Shakespeare’s Globe; KING LEAR, Northern Broadsides/UK Tour; CLOSE THE COALHOUSE DOOR, Northern Stage/UK tour; DREAMPLAY, The Vaults/ HighTide; DAVID COPPERFIELD, Oldham Coliseum (Nominated for Best Actor at MTA Awards); ALL OF ME, The Vaults; GRIMMS DITCH, The Print Works; LARISA AND THE MERCHANTS, The Arcola; DEADKIDSONGS, Theatre Royal Bath and THE GOOD SOUL OF SZECHUAN, Watford Palace Theatre.

TV: HOLBY CITY, DOCTORS (BBC) and MARVELLOUS (Tiger Aspect).

Film: THE LOVE PUNCH (Radar Films).

Radio: CLOSE THE COALHOUSE DOOR (BBC).

THE DIRECTORS:

STEF O’DRISCOLL 

Stef O'Driscoll
Stef O’Driscoll. Photo: Rebecca Need-Menear.

Stef is the Artistic Director of nabokov and previously the Associate Director at Paines Plough and at the Lyric Hammersmith.

For Paines Plough: WITH A LITTLE BIT OF LUCK by Sabrina Mahfouz, HOPELESSLY DEVOTED by Kate Tempest, BLISTER by Laura Lomas, and as Assistant Director: WASTED by Kate Tempest.

For nabokov: LAST NIGHT by Benin City (Roundhouse/Latitude) BOX CLEVER by Monsay Whitney (Marlowe Theatre/Roundabout), STORYTELLING ARMY (Brighton Festival) and SLUG by Sabrina Mahfouz (Latitude).

For the Lyric, as Co Director: A MIDSUMMER NIGHT’S DREAM, as Associate Director: MOGADISHU (Manchester Royal Exchange), as Assistant Director: BLASTED – winner Olivier Award for Outstanding Achievement in an Affiliate Theatre 2011.

Other Director credits: Yard Gal by Rebecca Prichard – winner Fringe Report Awards for Best Fringe Production 2009 (Oval House) A TALE FROM THE BEDSIT by Paul Cree (Roundhouse/Bestival), FINDING HOME by Cecilia Knapp (Roundhouse), A GUIDE TO SECOND DATE SEX and WHEN WOMEN WEE (Underbelly/Soho) and as Assistant Director: HENRY IV (Donmar/St Anne’s Warehouse).

BALISHA KARRA 

Balisha Karra
Balisha Karra. Photo: Rebecca Need-Menear.

Studied at University of Birmingham (BA Hons in Drama and Theatre Arts).

Trainee Assistant Director: A MIDSUMMER NIGHT’S DREAM directed by Joe Hill-Gibbins (Young Vic/ supported by Boris Karloff Foundation).

Assistant Director: PRESENT LAUGHTER by Nowël Coward (Chichester Theatre Festival), FREEMAN by Strictly Arts (Belgrade Theatre Company UK tour, supported by Regional Theatre Young Directors Scheme).

Director Credits:  BESHARAM Project R&D (Derby Theatre); Tamasha Scratch Night (Writers Group/RichMix) and Foundry director for shows including MR MUSCLE, WEST and CONFETTI (Birmingham REP).

THE WRITERS:

GEORGIA CHRISTOU

Georgia Christou
Georgia Christou. Photo: Rebecca Need-Menear.

Georgia is a previous member of the Royal Court Young Writers’ Group. Her first full-length play YOUS TWO, which was originally shortlisted for the Verity Bargate Award in 2015, ran at the Hampstead Theatre Downstairs earlier this year. She has also been selected as part of Channel 4’s 4Stories scheme and is writing an original single drama which will shoot this year.

SIMON LONGMAN 

Simon Longman
Simon Longman. Photo: Rebecca Need-Menear.

PP fans will know Simon from our COME TO WHERE I’M FROM project. He wrote a wonderful short play for us last year. You can listen to Simon’s play alongside 160 others for free on our app here.

Simon is a writer from the West Midlands whose play GUNDOG recently premiered at the Royal Court Theatre, directed by Vicky Featherstone, and for which he was awarded the 49th George Devine award for Most Promising Playwright. Last year, his play WHITE SKY premiered at the Royal Welsh College before transferring to the Gate Theatre in London. Simon was the playwright in residence at Pentabus Theatre Company who toured his play MILKED in 2015 to venues including the Soho Theatre, London and in November 2015 his play SPARKS was on at the Old Red Lion Theatre, directed by Clive Judd. Simon is currently under commission to the Bush Theatre and his play RAILS, which was shortlisted for the 2015 Bruntwood Prize for Playwriting, will receive its world premiere at Theatre By The Lake from 24th May 2018, directed by Clive Judd. He was a member of the Royal Court Young Writer’s Group in 2013 and in 2014 he won the Channel 4 Playwrights’ Scheme.

VINAY PATEL 

Vinay Patel
Vinay Patel. Photo: Rebecca Need-Menear.

PP fans will know Vinay from our COME TO WHERE I’M FROM project. He wrote a wonderful short play for us in 2016. You can listen to Vinay’s play alongside 160 others for free on our app here.

Vinay’s debut play, TRUE BRITS, premiered at Edinburgh Fringe 2014, transferred to the Bush Theatre’s RADAR Festival and went on to headline the Vault Festival. His follow-up, FREE FALL, ran at the Pleasance Islington and was nominated for three Off West End Awards. His latest play AN ADVENTURE will premiere at The Bush Theatre in September 2018 and will be directed by Bush Artistic Director, Madani Younis and Associate Director Omar Elerian. Vinay is also currently developing pieces with the National Theatre and Paines Plough and has written for Live Theatre, Theatre 503, and Sphinx Theatre Company.

Vinay’s television debut MURDERED BY MY FATHER was commissioned for BBC3 and starred Adeel Akhtar, Kiran Sonia Sawar and Mawaan Rizwan. It won 2 Royal Television Society awards including Best Single Drama before going on to be nominated for three BAFTAs including Best Single Drama and the Breakthrough Talent Award for Vinay. It won the  BAFTA for best Leading Actor (Adeel Akhtar) and Vinay was named a BAFTA Breakthrough Brit for his work on the film.

Vinay is currently developing several projects for the BBC and has written for ITV, Channel 4 and the BFI. He also contributed to the bestselling collection of essays, THE GOOD IMMIGRANT, edited by Nikesh Shukla.

CREATIVE TEAM: 

We’re delighted to be able to reunite the creative team from Roundabout 2017 with Lighting Design by Peter Small, Sound Design by Dominic Kennedy and Movement Direction by Jennifer Jackson, this year joined by Movement Associate Simon Carroll-Jones.

PETER SMALL (Lighting)

Peter studied Lighting Design at RADA. Peter’s recent productions include PLASTIC (Poleroid Theatre, Old Red Lion) ALL OR NOTHING (West End and UK tour), OLD FOOLS (Southwark Playhouse), OUT OF LOVE, BLACK MOUNTAIN, (Offie Nominated) and HOW TO BE A KID (Paines Plough, Theatr Clwyd & Orange Tree), A GIRL IN SCHOOL UNIFORM (WALKS INTO A BAR) (Offie Nominated) (New Diorama), FOX (Old Red Lion), MEMORY OF LEAVES (UK Tour), EAST END BOYS AND WEST END GIRLS (Arcola Theatre and UK tour), ELECTRIC AND POLITRIX (Big House Theatre), TOM & JERRY (EventBox Theatre, Egypt), CINDERELLA (Loughborough) and THE VENUS FACTOR (Bridewell Theatre).

Website: www.pslightingdesign.com

DOMINIC KENNEDY (Sound Design)

Dominic Kennedy is a Sound Designer and Music Producer for performance and live events, he has a keen interest in developing new work and implementing sound and music at an early stage in a creative process. Dominic is a graduate from Royal Central School of Speech and Drama where he developed specialist skills in collaborative and devised theatre making, music composition and installation practices. His work often fuses found sound, field recordings, music composition and synthesis.

Recent design credits include; RAMONA TELLS JIM (Bush Theatre), AND THE REST OF ME FLOATS (Outbox), I AM A TREE (Jamie Wood), BOX CLEVER (nabokov), SKATE HARD TURN LEFT (Battersea Arts Centre), ROUNDABOUT SEASON 2017 (Paines Plough), GAP IN THE LIGHT (Engineer), BROKEN BISCUITS (Paines Plough), ROUNDABOUT SEASON 2016 (Paines Plough), WITH A LITTLE BIT OF LUCK (Paines Plough), THE HUMAN EAR (Paines Plough), THE DEVIL SPEAKS TRUE (Goat and Monkey), RUN (Engineer), ONO (Jamie Wood).

Website: www.sounddesigndom.com

JENNIFER JACKSON (Movement)

Jennifer trained at East 15 and is a movement director and actor.

Movement direction includes: BRIGHTON ROCK (Pilot Theatre), PARLIAMENT SQUARE (The Bush & Royal Exchange), OUR TOWN (Royal Exchange), THE MOUNTAINTOP (The Young Vic), OUT OF LOVE / BLACK MOUNTAIN / HOW TO BE A KID (Paines Plough, Orange Tree Theatre/ Theatr Clwyd & Roundabout Tour), KIKA’S BIRTHDAY (Orange Tree Theatre), DEATH OF A SALESMAN (Royal & Derngate), THE UGLY ONE (The Park 90), PHONE HOME (Shoreditch Town Hall), WHY THE WHALES CAME (Southbank Centre), STONE FACE (Finborough Theatre), DEBRIS (Southwark Playhouse/Openworks Theatre), MACBETH (Sam Wanamaker Playhouse), SILENT PLANET (Finborough), PERICLES (Berwaldhallen), THE FUTURE (The Yard/ Company Three), OTHER-PLEASE SPECIFY, ATOMS (Company Three).

As a performer she has worked with National Theatre, Bath Theatre Royal, Royal & Derngate, Lyric Hammersmith, Shoreditch Town Hall, Derby Theatre, Birmingham Rep, Southwark Playhouse & The Sam Wanamaker Playhouse. She is currently touring Bryony Lavery’s adaptation of BRIGHTON ROCK.

Website: www.jenniferjackson.net

SIMON CARROLL-JONES (Movement Associate)

Simon trained at East 15 Acting School. He is a Theatre Maker, movement director and actor.

Movement direction includes: THE ACT (The Yard/Company 3), BEAR AND BUTTERFLY (Dani Parr and Theatre Hullabaloo), SPRING AWAKENING / MARIGOLDS (Brockley Jack/Outfox), THE CYCLE PLAY (East 15), +-HUMAN RESPONSE (Roundhouse), TRICYCLE TAKEOVER / MAPPING BRENT (The Tricycle).

Simon has taught movement at Central School of Speech and Drama, East 15 Acting School, and Identity Acting School.

As an actor Simon has worked with The RSC, Soho Theatre, The Royal and Derngate, Bath
Theatre Royal, Shoreditch Town Hall, Tangled Feet Theatre, Theatre Hullabaloo, Hull Truck, Lyric Hammersmith, Battersea Arts Centre, Oval House.

Simon is an associate artist of Angel Exit Theatre, Moving Dust, Tangled Feet, Upstart Theatre.

Simon’s Solo show, Marco, will be touring in 2019 with James Blakey and Upstart Theatre.

Website: www.simonjonestheatremaker.com

STAGE MANAGEMENT:

Two Roundabout stalwarts return to us this year. Caitlin O’Reilly will be our CSM after working on Roundabout in 2016 and Wesley Hughes will be our TSM after being part of the crew that builds and maintains Roundabout for the last few years.

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You can keep up with Roundabout by following #RoundaboutPP on Twitter.

Roundabout in Wales

Roundabout Wales II

We’re off to Wales again! Last summer we partnered with Theatr Clwyd to present Roundabout on the rolling hills of North Wales. We enjoyed ourselves so much that we’re going back.

From June we’ll be on the lawn outside Theatr Clwyd in another co-production. Roundabout will host performances of our co-productions HOW TO SPOT AN ALIEN, STICKS AND STONES and ISLAND TOWN. You can read more about them below.

Plus we’ll be joined by our friends from the Sherman Theatre who are transferring their production of Brad Birch’s TREMOR. We can’t wait to see what’s next from the BLACK MOUNTAIN writer.

A Paines Plough and Theatr Clwyd production
HOW TO SPOT AN ALIEN
By Georgia Christou

HOW TO SPOT AN ALIEN Landscape

What do you do if you think your aunt is an alien? 12-year-old Jelly and her cousin JonJo have their suspicions.

She won’t let them leave the house. Or ask questions. And she definitely won’t let them in the attic.

Join Jelly and JonJo on their quest to discover the truth in a rip-roaring adventure through space full of friendship, fun and flying saucers.

Contains: one confused alien, two brave kids and a busted spaceship.

For space cadets age 5 and up.

Georgia is a previous member of the Royal Court Young Writers’ Group. Her first full length play, YOUS TWO, was originally shortlisted for the Verity Bargate Award in 2015. She has also been selected as part of Channel 4’s 4Stories scheme and is writing an original single drama which will shoot in 2018. YOUS TWO played to critical acclaim at the Hampstead Theatre in 2018.

Get tickets for HOW TO SPOT AN ALIEN at Theatr Clwyd here.

A Paines Plough and Theatr Clwyd production
STICKS AND STONES
By Vinay Patel

STICKS AND STONES Landscape

“So we’re clear
You know, right?
You know I’m not that kind of person.”

Sometimes we can’t find the right words. Sometimes the wrong word just slips out. Sometimes the right words become the wrong words. And sometimes that ruins everything.

When a misfiring joke turns their life upside down, B sets off on a surreal journey into the night, looking for answers. In an age when language is ever-shifting and technology multiplies every little mistake, can we find a way to understand each other?

Written by BAFTA nominated Vinay Patel, STICKS AND STONES is a side-splitting satire about the search for a sure footing in an uncertain world.

Vinay’s debut play TRUE BRITS premiered at the Edinburgh Fringe 2014 and transferred to the Bush’s RADAR Festival and VAULT Festival.  His second, FREE FALL, opened at the Pleasance Islington and was nominated for three Off West End awards. His latest play AN ADVENTURE will premiere at The Bush Theatre in September 2018 and will be directed by Bush Artistic Director, Madani Younis. Vinay’s television debut MURDERED BY MY FATHER was commissioned for BBC3 and won 2 Royal Television Society awards including Best Single Drama as well as being nominated for three BAFTAs including Best Single Drama and the Breakthrough Talent Award for Vinay.

Get tickets for STICKS AND STONES at Theatr Clwyd here.

A Paines Plough and Theatr Clwyd production
ISLAND TOWN
By Simon Longman

ISLAND TOWN Lanscape

Kate, Sam and Pete are stuck. The town they live in doesn’t have much going on. But they don’t really care about that when they’ve got cheap cider and their whole lives ahead of them.

And they’re going to break away anyway. Someone’s about to get a car. And all roads go somewhere else. Right? 

ISLAND TOWN is a new play about friendship, hope and trying to make an escape.

Simon is a writer from the West Midlands whose play GUNDOG premiered at the Royal Court. He won the George Devine Award for Most Promising Playwright in 2018. Last year, his play WHITE SKY premiered at the Royal Welsh College before transferring to the Gate Theatre. Simon is currently under commission to the Bush Theatre and Paines Plough. He was a member of the Royal Court Young Writer’s Group in 2014 he won the Channel 4 Playwrights’ Scheme.

Get tickets for ISLAND TOWN at Theatr Clwyd here.

Programme 2018

Our Joint Artistic Directors James and George today announced Programme 2018.

“We are honoured and excited to present some of the UK’s most exciting new playwrights around the country, on the airwaves and online in Paines Plough’s Programme 2018.

ROUNDABOUT will again tour the UK with three world premieres in partnership with Theatr Clwyd. Simon Longman’s ISLAND TOWN is a play about friendship, cheap cider, and feeling stuck in your hometown. STICKS AND STONES is a hilarious, incisive satire on the modern condition from BAFTA nominated Vinay Patel. Georgia Christou’s HOW TO SPOT AN ALIEN is a rip-roaring space odyssey for adventurous young people and older stargazers. We think Georgia, Simon and Vinay are amongst the most distinctive, observant and entertaining new voices in British theatre and we are thrilled to showcase their work across the UK in our beautiful pop-up Roundabout.

POP MUSIC is a new play from Bruntwood Prize winning writer of YEN, Anna Jordan, co-commissioned with Birmingham Repertory Theatre. Turbo charged by non-stop pop hits from the past 30 years of chart toppers, POP MUSIC is a euphoric, nostalgic, poptastic theatre party for anyone who’s ever been a dick on the dancefloor.

Thanks to a Channel Four Playwright Bursary, London Laureate and former Roundhouse Poetry Slam Champion Zia Ahmed spent the last year on attachment to Paines Plough, during which time he wrote one of the most exciting debut plays we’ve come across in several years. We could not be more excited to be partnering with Tamasha to present the tender and lyrical love story I WANNA BE YOURS which will embark on a ‘Create’ Tour with Rural Arts in April.

We are again partnering with Royal Welsh College of Music and Drama and The Gate Theatre to showcase new talent with the world premiere of Isley Lynn’s ALBATROSS, directed by Anna Himali Howard who was Paines Plough Trainee Director in 2016. Both Isley and Anna are major new talents and we are delighted to forge their partnership on a show which will be performed by the graduating actors at RWCMD.

It is our mission to take the best new theatre everywhere, live and digital. Our COME TO WHERE I’M FROM smartphone app will relaunch on the Apple store and Google Play with a 160-strong audio play library from writers across the country – a vivid patchwork quilt of accents, experiences and impressions in your pocket. Wherever you are in the world you can hear writers like Alice Birch, Mike Bartlett, James Graham, Roy Williams, April De Angelis and Lizzie Nunnery telling tales of their home towns.

Whether you’re in a theatre, on a smartphone or listening to your car radio, there is something for everyone, everywhere in Programme 2018.”

Paines Plough presents

ROUNDABOUT

Following another critically acclaimed season in 2017, Roundabout, our award-winning portable in-the-round auditorium, will return for a fifth consecutive year in 2018. The 2018 programme will include World Premieres from Simon Longman, Vinay Patel and Georgia Christou co-produced with Theatr Clwyd and performed in rep, opening at Theatr Clwyd and touring to The Lowry (Salford), Brewery Arts Centre (Kendal), Lighthouse (Poole), Theatre Royal Margate, Lincoln Performing Arts Centre, Appetite (Stoke-on-Trent), Darlington Theatre Town and Luton Culture.

The UK tour of Roundabout is part of a strategic audience development project funded by the Arts Council England Strategic Touring Fund. This is the third year of the project and the tour sees us return to our eight partners.

Roundabout will also host a programme of visiting companies, comedy, music and local community events.

Our 2017 Roundabout premieres from Brad Birch, Elinor Cook and Sarah McDonald-Hughes co-produced with the Orange Tree Theatre and Theatr Clwyd are currently running at the Orange Tree Theatre until 3 March 2018 (more details below).

The World Premieres at Roundabout are:

A Paines Plough and Theatr Clwyd production
ISLAND TOWN
by Simon Longman

ISLAND TOWN Lanscape

Kate, Sam and Pete are stuck. The town they live in doesn’t have much going on. But they don’t really care about that when they’ve got cheap cider and their whole lives ahead of them.

And they’re going to break away anyway. Someone’s about to get a car. And all roads go somewhere else. Right? 

ISLAND TOWN is a new play about friendship, hope and trying to make an escape.

Simon is a writer from the West Midlands whose play GUNDOG is currently premiering at the Royal Court Theatre. Last year, his play WHITE SKY premiered at the Royal Welsh College before transferring to the Gate Theatre. Simon is currently under commission to the Bush Theatre and Paines Plough. He was a member of the Royal Court Young Writer’s Group in 2014 he won the Channel 4 Playwrights’ Scheme.

A Paines Plough and Theatr Clwyd production
STICKS AND STONES
by Vinay Patel

STICKS AND STONES Landscape

“So we’re clear
You know, right?
You know I’m not that kind of person.”

Sometimes we can’t find the right words. Sometimes the wrong word just slips out. Sometimes the right words become the wrong words. And sometimes that ruins everything.

When a misfiring joke turns their life upside down, B sets off on a surreal journey into the night, looking for answers. In an age when language is ever-shifting and technology multiplies every little mistake, can we find a way to understand each other?

Written by BAFTA nominated Vinay Patel, STICKS AND STONES is a side-splitting satire about the search for a sure footing in an uncertain world.

Vinay’s debut play TRUE BRITS premiered at the Edinburgh Fringe 2014 and transferred to the Bush’s RADAR Festival and VAULT Festival.  His second, FREE FALL, opened at the Pleasance Islington and was nominated for three Off West End awards. His latest play AN ADVENTURE will premiere at The Bush Theatre in September 2018 and will be directed by Bush Artistic Director, Madani Younis. Vinay’s television debut MURDERED BY MY FATHER was commissioned for BBC3 and won 2 Royal Television Society awards including Best Single Drama as well as being nominated for three BAFTAs including Best Single Drama and the Breakthrough Talent Award for Vinay.

A Paines Plough and Theatr Clwyd production
HOW TO SPOT AN ALIEN
by Georgia Christou

HOW TO SPOT AN ALIEN Landscape

What do you do if you think your aunt is an alien? 12-year-old Jelly and her cousin JonJo have their suspicions.

She won’t let them leave the house. Or ask questions. And she definitely won’t let them in the attic.

Join Jelly and JonJo on their quest to discover the truth in a rip-roaring adventure through space full of friendship, fun and flying saucers.

Contains: one confused alien, two brave kids and a busted spaceship.

For space cadets age 5 and up.

Georgia is a previous member of the Royal Court Young Writers’ Group. YOUS TWO is her first full-length play which was originally shortlisted for the Verity Bargate Award in 2015. She has also been selected as part of Channel 4’s 4Stories scheme and is writing an original single drama which will shoot in 2018. YOUS TWO is currently playing at Hampstead Theatre Downstairs until 24th February 2018.

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A Paines Plough and Birmingham Repertory Theatre co-commission
POP MUSIC
by Anna Jordan

Direction James Grieve

POP MUSIC Landscape

For anyone that’s ever been a dick on the dance floor.

A wedding. A free bar. A blast from the past.

G and Kayla’s lives are a mess but tonight they’re determined to Have It Large. As their veins course with adrenalin and cheap prosecco we follow them on an epic journey through thirty years of Pop.

Can the DJ save them as they become Dancing Queens, reliving their Teenage Dream, Staying out For The Summer and Spicing Up Their Lives? Pop makes promises it can’t keep, and soon they’ll discover they have more in common than their taste in tunes.  

Pop Music is an emotionally contagious rollercoaster. A night at the theatre like no other.

Anna won the 2013 Bruntwood Prize for Playwriting for Yen (Royal Court) after having been twice longlisted for her plays MARIANNE and CHICKEN SHOP. YEN has had productions at Manchester Royal Exchange, the Royal Court and MCC New York as well as several international productions. It was also shortlisted for the Susan Smith Blackburn Prize 2015-2016.  Other theatre writing includes WE ANCHOR IN HOPE (Royal Court Theatre – Beyond the Court), CHICKEN SHOP (Park Theatre) and FREAK (Theatre503 / Assembly Studios).

James is Joint Artistic Director of Paines Plough.

POP MUSIC will tour with support from Esmée Fairbairn and Paul Hamlyn Foundation.

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A Paines Plough and Tamasha production
I WANNA BE YOURS
by Zia Ahmed

Direction Anna Himali Howard

I WANNA BE YOURS Landscape

Ella is from Yorkshire. Haseeb is from London. They order a pizza. House red for Ella. Hot chocolate for Haseeb.

“I think I’m falling in love with you.”

Meet in the middle. Meet the parents. Meet the friends. Meet the aunties. They say opposites attract, but can they stay together?

A tender, funny, lyrical play about finding love and holding onto it with everything you’ve got. I WANNA BE YOURS is the debut play from slam poetry champion Zia Ahmed.

Zia is from North West London. He is a London Laureate, having been shortlisted to be the Young Poet Laureate for London 2015/16. He is a former Roundhouse Poetry Slam champion.

I WANNA BE YOURS was developed with support from the Channel 4 Playwrights’ Scheme.

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A Royal Welsh College of Music & Drama Production in collaboration with Paines Plough
ALBATROSS
by Isley Lynn

Direction Anna Himali Howard

ALBATROSS Landscape

Tattoos are forever. Almost. And at Noodle Soup Tattoo there are strict rules: No names unless they’re dead. Nothing on the face. Nothing you might get sued for later.

When Jodie, a rough sleeper, asks for a free tattoo from apprentice Kit, her request is well within the guidelines. But Kit is still unsure, because Kit knows only too well that getting inked isn’t the only decision that stays with you for the rest of your life.

Albatross is a small but sweeping story about the past refusing to stay in the past.

Isley’s most recent play, SKIN A CAT, won the Vault Pick Of The Year Award in 2016 and was nominated for four Off West End Awards. She is part of the Bush Theatre’s Emerging Writers Group and a HighTide First Commissions Writer.

Anna was Trainee Director at Paines Plough in 2016. She is a Creative Associate at the Gate Theatre and an alumnus of the REP Foundry artist development scheme. Other directing credits include LIFE IS NO LAUGHING MATTER by Demi Nandhra (Battersea Arts Centre, Normal? Festival) and 20B by Jane English (Birmingham REP, Theatre Royal Stratford East).

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A Paines Plough production

COME TO WHERE I’M FROM

PP2018 season CTWIF images v14

Since 2010, Paines Plough’s nationwide project Come To Where I’m From has seen over 160 playwrights from across the pen plays about the places they call home.

Each play is performed for one-night only and then becomes part of the free Come To Where I’m From smartphone app which houses all the mini-plays that have been performed since the project began to create a vivid patchwork quilt of accents, experiences and impressions of the UK.

Thanks to support from The Space, in 2018 Paines Plough will relaunch the app which will be available free to download from the Apple Store and Google Play. The 160-strong audio play library will include a huge range of playwrights, from Olivier Award winners to first timers. Recent additions include: Alice Birch, Mike Bartlett, James Graham, Roy Williams, April De Angelis, Vinay Patel and Lizzie Nunnery.

The app was redeveloped with funding and support from digital commissioning agency The Space and developed by Milk Bar Studios.

The app is available free to download for iOS or Android. Download here.

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A Paines Plough and Latitude Festival production
WITH A LITTLE BIT OF LUCK
By Sabrina Mahfouz

Direction Stef O’Driscoll 

WITH A LITTLE BIT OF LUCK Landscape

It’s 2001. Garage is the unavoidable anthem of the UK. Nadia feels like it’s her time to shine.

A hot summer’s night of love promises endless possibilities. Swept up in drinking, dancing, hope, ambition, lust, greed… Nadia will make decisions that will determine the rest of her life.

Rhythmically underscored by your favourite UK Garage bangers. This is theatre you can rave to.

 

Originally commissioned for a festival audience, With A Little Bit Of Luck premiered to Latitude Festival in 2015. Directed by Stef O’Driscoll with Seroca Davis as Nadia alongside the vocal talents of Martyna Baker, this is theatre you can rave to.

Sabrina’s work includes Fringe First Award-winning CHEF (Underbelly Edinburgh, Soho Theatre), DRY ICE (Bush Theatre), her first play based on her time working in stripclubs, directed by David Schwimmer and for which she was nominated as Best Solo Performer in The Stage Awards and CLEAN (Traverse Theatre), which won a Herald Angel Award and transferred to Off-Broadway in 2015.

Stef is former Associate Director at Paines Plough and and Artistic Director of nabokov

Paines Plough’s 2017 Roundabout premieres from Brad Birch, Elinor Cook and Sarah McDonald-Hughes co-produced with the Orange Tree Theatre and Theatr Clwyd are currently running at the Orange Tree Theatre until 3 March 2018.

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A Paines Plough, Theatr Clwyd and Orange Tree Theatre production
BLACK MOUNTAIN
By Brad Birch

Direction James Grieve

BLACK MOUNTAIN Landscape

Rebecca and Paul are running away. Away from memories and mistakes.

They’re trying to save their relationship. They need time and space. An isolated house in the country is the perfect place to work things out.

But you can’t run forever. Especially when you’re being followed. 

BLACK MOUNTAIN is a tense psychological thriller about betrayal and forgiveness by winner of the Harold Pinter Commission Brad Birch.

Nominated for the Best Production in the English Language at the Wales Theatre Award 2018.

Brad was awarded the Harold Pinter Commission in 2016. In 2017 THIS MUST BE THE PLACE won Pick of The Year at VAULT Festival. He is currently under commission to the RSC, Teatro Malta, Sherman Theatre and the Royal Court and he is on attachment to the National Theatre.

A Paines Plough, Theatr Clwyd and Orange Tree Theatre production
OUT OF LOVE

By Elinor Cook

Direction James Grieve

OUT OF LOVE Landscape

Lorna and Grace do everything together. They share crisps, cigarettes and crushes. That’s what happens when you’re best friends forever.

But when Lorna gets a place at University, and Grace gets pregnant, they suddenly find themselves in starkly different worlds. Can anything bridge the gap between them? 

A tale of friendship, love and rivalry over thirty years from award-winning playwright Elinor Cook.

OUT OF LOVE is a finalist for the Susan Smith Blackburn Prize 2018.

Elinor was the winner of the George Devine Award 2013 for Most Promising Playwright. She was recently commissioned by the Donmar Warehouse to adapt Henrik Ibsen’s THE LADY FROM THE SEA, which was directed by Kwame Kwei-Armah. Her previous work with Paines Plough includes TEN WEEKS which was a co-production between Paines Plough, Royal Welsh College of Music and Drama and Gate Theatre in 2016 and LATER in 2007 where it debuted alongside work by Polly Stenham and Alexandra Wood. Elinor also adapted Mac Barnett’s EXTRA YARN which premiered in 2016 at the Orange Tree.

A Paines Plough, Theatr Clwyd and Orange Tree Theatre production
HOW TO BE A KID
By Sarah McDonald-Hughes

Direction James Grieve

HOW TO BE A KID Landscape

Molly cooks. Molly does the dishes. Molly gets her little brother Joe ready for school. Molly is only 12, but she doesn’t feel much like a kid anymore.

Now Molly’s Mum is feeling better, maybe things will get back to normal. Can you help Molly learn how to be a kid again?

Join Molly, Joe and her Nan for a larger than life story of family, friends and fitting in.

Warning: Contains dancing, chocolate cake and an epic car chase.

Winner of the Best Play for Young Audiences at the Writers Guild Awards 2018.

For ages 7+.

Sarah is an actor and writer from Manchester. She recently won a 2018 Writer’s Guild Award for her play HOW TO BE A KID and won the 2017 National Octagon Prize for her play SHERBET, co-written with Curtis Cole.  She has previously worked with Paines Plough on Come To Where I’m From.

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Thank you to our brilliant season launch creative team:

And that’s Programme 2018. Let us know what you think.

@painesplough on Twitter or comment below.