We asked playwright Zia Ahmed a few questions about I WANNA BE YOURS – currently touring nationwide and coming to the Bush Theatre 04 December – 18 January.
1. How did the commission of I Wanna Be Yours come about?
hello – so in 2016 i saw an
open call out for paines plough’s come to where i’m from which tamasha was
working with them on for the london leg
you had to write a monologue
about where you’re from + read it yourself no actors
this felt like doing a spoken
word piece so thought why not apply?
i got picked for the north-west
london event at the kiln [ then tricycle ]
read on a cool line up with
writers gabriel bisset smith che walker karla williams
+ my sister too mediah ahmed
paines plough kept in touch
with me after + applied for the channel 4 playwright scheme
which we got + i spent 2017
with them + this was the play i started writing as part of it
tamasha came in looking for a play for a week long rural arts tour in 2018 around various schools + village halls in north yorkshire which they co-produced with paines plough + off the back of that tour we ended up with the current tour + bush run
2. Tell us what I Wanna Be
Yours is about
i wanna be yours is about haseeb + ella going through their relationship from first meeting to the present. they tell the story to and with rachael who follows their story with them + all the people + spaces they have to navigate together + apart
3. Now tell us what it’s really about! Is it a love story or a political play or both? If both how do you achieve that balance?
it’s about haseeb + ella
navigating through the world as a couple + by themselves
it’s about what home means to
both of them
it’s about the things they
experience on their own they bring into their relationship
+ the things they experience as
a couple impact them as individuals
everything is everything
love does not exist in a vacuum
love is affected by the real
your race your class your
gender your region your faith your work
these inform how you love how
you loved how you’ve been loved how you want love how you want to love
+ love includes it all
a love story can’t be
for me balance comes having
everything as one
overlapping connected + not
this part is love
this part is political
this part is + so on
5. How did you decide to become
a poet and playwright? And which came first?
poetry is probably the path
that got me to this play
but theatre led me to that path
in the first place
The play explores the relationship
between Ella and Haseeb, and the obstacles that come their way as they navigate
societal reaction to their perceived differences. It is a powerful and hugely
2. Why did you decide to work in theatre?
Theatre and performing arts is
where I started, having grown up taking part in dance and musical theatre. It
was therefore a natural progression to marry my work within the Deaf community
with my skills as a performer. I feel incredibly lucky to be working within
such a niche area of the industry.
3. What attracted you to this role?
From my first reading of the
script, I was overwhelmed by the poetic beauty and richness of the language.
The story itself is incredibly powerful and one that needs to be told. I am
thrilled to be one of the people involved in making this piece accessible to
the Deaf community. I was very aware of the challenge it posed, however was
really excited by the visual possibilities within the imagery and how they
could be shown through BSL.
4. Talk us through the creative decision to name your character Rachael – do you feel like you are playing yourself on stage?
In my role as the interpreter
within this story; I am myself. It seemed fitting for me to keep my own name as
I am just another person receiving this story from Ella and Haseeb along with
the audience. I think this decision has allowed my character to be integral to
the piece without interrupting their journey.
5. What was the rehearsal process like?
Incredibly challenging, but also a
lot of fun! As a company we have been learning together how the integration may
work so in the early stages this involved a lot of play and exploration. Too
often, BSL interpretation and access is a last minute thought, added on to an
excising piece. It was great to be part of the story from the very beginning
and explore how my character and the addition of BSL integration becomes part
of the narrative. I worked with two Deaf BSL consultants for both the rehearsal
and tech periods which was vital for playing with the language and achieving
the correct translation. The play is heavily metaphorical and very dialogue
heavy so it was extremely important to have Deaf artists involved at every
6. Do you have a favourite moment in the play?
I don’t want to give too much
away! But for me my favourite moments occur when I can hand over the visual
storytelling to Ella and Haseeb and my role takes a back seat as their
connection is beautiful to watch. There’s also physical movement and some
snippets of dance which are a lot of fun!
7. Is there anything particularly special about the way BSL is integrated into I WANNA BE YOURS?
For me, Anna’s vision, patience
and determination for this piece to be a 3-hander has made a huge difference to
the connection between the three of us on stage, and I really hope this
translates for the Deaf community. Both Em and Ragevan (Ella and Haseeb) have
been absolutely incredible to work with and it definitely makes a difference to
the final piece. The BSL access is integral to the narrative and is rooted in
the telling of the story. I’m really exited to see how it is received and hope
we can get as many Deaf audience members as possible to witness this
8. Can you tell us about the work you do outside of theatre?
I am incredibly lucky in that most
of my work is connected in some way to theatre and access. As an actor and
interpreter I work within a few different areas including workshop
facilitation, education and different areas of performance.
9. What do you think Theatres should be doing in order to reach more D/deaf audiences / BSL users?
The climate is definitely changing and it is wonderful to see more and more Deaf actors and professionals working within on and offstage roles. The more the industry continues to open up to this the better; ensuring access and equality is considered from the start and no longer an afterthought.
I WANNA BE YOURS is touring nationwide until December. Are we touring near you?
Meet the four playwrights who will be performing their own short plays on the 09 November at The Watermill Theatre, Newbury
Since 2010 writers from across the UK have returned to their home towns to pen plays about the places that shaped them. At theatres from Bristol to Belfast, Cardiff to Coventry and Nottingham to Newcastle, these plays have been performed by the playwrights themselves, coming home to tell their tale.
Now COME TO WHERE I’M FROM visits Newbury to invite four of the town’s finest playwrights to join this celebrated nationwide project by performing their own short plays about their home.
BETH FLINTOFF (Writer)
Beth is a freelance playwright and
theatre director whose writing has been longlisted for The Papatango
Prize, The Bruntwood Prize, and nominated for Most Promising New Playwright
2017 at the Off West End Awards. Her play THE GLOVE THIEF, commissioned by
Tonic, is published by Nick Hern Books and regularly performed by young
companies around the world.
She is an
Associate Artist at Reading Between Lines Theatre Company in Reading, for whom
she has written OSCAR WILDE ON TRIAL; HENRY I OF ENGLAND; MATILDA THE EMPRESS; and
HENRY II. Other writing includes THE
BALLAD OF MARIA MARTENfor Eastern
Angles (touring again in 2020); THE REBELLIOUS WOMEN OF WIMBLEDON for Attic
Theatre Company; ONE HUNDRED YEARS OF WAR AND PEACE on Greenham Common (2017).
Beth has collaborated twice as writer/director with physical theatre ensemble Rhum and Clay, on JEKYLL AND HYDE (The Watermill)and HARDBOILED (The Watermill/New Diorama Theatre – Off West End Award Nominee for Best Director 2016). As the former Outreach Director at The Watermill, she worked on many productions as writer, director or both, including THE RIVALS;HAMLET;MACBETH; ROMEO AND JULIET; OTHELLO; and DOCTOR FAUSTUS. For the Watermill Senior Youth Theatre: DAVID COPPERFIELD; LIFE LESSONS; WRITERS’ BLOCK; THE GIRL WHO NEVER FORGOT; and THE THREE MUSKETEERS.
Beth is currently working on THE WORLD WE MADE (Change Festival at Warwick Arts Centre), GENOMESand THE LAST ABBOT OF READINGfor Reading Between the Lines, and a new commission for Write the Girl Project, working with St Albans High School for Girls. She is also the Co-Director of THE INCIDENT ROOM, which will run at New Diorama Theatre before transferring to Off Broadway in New York, April 2020.
DANIELLE PEARSON (Writer)
Pearson is the playwright in residence at the Watermill Theatre. Her work there
has included the site-specific actor-musician piece NEWBURY YARNS, several
original plays for the Senior Youth Theatre and outreach groups, and a new
adaptation of JANE EYRE touring to schools this autumn.
recent projects include THIS RESTLESS STATE, produced by Fuel at Ovalhouse, and
the R&D of children’s musical THE WITCHES AND THE SINGING MICE at the
Unicorn Theatre. She has had short plays featured in venues including Southwark
Playhouse, the Old Red Lion and Camden People’s Theatre.
winner of the EU Collective Plays! Competition, Danielle also works
internationally in Italy and Turkey, with a recent collaborative piece, AND SO
MY FACE BECAME MY SCAR, performed at last summer’s Quartieri Del’ Arte festival
In 2017 she graduated from the Royal Court Writing Group.
SOPHIE STONE (Writer)
includes: AS YOU LIKE IT (Shakespeare’s Globe); EMILIA (Shakespeare’s
Globe/West End); MIDSUMMER NIGHT’S DREAM (Watermill Theatre); JUBILEE (Lyric,
Hammersmith/Manchester Royal Exchange); THE GOVERNMENT INSPECTOR (Birmingham
Rep/ UK tour); HERONS (Lyric Hammersmith); MOTHER COURAGE AND
HER CHILDREN (National Theatre); MINE (Shared Experience); FROZEN (Birmingham
Rep); TWO (Southwark Playhouse); THE BLOODY GREAT BORDER BALLAD
PROJECT (Northern Stage); IN WATER I’M WEIGHTLESS (National
Theatre of Wales); PANDORA (Arcola); WOMAN OF FLOWERS (Forest
Forge/UK tour); MULTIPLEX, FEN, YOU MAKE ME HAPPY (WHEN SKIES ARE GREY) (Watermill
includes: TWO DOORS DOWN; SHAKESPEARE & HATHAWAY; SHETLAND; THE CROWN; DOCTOR WHO; MAPP AND LUCIA; MOONSTONE; MARCHLANDS; MIDSOMER MURDERS; SMALL WORLD; HOLBY CITY; CASUALTY; FM.
was awarded the Best Actress Award, Clin d’Oeil Festival); MY CHRISTMAS ANGEL; CONFESSIONS; COMING HOME.
Sophie Stone is Co-Founder of Deaf & Hearing Ensemble Theatre Company.
TALITHA WING (Writer)
Talitha Wing graduated from the Royal Welsh College of Music and Drama in 2018. Talitha is a professional actor, writer and poet. Paines Plough; COME TO WHERE I’M FROM, is Talitha’s first commissioned play. Acting credits since graduation include: ALEX RIDER directed by Andreas Prochaska (Eleventh Hour Films / Sony TV); THE FEED directed by Jill Robertson (Amazon Studios) and the feature film; MILITARY WIVES directed by Peter Cattaneo (42).
ABOUT THE WATERMILL
The Watermill Theatre has developed a reputation as one of Britain’s leading regional theatres. From its beautiful home in a small Berkshire village, work has been created that is admired around the world. Last year 67,740 people attended shows or one-off events at The Watermill, where new productions are staged annually, ranging from Shakespeare and musicals to classics, new plays and youth theatre productions. The Watermill tours regularly across the UK as well as rural touring productions, which play in village halls and small arts centres in the South. Recent and upcoming tours and London transfers have included A Midsummer Night’s Dream and Macbeth (National Tour), One Million Tiny Plays About Britain (Jermyn Street Theatre), Amélie (National Tour), Twelfth Night (Wilton’s Music Hall), Burke and Hare (Jermyn Street Theatre), Trial By Laughter (National Tour), Teddy (National Tour and The Vaults), Crazy For You (National Tour), The Wipers Times (West End and Tour), Loot (Park Theatre), Twelfth Night and Romeo and Juliet (International Tours), Murder For Two (The Other Palace) and Frankenstein (Wilton’s Music Hall).
The Watermill Theatre aims to be a focal point for the local community and is proud to play a leading part in helping the careers of the theatre-makers of tomorrow. The Watermill’s unique environment encourages a real sense of ensemble, and its intimate 200-seat auditorium also means that there is a particularly strong connection between the actors and audience. This combination makes The Watermill a very special place to visit.
On Thursday 17 October we will be hosting a series of workshops in ROUNDABOUT @ Stratford East.
10am – 12pm
Casting Workshop with Annelie Powell CDG
Annelie Powell will lead a workshop on the audition process, including practical work and Q and A session. Take part in practical work with Annelie, or observe and apply skills to your own predatory work.
Annelie Powell CDG is a London based Freelance Casting Director working in all forms of media and is also Head of Casting for Nuffield Southampton Theatres. Annelie has worked with various companies over the years in Adverts and TV in including ROSEROCK FILMS, WARNER BROS, APPLE TV, SC FILMS INTERNATIONAL, BBC, DOITY amongst others. This year she has completed the UK casting on DEEP BLUE SEA 3, Principal and ensemble casting on animated film DRAGONKEEPER, starring BILL NIGHY, BILL BAILEY AND BRENDAN COYLE, the animated documentary ANOTHER DAY OF LIFE, and Children’s Casting on an Apple TV series. Recent Theatre work includes VASSA directed by Tinuke Craig for the ALMEIDA, CINDERELLA for NST, THE POPE for Northampton Theatres, PAVILLION for THEATRE CLYWD, THE AUDIENCE for NST, HAMLET, for THE RSC, LEAR for THE RSC, DON QUIXOTE for GARRICK/RSC. A full cv spanning over 50 productions including productions cast over 5 years at THE ROYAL SHAKESPEARE COMPANY is available from Kim Donovan at The Artists Partnership.
12.15pm – 1pm
Hosted by PP Producer/Technical Stage Manager, explaining the history of Roundabout and showing the Sound & Light Show – each of these tours will last approx 15 minutes
1.15pm – 2.45pm
Captioning Workshop with Paines Plough
Members of Team PP will talk you through how we caption shows in ROUNDABOUT.
3.30pm – 5.30pm
Acting in the Round with Stef O’Driscoll
Join Stef O’Driscoll in a workshop on working in-the-round. A snapshot look at playing the most exposing, exhilarating and energising of all configurations – the round. Come on down to Paines Plough’s pop-up amphitheatre ROUNDABOUT for a quick guide to 360° theatre.
Stef is the Artistic Director of nabokov and previously the Associate Director at Paines Plough and at the Lyric Hammersmith.
As director, theatre includes: Island Town, Sticks & Stones, How to Spot an Alien, With a Little Bit of Luck, Hopelessly Devoted, Blister, On The Other Hand We’re Happy, Daughterhood, Dexter and Winter’s Detective Agency (Paines Plough); Last Night (nabokov/Roundhouse); Storytelling Army (nabokov/Brighton Festival); Slug (nabokov/Latitude); Box Clever (Bunker); Yard Gal (Ovalhouse); The Unmaster, A Tale from the Bedsit (& Bestival), Finding Home (Roundhouse); A Guide to Second Date Sex, When Women Wee (Underbelly/Soho); A Midsummer Night’s Dream [co-director] (Lyric, Hammersmith).
Admission to any workshop comes free when you buy a ticket to any of the Paines Plough plays:
We are delighted to annouce Charlotte Bennett and Katie Posner‘s inaugural programme for Paines Plough…
The Live Out Loud Season celebrates some of the most exciting, distinctive, observant and entertaining voices in British theatre.
This season focuses on platforming ground-breaking playwrights and empowering them to take up space with the stories they want to tell. It’s about embracing and celebrating a plethora of voices from around the country, giving playwrights the space to develop their big ideas and tell bold stories that encourage people to live out loud.
Charlotte and Katie said: “We are honoured to be working with such a wealth of talent and experience in our first season. We are also delighted to be working with partners across the country including Sheffield Theatres, Oldham Coliseum, York Theatre Royal, Soho Theatre, Ellie Keel Productions and LAMDA and also celebrating an existing partnership with Royal Welsh College of Music and Drama. These are stories that celebrate what it is to live life out loud, own who you are and speak your truth. And they are ready to be heard.”
RUN SISTER RUN by CHLOË MOSS
In February 2020 Paines Plough will co-produce a new play by Chloë Moss with Soho Theatre and Sheffield Theatres. RUN SISTER RUN will run at Sheffield Theatres studio 27 February – 21 March, and then at Soho Theatre from 25 March – 2 May.
RUN SISTER RUN explores the lives of two sisters and the different directions life takes them in as they desperately hold onto their unbreakable bond.
From award-winning playwright
Chloë Moss, this story of family, love and dependence asks who gets it right?
Chloë is an accomplished playwright and screenwriter. Her celebrated play THIS WIDE NIGHT 2008/2009 (Clean Break, Soho) won the prestigious Susan Smith Blackburn prize and was subsequently produced off Broadway. Chloe has written numerous other shows including THE GATEKEEPER 2012 (Royal Exchange Theatre), FATAL LIGHT 2010/2011 (Soho Theatre), CHRISTMAS IS MILES AWAY 2005/2006 (Bush theatre and off Broadway), and HOW LOVE IS SPELT 2002 (Bush Theatre & New York’s Summer Play Festival).
She is currently under commission to the Royal Court and Headlong Theatre.
Chloë has also written extensively for television. She is currently working on an original teen drama for CBBC. She is also under commission to BBC Radio 4.
MOON LICKS by CHARLOTTE JOSEPHINE
Once again PP will partner with Royal Welsh College of Music and Drama to showcase the world premiere of Charlotte Josephine’s new play. MOON LICKS will open at in Cardiff on 17 March, followed by a run in London at the start of April.
‘She looked at me and said, I want you to remember you came from the sky. Said you’re made of stardust. Said you deserve to be here.
Then the rains came, and all fucking hell broke loose.’
Stuck to shiny slick screens, pretending to be people, our
animal instincts spill out sideways with catastrophic consequences. Animal
humans or human animals, did we forget mother nature’s in charge? A generation
let down by those who should have known better, have one chance to put things
Charlotte Josephine is an award-winning playwright and actor. In 2012 BITCH BOXER won the Soho Theatre Young Writers Award, the Old Vic New Voices Edinburgh Season 2012, the Clonmel Junction Best Theatre Award 2013, the Holden Street Theatre’s Award 2013 and the Adelaide Fringe Award 2014. In 2017 Charlotte won the inaugural BBC Screenplay First Award, and was named on the BBC New Talent Hotlist. BLUSH is currently being adapted into a television drama and BITCH BOXER into a feature film. Charlotte is one of this year’s Old Vic 12 writers and is currently under commission at Boundless Theatre, Audible and Theatre Centre. Their new play POPS premiered at this summer’s Edinburgh Fringe Festival.
ROUNDABOUT SEASON 2020:
For the first time ROUNDABOUT will host a musical, with Chinonyerem Odimba’s new work exploring love and relationships with musuc by Ben and Max Ringham, will play in rep with Chris Bush’s new play investigating food and our dysfunctional relationships with our bodies and Phoebe Eclair-Powell’s new family show about a girl who loses her voice and has a madcap adventure to find it again – AND, in another first, a brand new trailblazer short commission from Charlotte Keatley!
ROUNDABOUT will once again return to Summerhall, Edinburgh and bring mini-festivals to each stop on its nationwide tour.
HUNGRY by CHRIS BUSH
me your fridge and I’ll show you what you’re worth.”
We are what we eat, and Bex eats shit. It’s not like she has any choice though – when times are tough the last thing you think about is your five-a-day. Today is different though. Today the table groans, and the best china is out. Today things will change.
HUNGRY is a new play about food, class and grief in a world where there’s little left to savour.
CHRIS BUSH is an award-winning playwright, lyricist and theatre-maker. Her past work includes PERICLES (National Theatre), THE ASSASSINATION OF KATIE HOPKINS (Theatr Clwyd), STANDING AT THE SKY’S EDGE, STEEL (both Sheffield Theatres) and THE CHANGING ROOM (NT Connections). Upcoming work includes FAUSTUS: THAT DAMNED WOMAN (Headlong/Lyric Hammersmith/Birmingham Rep), THE LAST NOEL (Attic Theatre) and a new musical adaptation of THE CAUCASIAN CHALK CIRCLE (National Theatre).
BLACK LOVE by CHINONYEREM ODIMBA
With Music byBen and Max Ringham
LOVE is brand new musical about love. Chinonyerem’s latest work explores romantic
relationships between black people, and in particular of how this is portrayed,
or more often than not, isn’t portrayed in theatre and on stage.
Chinonyerem is a Nigeria-born, Bristol based playwright, director and poet. Her work for theatre includes JOANNE and AMOMNGST THE REEDS for Clean Break, London /The Yard, a modern retelling of TWIST for Theatre Centre, MEDEA at Bristol Old Vic, and WE TOO, ARE GIANTS for Kiln Theatre. More recently, a new play PRINCESS AND THE HUSTLER toured across the UK for Eclipse Theatre/Bristol Old Vic/HullTruck. She was the Writer-in-Residence at Live Theatre/Northumbria University and is now an Associate Artist at Live. Her work has been shortlisted for several awards including the Adrienne Benham Award, Alfred Fagon Award, and the Bruntwood Playwriting Award. She is the joint winner for the 2018 Sonia Friedman Award for a new play HOW TO WALK ON THE MOON written for C4/Talawa Theatre. Currently Chinonyerem has the world premiere of a community play THE SEVEN AGES OF PATIENCEopening at Kiln Theatre, a new playUNKNOW RIVERS at Hampstead Theatre this October, and an adaptation of THE PRINCE AND THE PAUPER for Watermill Theatre Christmas season. She also writes for radio and TV, with a new 30-minute drama for Channel 4 scheduled to be broadcast in 2020.
REALLY BIG AND REALLY LOUD by PHOEBE ECLAIR-POWELL
Phoebe’s new play for families is about living loudly.
Ten year old Charli is always being told to sit down and be quiet, so much so that one morning she wakes up and – nothing – her voice is gone. Her Mum is worried, her older brother thinks it’s hilarious, everyone keeps offering her a lozenge. But Charli knows this is big – she needs to find it before it’s too late.
Phoebe is a writer from South East London. In 2015 her debut play WINK received rave reviews and four Off West End Nominations including ‘Most Promising New Playwright’. Her play FURY was runner up for the Verity Bargate Award 2015, and subsequently won the Soho Young Writer’s Award and received an Offie nomination for ‘Best New Play’. For 2016-17 Phoebe was the resident playwright at Soho Theatre through the Channel 4 Playwright scheme. In 2018 Phoebe’s play THESE BRIDGES was part of the National Theatre Connections Festival. Prior to this Phoebe completed the Channel 4 Screenwriting course. She was also on the Soho Writers’ Lab for 2014/15. Phoebe was a previous member of the RCYW and the Royal Court invited group under Alice Birch. Phoebe has completed the BBC writersroom drama programme with Sid Gentle Films, and took part in Nick Frost and Simon Pegg’s YA incubator at their company Stolen Picture. Phoebe has written for award winning Channel 4 Continuing Drama Hollyoaks. She is also under commission from Fremantle Australia, and Newcastle Live theatre, and adapting a graphic novel with Twelve Town.
THE INCONVENIENCE STORE by CHARLOTTE KEATLEY
How many versions of yourself are you wearing today? Just those three? Do they really fit you? Bee doesn’t fit hers. So she’s opened a shop, where the changing room actually does change you. The Inconvenience Store offers what is needed by those who aren’t Mr Normal- whoever he is.
Charlotte’s MY MOTHER SAID I NEVER SHOULD is the most widely produced play ever written by a woman, now translated into 31 languages, named as one of the National Theatre Significant Plays of the 20th Century, and a GCSE text. Other plays include: OUR FATHER AND ALL THE DAUGHTERS OF WAR for the RSC. Charlotte has written for film, television, radio and won an EMMY for filming in children’s prisons for a C4 documentary. Charlotte also teaches creative writing anywhere in the world on request.
SESSIONS by IFEYINWA FREDERICK
In 2019 Paines Plough co-commissioned a new play by Ifeyinwa Frederick, one of the 2019 Soho Six, in a year-long attachment programme for artists run by Soho Theatre. As part of their 2020 season Paines Plough together with Soho Theatre present the result! The production will open at Soho Theatre in Autumn 2020 as part of a 30-date small-scale tour. This will be the final production in a three-year partnership with Paul Hamlyn Foundation and Esmée Fairbairn Foundation.
Exploring the complexity of depression and therapy, SESSIONS asks what happens when your last resort doesn’t work. The play follows the life of Tunde – a 30-year-old loveable rogue – as we try to understand how such a seemingly happy young man has ended up here and how does he get out?
Ifeyinwa is a fervent believer in the power of storytelling and human connection, which fuels her work as a writer and entrepreneur. She began writing in 2016, joining Soho Theatre Writers’ Lab. Supported by the programme, she wrote her debut play THE HOES which received a full production at Hampstead Theatre in 2018. The play was shortlisted for the 2017 Tony Craze Award and Character 7 Award and longlisted for the 2017 Verity Bargate Award. Writing alongside her full-time job as co-founder of Chuku’s – the world’s first Nigerian tapas restaurant – she’s a Young British Foodie award winner and has been featured in Forbes’ list of 100 Female Founders in Europe.
LAMDA LIVE LAB: JADE ANOUKA
Live Lab is a new partnership with LAMDA exploring new ways of working in ROUNDABOUT by experimenting with early-career playwrights, actors and technicians alongside some of the most exciting, pioneering female playwrights from the last 30 years.
For 2020 the first co-commission built in Live Lab will be a brand new play by Jade Anouka.
Jade Anouka most recently appeared on our screens in ITV’s CLEANING UP alongside Sheridan Smith, Idris Elba’s Netflix comedy TURN UP CHARLIE and feel good feature film FISHERMAN’S FRIEND’S.
In theatre Jade most recently played the title roles in Hampstead’s Olivier nominated THE PHLEBOTOMIST and QUEEN MARGARET at The Royal Exchange. A seasoned Shakespeare performer, she starred in the Donmar Warehouse all-female Shakespeare Trilogy hit directed by Phyllida Lloyd where she played ‘Mark Antony’ in JULIUS CAESAR, ‘Hotspur’ in HENRY IV and ‘Ariel’ in THE TEMPEST. Other cherry-picked theatre credits include, Old Vic two-hander COVER MY TRACKS opposite musician Charlie Fink, Ophelia and Juliet in the Globe Theatre’s production of HAMLET and ROMEO AND JULIET respectfully and MOON ON A RAINBOW SHAWL at the National.
As a poet Jade has performed regularly around London including The Southbank Centre, Richmix and The Roundhouse. Her first collection of poems was published by Poetry Space and titled EGGS ON TOAST.
Her first play, HEART combined her love of writing and acting when she performed it at the Vault festival in the spring. Last year Jade did a TED talk: ‘Being Black, Being a Woman, Being ‘Other’.
ELLIE KEEL PRODUCTIONS and PAINES PLOUGH PRESENT: THE WOMEN’S PRIZE FOR PLAYWRITING
We have teamed up with the brilliant EKP to launch The Women’s Prize for Playwriting, which will support exceptional UK and Ireland-based playwrights. The winning playwright will receive £12,000 in respect of an exclusive option for EKP and Paines Plough to co-produce the winning play. The founding sponsor of The Women’s Prize for Playwriting is PER.
The Women’s Prize for Playwriting is designed to celebrate and raise the profile of these playwrights by providing them with a national platform. Any person of 16 years or older who is resident in the UK or Ireland and who identifies as female can enter. The prize is for a full-length play (defined as over 60 minutes in length), written in English. Musicals and pantomimes are not eligible. Submissions will open on Monday 11 November and close on Monday 2nd March.
The judging panel for The Women’s Prize for Playwriting 2020 is chaired by senior literary agent Mel Kenyon, and further comprises: playwright Tanika Gupta, Sarah Frankcom, playwright Ella Hickson; theatre producer and former Executive Director of the Donmar Warehouse, Kate Pakenham. actress and writer Monica Dolan, actress Maxine Peake and Artistic Director of Kiln Theatre, Indhu Rubasingham.
Full details of the Prize, including full eligibility criteria and details of second and third prizes, will be available on Monday 11 November, from which date submissions will also be open. Please visit www.womensprizeforplaywriting.co.uk for further details.
Thank you to our brilliant season launch creative team:
We are delighted to announce the full cast and creative team for the nation-wide tour of Zia Ahmed’s I WANNA BE YOURS 2019.
Writer: ZIA AHMED
Zia Ahmed is from north-west London. He is part of
the London Laureates, having been shortlisted for London’s Young Poet Laureate
2015/16. He is a former Roundhouse Poetry Slam winner and writer
in residence at Paines Plough as part of Channel 4’s Playwright Scheme. He is one of the Bush Theatre’s Emerging
Writers’ Group 2018/19.
writing and performance credits include C11 (Bush Theatre) and FRAGMENTS
(Roundhouse). His poetry has featured on BBC Radio 4, DAZED and notable
gigs include performing at Kate Tempest’s collection launches at the Old Vic,
Hackney Arts Centre, Boiler Room x V&A, Latitude Festival and the ICA.
Twitter/Instagram – @ziaahmedx
Direction: ANNA HIMALI HOWARD
Anna Himali Howard is a director and theatremaker. She was Paines Plough’s Trainee Director in 2016 and is an alumnus of the Birmingham REP Foundry. She was recently the Staff Director on SMALL ISLAND at the National Theatre. Her work as a Director includes: A SMALL PLACE by Jamaica Kincaid (Gate Theatre); I WANNA BE YOURS by Zia Ahmed (Paines Plough/Tamasha/Rural Arts), ALBATROSS by Isley Lynn for NEW (Paines Plough/ RWCMD/Gate Theatre). As a theatremaker, work includes:
ANGER (Yard Theatre Live Drafts), MAHABHARAT/A by Anna Himali Howard and Zarina
Muhammad (Camden People’s Theatre), THE BEANFIELD by Breach Theatre (New
Diorama/national tour 2016).
was Associate Director on FLEABAG by Phoebe Waller-Bridge (Drywrite/Soho
Theatre international tour) and Assistant Director on OTHELLO, directed by
Ellen McDougall (Shakespeare’s Globe) and IN THE NIGHT TIME (BEFORE THE SUN
RISES) by Nina Segal, directed by Ben Kidd (Gate Theatre
EMILY STOTT as ELLA
Emily trained at The Oxford School of Drama and is a founding member of the award-winning theatre company Wildcard (ELECTROLYTE, 17, AFTER PARTY)
Theatre credits include: IF NOT NOW, WHEN? (Dorfman, National Theatre); THE COMEDY ABOUT A BANK ROBBERY (Mischief Theatre/Criterion Theatre); GIFTED (Pleasance); THE PICTURE OF DORIAN GRAY (Watermill Theatre); GLITTER PUNCH (VAULT Festival); THE KITCHEN SINK (Oldham Coliseum); INSIDE PUSSY RIOT (Les Enfants Terribles/Saatchi Gallery); PANCAKE DAY (The Bunker); EARLY DOORS (Not Too Tame/UK tour); THE SELFISH GIANT (Arcola).TV credits include: VERA (ITV).
RAGEVAN VASAN as HASEEB
credits include: SAVE ME, FORTITUDE (Sky Atlantic); THE STATE (Channel 4);
CUFFS, DOCTORS (BBC).
credits include: DUMBO (Disney); DAPHNE (The Bureau Film Company); WALK LIKE A
PANTHER (FOX Searchlight); THE LAST WITNESS (Film Polska Productions).
credits include: THE VILLAGE (Theatre Royal Stratford East); HURLING RUBBLE AT THE
SUN/MOON (Park Theatre); LOVE FOR LOVE, QUEEN ANNE (Royal Shakespeare Company).
RACHAEL MERRY as RACHAEL
is an actor and BSL/English interpreter who is delighted to be working with
Paines Plough this autumn for I WANNA BE YOURS.
member and associate artist of the DH Ensemble, she is a previous resident
artist with GLYPT (Donut Worry R&D) and most recently can be seen as Ellie
in DeafFest UK award winning short film AVA(Grint & Ash
credits include: Librarian in ALMOST(BSLBT/Flashing Lights Media);
Evil Queen in MIRROR MIRROR (Red Earth Theatre UK Tours); Shiny in SMALL WORLD (BSLBT/Mutt
& Jeff Pictures); Mrs Yellow in MR RED AND MRS YELLOW (Handprint Theatre).
Rachael holds a first class degree in Theatre Arts, Education & Deaf
Studies from The University of Reading and recently completed her role coordinating
the youth programme for Deafinitely Theatre Company.
THE CREATIVE TEAM
COMPANY STAGE MANAGER: ALICE LONGSON
Studying at Salford University, Alice gained a degree in Media Performance but was always drawn to the theatre. Post university she headed into the Manchester Fringe scene working in various stage management roles on shows including THE TRIAL (People Zoo Productions); MOTH (Ransack Productions) and HAIR THE MUSICAL (Aria Entertainment). With a passion for driving vans Alice went on to touring, working with Theatre Hullabaloo sharing THE BEAR AND BUTTERFLY with the UK in 2016/17. During her time working the Manchester fringe Alice grew close connections with Hope Mill Theatre and following her tour went on to become the Technical Manager of the venue. She also supported their in-house musicals and Production Manager. She found a new passion for set building and power tools. Onto ventures new, Alice is super excited to be hitting the road with I WANNA BE YOURS and is very proud to be part of the Paines Plough team on this project.
DESIGN: MYDD PHARO
Mydd is an award-winning
set and costume designer, director and visual dramaturg working in theatre,
live art and installation. He trained in Theatre Design at Wimbledon School of
Art and Fine Art (Installation) at Falmouth College of Art.Selected work
includes:WOLF’S CHILD (WildWorks/NNF);
THE BODY (Barbican); THE PASSION (WildWorks/NTW); PARTY SKILLS FOR THE END OF
THE WORLD (NNF); DREAM CITY – The Tunis Biennale of Art in Public Spaces, NABLUS:
CITY OF STORIES, ONCE UPON A CASTLE – Kasteel Van Gaasbeek, THE ENCHANTED PALACE (WildWorks);
ARK-IVE (National Theatre).He is founding
member, production designer and visual dramaturg for NPO company WildWorks an
international site-specific theatre company specialising in large-scale outdoor
promenade performances in unusual locations. He has also designed works for Kneehigh
Theatre, Punchdrunk, 14-18NOW, Royal College of Music, NYT, BAC, The Eden
Project and The British Council.
LIGHTING: MARTHA GODFREY
Martha Godfrey is a lighting designer based in London.Recent work includes: WHITEand GREY by Koko Brown (Ovalhouse Theatre/UK tour); PINKLEMONADEand SINCE U BEEN GONE(Queer House
Productions); FUCK YOU PAY ME(The
Bunker); BURY THE DEAD (Finborough
Theatre); HEAR ME HOWL (Old Red
Lion Theatre); PECS: THE 80S SHOW
COMPOSITION & SOUND: ANNA CLOCK
Anna Clock is a composer, sound designer and
cellist working across theatre, film, radio and installation. Recent
projects include: PLAYING UP and EPIC
STAGES (National Youth Theatre); ARMADILLO (The Yard Theatre); FIGHTER(Stratford Circus Arts Centre); LOOKING FORWARD (Battersea Arts
Centre); SOFT ANIMALS (Soho); THE BUTTERFLY LION (Barn
Theatre); FATTY FAT FAT (Roundhouse/Edinburgh Festival) WORK BITCH, MISS FORTUNATE, ADMIN (VAULT
Festival); TWELFTH NIGHT (Southwark
Playhouse); POMONA; PUNK ROCK (New
Diorama); BURY THE DEAD (Finborough
Theatre); FABRIC (Soho/community
spaces tour); KATIE JOHNSTONE, IN
THE NIGHT TIME, [BLANK] (Orange Tree Theatre); OVEREXPOSED (V&A
Museum); UNCENSORED (Theatre
Royal Haymarket); SONGLINES (Edinburgh
Festival/HighTide Festival/regional tour); FINDING FASSBENDER (VAULT Festival/Edinburgh
2018 Anna was artist in residence at SPINE Festival Borough of Harrow and
Sirius Arts Centre. Anna studied Music Composition and English
Literature at Trinity College Dublin, Cello performance at the Royal Irish
Academy of Music and holds an MA in Advanced Theatre Practice from Central
School of Speech and Drama. They also have extensive experience as a workshop
facilitator and educator, and have run workshops in schools, youth centres and
community centres. They have also worked as guest lecturer and guest sound
designer for third level institutions including University of Manchester, Mountview
Academy, Arts Ed and Fourth Monkey.
ASSISTANT DIRECTOR: JANISÉ SADIK
Janisè Sadik is an emerging theatremaker
and director. She is Paines Plough’s Trainee Director for 2019, was a part of
the Young Vic Directors program, and completed the Boris Karloff Trainee
Assistant Director Program in 2017. She has been a co-workshop leader at Park
Theatre leading the Creative Learning Programme since 2015 directing the end of
term showcase. She has facilitated in
various creative buildings such as Hoxton Hall, Lyric Hammersmith, Ovalhouse
and Wimbledon College of Arts. In 2018, she set up a Youth Theatre company at
We Are Spotlight working with young actors that don’t have access to training.
She has worked internationally in rural parts of South India to run creative
theatre projects with young children to empower and build their confidence. She enjoys work that is experimental, devised
and brings new writing to life. Theatre credits as director include: MILK
& OREOS, winner of the Pandora Award 2015, co-written by Janisè Sadik &
Seraphina Beh (Melanin Box Festival); BREAKING THE INTERNET (Ovalhouse Summer
School 2017); BLURRED LINES (Etcetera Theatre); US by Priscilla Lafayette Kwabi
(Camden People’s Theatre); HYDRAULIC by Tristan Fynn-Aiduenu (Wimbledon College
Assistant director credits include:
ROUNDABOUT Season 2019: DAUGHTERHOOD by Charley Miles, ON THE OTHER HAND, WE’RE
HAPPY by Daf James and DEXTER AND WINTER’S DETECTIVE AGENCY by Nathan Bryon
(Paines Plough/Theatr Clwyd).
Film credits as director include: SHE by
MOVEMENT: JENNIFER JACKSON
Jennifer trained at East 15 and is a movement director and actor. Movement Direction credits include: AMSTERDAM (ATC/Orange Tree/ Theatre Royal Plymouth); POPS (Jake Orr Productions); THE STRANGE UNDOING OF PRUDENCIA HART (New Vic Theatre); BE MY BABY, AROUND THE WORLD IN 80 DAYS (Leeds Playhouse); THE TRICK (Loose Tongue/Bush/High Tide); PHILOXENIA (Bush); MOUNTAINTOP UK TOUR (Desara Productions Ltd); DEATH OF A SALESMAN, QUEENS OF THE COAL AGE, OUR TOWN (Royal Exchange); PARLIAMENT SQUARE (Bush/Royal Exchange); MAYFLY, OUT OF WATER (Orange Tree Theatre); BRIGHTON ROCK (Pilot Theatre/The Lowry); ROUNDABOUT Season 2017: BLACK MOUNTAIN, HOW TO BE A KID, OUT OF LOVE (Paines Plough/Theatr Clwyd/Orange Tree Theatre); ROUNDABOUT Season 2018: ISLAND TOWN, STICKS AND STONES, HOW TO SPOT AN ALIEN (Paines Plough/Theatr Clwyd); THE MOUNTAINTOP (Young Vic); DEATH OF A SALESMAN (Royal & Derngate); THE UGLY ONE (The Park); WHY THE WHALES CAME (Southbank Centre); STONE FACE (Finborough); DEBRIS (Southwark Playhouse/Openworks Theatre); MACBETH (Passion in Practice/Sam Wanamaker Playhouse); SILENT PLANET (Finborough); PERICLES (Berwaldhallen); THE FUTURE (The Yard/Company Three); OTHER-PLEASE SPECIFY, ATOMS (Company Three); TAKEOVER 2017 (Kiln Theatre).Assistant Movement Director credits include: ROUNDABOUT Season 2014: LUNGS, THE INITIATE, MY TEACHER’S A TROLL (Paines Plough/Sheffield Theatres).
COME TO WHERE I’M FROM is 10 years old – so we’re having a party!
PP and The Criterion are hosting a special one-off event to celebrate 10 years of Paines Plough’s flagship nationwide project, COME TO WHERE I’M FROM, starring some of the nation’s leading playwrights performing their own short plays about the places they call home.
Join us at the Criterion Theatre on 18 November for an evening of short plays, and help raise funds to support the next generation of exceptional playwrights. You will see new work written and performed by long-established, award-winning playwrights including Simon Stephens, April De Angelis and Dennis Kelly, along with work from exciting new voices like Zia Ahmed, in a celebration of Paines Plough’s history of discovering and developing talented writers from across the country.
The full programme of writers performing on the night includes: James Graham, Dennis Kelly, Roy Williams, April De Angelis, Simon Stephens, Zia Ahmed and Chloë Moss.
Tickets will range from just £10 to £250 – you can book your tickets here.
Along with celebrating the success of COME TO WHERE I’M FROM, Paines Plough is aiming to raise £25,000 to help playwrights of the future flourish. So join us for an evening of performances, food and drink, and that humble staple of fundraising – a raffle. You can also support the project by donating to the COME TO WHERE I’M FROM campaign.
A little bit about the writers performing at the Come to Where I’m From 10th Anniversary Gala:
James Graham is from
Mansfield and is an Olivier and Tony Award nominated writer. Credits include
THIS HOUSE, INK and THE ANGRY BRIGADE, as well as the book of the Broadway
musical FINDING NEVERLAND and numerous film and TV projects including BREXIT:
THE UNCIVIL WAR starring Benedict Cumberbatch.
Dennis Kelly grew up in
Barnet and is an internationally celebrated playwright. He is the author of
MATILDA THE MUSICAL, ORPHANS, UTOPIA and most recently GIRLS & BOYS
starring Carey Mulligan at the Royal Court Theatre.
Roy Williams OBE grew up in Notting Hill, London, and is an Olivier and BAFTA award-winning playwright. His most decorated plays include LIFT OFF, CLUBLAND, OFFSIDE and most recently SUCKER PUNCH. He was appointed Officer of the Order of the British Empire in 2008 and sits on the board of trustees for Theatre Centre. In 2018, he was a made a fellow of The Royal Society of Literature.
is a West London writer of Sicilian descent whose 30-year career highlights
include JUMPY, WILD EAST and PLAYHOUSE CREATURES as well as an upcoming
adaptation of Elena Ferrante’s MY BRILLIANT FRIEND at the National Theatre.
Simon Stephens hails from
Stockport and is the renowned author of over 15 major plays, including THE
CURIOUS INCIDENT OF THE DOG IN THE NIGHT TIME, HEISENBERG and SEA WALL, most
recently performed at the Old Vic Theatre starring Andrew Scott.
Ahmed is a poet from North West London and is a
London Laureate and former Roundhouse Poetry Slam champion. His debut play I
WANNA BE YOURS was first produced by Paines Plough in 2018, and will be going
on a national tour in autumn 2019, finishing with a five-week run at the Bush
is a Liverpudlian playwright whose work includes HOW LOVE IS SPELT, THE
GATEKEEPER and THIS WIDE NIGHT which transferred to New York with actress Edie
Falco and for which she was awarded the Susan Smith Blackburn Playwriting
Immerse yourself in over 160 short plays on our COME TO WHERE I’M FROM mobile app.
The COME TO WHERE I’M FROM app is a digital version of the project. In 2010 we asked a group of writers to return to their home towns to pen short plays about the placed that shaped them. Since then we’ve commissioned over 160 writers from Olivier Award winners to first time writers. We’ve recorded each playwright performing their own play and created a smartphone app to house all the recordings.
‘Sam Steiner makes us beam as the world burns… When everything is falling apart, in the world or in our own private apocalypses, this hilariously bleak show suggests it might just be alright, so long as there’s someone there to listen.’ ★★★★ The Guardian
“I just think it’s, you know, important to
look at the good things that are happening as well.”
Everything’s been falling apart for a while now. In a cramped, crumbling office four volunteers spend a few hours every Tuesday night on the phone to strangers telling them everything is going to be ok. As the outside world disintegrates around them, Frances, Joey, Angie and Jon teeter on the edge of their own personal catastrophes. Their hopes and fears become entangled as they try, desperately, to connect with the callers and with each other.
YOU STUPID DARKNESS! is an urgent play from Sam Steiner about the struggle for optimism and community amid the chaos of a collapsing world.
is a playwright and screenwriter from Manchester. His debut play, the
award-wining LEMONS LEMONS LEMONS LEMONS LEMONS, was first produced by Walrus
Theatre (a company he co-founded), and has subsequently been performed all over
the world, in eight different languages. Since then Sam’s work on stage has
included KANYE THE FIRST (HighTide) and most recently A TABLE TENNIS PLAY (Walrus
Theatre) at the Edinburgh Fringe. Other pieces of Sam’s work have been
showcased at the Royal Exchange, Soho, Southwark Playhouse, Sala Beckett in
Barcelona, and the Cannes and London Film Festivals. He completed an attachment
at Paines Plough as their Playwright Fellow and holds an MA in Screenwriting
from the National Film and Television School. Sam is currently under commission
at Paines Plough, and developing television and film projects with Euston North
and Sunny March.
About JAMES GRIEVE:
JamesGrieve was Joint Artistic Director
of Paines Plough 2010-2019. He was formerly co-founder and Artistic Director of
nabokov, and Associate Director of The Bush Theatre.
His forthcoming work
includes GOD’S DICE by David Baddiel starring Alan Davies at Soho Theatre and a
new production of CABARET for Gothenburg Opera in Sweden.
Further credits include the
new musical THE ASSASSINATION OF KATIE HOPKINS (Theatr Clwyd – Winner Best
Musical Production, UK Theatre Awards 2018), a new production of LES MISERABLES
for Wermland Opera in Karlstad, Sweden, TRANSLATIONS (Sheffield Theatres / ETT
/ Rose – Winner Best Production, UK Theatre Awards 2014), 66 BOOKS: A NOBODY by
Laura Dockrill, THE WHISKY TASTER by James Graham, ST PETERSBURG by Declan
Feenan and PSYCHOGEOGRAPHY by Lucy Kirkwood (The Bush), ARTEFACTS by Mike
Bartlett (nabokov/The Bush, National Tour & Off-Broadway); KITCHEN, BEDTIME
FOR BASTARDS and NIKOLINA by Van Badham (nabokov), and the world premieres of
OLD STREET by Patrick Marber (nabokov Arts Club) and THE LIST by David Eldridge
Monday 21 October 2019, 9.00am – 7.00pm @ Theatre Royal Stratford East
No, you’re not having déjà vu – we’re running Open Auditions
As usual, we’re looking to meet actors previously unknown to Paines Plough with a passion for new writing, this time in East London and the surrounding area. You can apply from now until midnight on Wednesday 02 October.
We will be seeing approximately 40 pairs of actors and preference will first be given to those living within 10 miles of Stratford East, with any remaining slots being allocated at random. We hope this means that everyone who wants to apply is able to, and that the selection process is fair to everyone.
You would be meeting Charlotte Bennett (Co-Artistic Director)
and another member of the Paines Plough team, Bella Rodrigues (Senior Producer)
from Theatre Royal Stratford East, and casting director Francesca Bradley from
Priscilla John Casting.
Sound good? This is how to apply…
Find yourself a partner – we’re auditioning people in pairs. Make sure one person applies on behalf of the pair as any duplicates (even if it’s with different partners) will be automatically excluded.
Register by filling in this form by midnight on Wednesday 02 October. There’s no need to send in anything else in advance.
If you are selected to audition, we’ll get in touch with you by Tuesday 08 October with an audition time – make sure you let us know if you can make it or not as soon as possible. If we don’t hear from you by midday on Friday 11 October we will reallocate you slot to someone on the waiting list.
Don’t worry, you’ll hear from us whatever the outcome. If you’re not selected to audition this time, we may keep you on a waiting list and may offer you an audition if a slot becomes available.
Once everything’s confirmed, please prepare a three-minute duologue from a play written in the last 15 years.
Some things to bear in mind:
If you have auditioned for Paines Plough before (either at an Open Audition or as part of casting for a specific show), unfortunately we won’t be able to see you this time round.
To give everyone a fair shot, agent or not, we only accept applications from actors so, if you have an agent, please apply using your own email address.
Places are all allocated in advance. Due to high demand we can’t accommodate requests for a different time, and we will be unable to see people on a walk-up basis. In the application, you’ll be able to indicate what time of day you’re available and we’ll try our best to accommodate this.
If for any reason you can’t make your audition please let us know ASAP by emailing firstname.lastname@example.org. If you don’t turn up to your audition without letting us know in advance, you won’t be able to apply for future Paines Plough Open Auditions.
We can only accept applications made with this form before the deadline.
Due to the large volume of people we’ll be seeing, we unfortunately won’t be able to offer feedback.
We aren’t casting for a particular show at the moment – we just want to meet some new actors so that we can bear you in mind for future productions.
Check out our FAQs for more information about the application process and what to expect on the day, or ping us an email at email@example.com if you’re not sure about anything.
Don’t worry if you don’t live in the area – we try to hold as many Open Auditions as we can throughout the year all around the UK. Join our mailing list or keep an eye on our social media for details of the next ones…
As usual, we’re looking to meet actors previously unknown to
Paines Plough with a passion for new writing, this time in Doncaster and the
surrounding area. You can apply from now until midnight on Wednesday 18 September.
We will be seeing approximately 30 actors and preference
will first be given to those living within 30 miles of Cast, with any remaining
slots being allocated at random. We hope this means that everyone who wants to
apply is able to, and that the selection process is fair to everyone.
Sounds good? This is how to apply…
Register by filling in this form by midnight on Wednesday 18 September. There’s no need to send in anything else in advance.
If you are selected to audition, we’ll get in touch with you
by Tuesday 24 September with an
audition time – make sure you let us know if you can make it or not as soon as
possible. If we don’t hear from you by midday
on Friday 27 September we will reallocate you slot to someone on the
Don’t worry, you’ll hear from us whatever the outcome. If
you’re not selected to audition this time, we may keep you on a waiting list
and may offer you an audition if a slot becomes available.
Once everything’s confirmed, please prepare a three-minute monologue from a play
written in the last 15 years.
Some things to bear in mind:
If you have auditioned for Paines Plough before (either at
an Open Audition or as part of casting for a specific show), unfortunately we
won’t be able to see you this time round.
To give everyone a fair shot, agent or not, we only accept
applications from actors so, if you have an agent, please apply using your own
Places are all allocated in advance. Due to high demand we
can’t accommodate requests for a different time, and we will be unable to see
people on a walk-up basis. In the application, you’ll be able to indicate what
time of day you’re available and we’ll try our best to accommodate this.
If for any reason you can’t make your audition please let us
know ASAP by emailing firstname.lastname@example.org. If you don’t turn up to your
audition without letting us know in advance, you won’t be able to apply for
future Paines Plough Open Auditions.
We can only accept applications made with this form before the deadline.
Due to the large volume of people we’ll be seeing, we
unfortunately won’t be able to offer feedback.
We aren’t casting for a particular show at the moment – we
just want to meet some new actors so that we can bear you in mind for future
Check out our FAQs for more information about the
application process and what to expect on the day, or ping us an email at email@example.com
if you’re not sure about anything.
Don’t worry if you don’t live in the area – we try to hold
as many Open Auditions as we can throughout the year all around the UK. Join
our mailing list or keep an eye on our social media for details of the next