We are planning to use this image for one of the shows in our ROUNDABOUT season. We cannot find the owner. If you own or know anyone who owns this image, please contact firstname.lastname@example.org. Thank you!
Following news that James Grieve and George Perrin are stepping down after ten years at the helm of PP, we are delighted to announce that Charlotte Bennett and Katie Posner will take over as Joint Artistic Directors in August this year.
Chair of the Board Kim Grant said:
‘We are really excited about this next new phase in the company’s life. Charlotte and Katie are the perfect duo to pick up the mantle from James and George and to maintain Paines Plough’s long held position at the forefront of touring the very best new writing and creative talents to every inch of the UK. We were especially impressed by their ideas for the future and their desire to continue collaborative leadership through originality, fairness and innovation. On behalf of the board and the whole team at Paines Plough we very much look forward to welcoming them during our ROUNDABOUT Edinburgh season ahead of an extensive autumn tour.’
Charlotte Bennett and Katie Posner said:
‘It is a great honour to be appointed as the next Artistic Directors of Paines Plough. We are both long admirers of the company and its commitment to making exceptional new plays which reach all the corners of the UK and beyond. We are inspired by all leaders of this company since it started in 1974; incredible role models who have left a great legacy that we are excited to embrace as we begin this next chapter. We have been artistic mentors to one another and been fierce supporters of each other’s work for the past ten years. Inspired by collaborative leadership and in particular the excellent example set by George and James, we wanted to apply to run this company together to fuse our passions for new writing and touring and our shared mission to make great new plays which champion the unheard and reach the overlooked.’
Charlotte is currently Associate Director at Soho Theatre where she leads the new writing department, developing artists and commissions and programming the upstairs studio. For Soho she has directed new work by Jack Rooke, curated a six-month off-site arts festival in Waltham Forest and led playwriting competition the Verity Bargate Award. Prior to this she was Artistic Director of Forward Theatre Project; an artists’ collective she founded. For Forward Theatre Project she made and directed new plays which toured nationally inspired by working in partnership with different communities around the UK and at venues including National Theatre, York Theatre Royal, Northern Stage, Derby Theatre, Live Theatre and The Lowry. As a freelance director she has worked extensively for Open Clasp Theatre Company, creating new plays inspired by marginalised women in the North-East. Charlotte also held the role of Creative Producer for theatre company RashDash where she toured experimental new theatre around the UK.
Katie is an award-winning director currently working freelance. Prior to this she was the Associate Director for Pilot Theatre where she directed a rich and varied amount of new plays which toured regionally, nationally and internationally including working in co-production with Northern Stage, The Tron, The Belgrade and Tamasha. Katie has also directed extensively for York Theatre Royal on a number of productions including several large-scale community shows. As a freelance director she has directed plays for Mercury Colchester, Storyhouse Chester, National Youth Theatre, New Perspectives, Live Theatre and is due to direct My Mother Said I Never Should for Theatre by the Lake this May. As a champion of new writing and discovering new voices, Katie has also established talent development programmes and most recently a large female empowerment project for Jackson’s Lane. She will be directing two new large-scale community productions this Autumn for the Kiln and Theatr Clwyd.
Exciting times at PP! We’re casting for ROUNDABOUT 2019.
As part of our pledge to actors, we publish breakdowns on our website for every part we’re casting, and anyone can submit themselves for consideration. We’ll consider everyone, for every part.
Here are breakdowns of all the roles we’re currently casting for Programme 2019. If you think you’re right for any of them, you can submit your CV for consideration using the form below. We will be in touch if we would like to invite you to audition.
ROUNDABOUT 2019 ENSEMBLE
The ROUNDABOUT season comprises world premieres of three new plays:
DAUGHTERHOOD by Charley Miles, DEXTER AND WINTER’S DETECTIVE AGENCY by Nathan Bryon and ON THE OTHER HAND, WE’RE HAPPY by Daf James. The plays will be rehearsed, performed and toured in rep by an ensemble of three actors, directed by Stef O’Driscoll.
This year we are casting two female actors and one male actor, casting breakdowns are as follows:
1. Male, black, playing age mid 20s to early 30s
2. Female, any ethnicity, playing age mid 30s
3. Female, Welsh, playing age mid 20s
Sound like you? Submit your CV here.
Deadline for applications is 04 April 2019 at 2pm.
Wanted: ROUNDABOUT Company Stage Manager on book
Paines Plough are on the look out for a Company Stage Manager on book for our 2019 ROUNDABOUT tour. The CSM on book will support the Director and manage the ROUNDABOUT company during rehearsals and on tour, ensuring the efficient running of the rehearsal room and productions in tech and performance and overseeing the well-being of the company. The CSM on book will operate all Paines Plough shows. They will support the Producer and act as joint venue manager alongside the Technical Stage Managers for ROUNDABOUT on tour, ensuring that a safe, tidy and welcoming environment is provided for all audiences.
Who are we looking for?
This is an ideal role for someone who is passionate about new plays and looking to gain experience in a senior, multifaceted Stage Management role. The ROUNDABOUT CSM on book will work across multiple departments with core staff, the creative team, FOH personnel, ROUNDABOUT’s Technical Stage Managers and venue technical teams whilst developing venue management skills in tandem. The role will play a crucial part in the smooth delivery of ROUNDABOUT with the CSM on book working at the heart of Paines Plough.
Up your street? Excellent. We can’t wait to hear from you. Details below.
ROUNDABOUT is Paines Plough’s pop-up in-the-round theatre. It offers a unique 360 degree theatre experience with 168 -seats wrapped around the stage, state -of-the- art LED lighting and surround sound. Roundabout flat packs into a lorry and pops-up across the UK bringing the nation’s best playwrights and a thrilling atmosphere to audiences everywhere.
In 2019 we received three-years funding from the Arts Council where we will host three brand new plays co-produced by Paines Plough and Theatr Clwyd, previewing at Theatr Clwyd and premiering at the Edinburgh Festival before heading out on a five week UK tour funded by Art Council England where we will present a mini festival every weekend between September-October in Salford, Ramsgate, Doncaster, Poole and Lincoln followed by a 3-5 week run in London.
In it we present a rep of three brand new Paines Plough plays, one specifically for young
people, performed by a company of three actors. In partnership with our hosts we
programme a wider festival of local theatre, music, comedy and a range of activities in the space.
The aim is to use the ROUNDABOUT space as a resource for local communities to engage with its possibilities, with the ultimate aim to increase footfall from a wider audience and encourage theatre going.
Now in 2019, we’re preparing for another epic tour and we’d love you to join.
How to Apply
This Application Pack contains further detail including the full job description and person specification.
All applications must be made through this online form. You will be asked to upload a copy of your CV and a cover letter detailing your relevant experience in reference to the job description.
Deadline for applications
The deadline for applications is 10am on 01 April 2019.
If you have any questions about the application process or would like the application pack in a different format please contact Eman Bhatti, our Trainee Administrator on Emanpreet@painesplough.com or 020 7240 4533.
Meet the four playwrights who will be performing their own short plays on the 20 February at Salisbury Playhouse.
Since 2010 writers from across the UK have returned to their home towns to pen plays about the places that shaped them. At theatres from Bristol to Belfast, Cardiff to Coventry and Nottingham to Newcastle, these plays have been performed by the playwrights themselves, coming home to tell their tale.
Now COME TO WHERE I’M FROM visits Salisbury to invite four of the city’s finest playwrights to join this celebrated nationwide project by performing their own short plays about their home.
Hannah is a writer, director and composer and is currently a writer on Graeae Theatre Company’s Write to Play Scheme. Hannah has worked with a range of theatres including Wiltshire Creative, Lighthouse Poole, Diverse City, Wyldwood Arts, The Bunker Theatre, Nuffield Southampton Theatres, HighTide Festival Theatre and is currently assistant director on PEELING with Taking Flight Theatre. In 2017 Hannah was resident director at Wiltshire Creative through the Regional Theatre Young Director’s Scheme 3 month placements. Since then Hannah has worked with Wiltshire Creative on a number of projects and productions, including adapting and directing a modern version of ALI BABA with youth theatre Stage 65 in the Salberg last summer, integrating live audio description, BSL and captioning into the piece. @hannahtreadaway
Barney Norris was born in Sussex in 1987. After leaving university he founded the touring theatre company Up in Arms with Alice Hamilton.
His plays include: NIGHTFALL (The Bridge Theatre); WHILE WE’RE HERE (Up in Arms at the Bush and on tour); ECHO’S END (Salisbury Playhouse); EVENTIDE (Up In Arms, Arcola and on tour); THE ACCLAIMED VISITORS (Up in Arms, Arcola and on tour – Winner of the Critics’ Circle Award for Most Promising Playwright and nominated for an Evening Standard Award). His short plays include: EVERY YOU EVERY ME (Salisbury Playhouse and on tour); FEAR OF MUSIC (Up in Arms and Out of Joint); and AT FIRST SIGHT (Up in Arms at Latitude Festival and on tour).
His novels TURNING FOR HOME and the bestselling FIVE RIVERS MET ON A WOODED PLAIN are published by Transworld, his non-fiction books THE WELLSPRING: CONVERSATIONS WITH DAVID OWEN NORRIS and TO BODIES GONE: THE THEATRE OF PETER GILL are published by Seren. He is a Martin Esslin playwright in residence at Keble College, Oxford and a Fellow of the Royal Society of Literature.
Of Indian and Irish heritage, Veronica was born and raised in England by adoptive parents, Frances from Dublin and Syd from Suffolk. Her first play, SHE IS NOT HERSELF, drawing on her experience of reunion with her birth mother, was a Kali Theatre Company production. Directed by Helena Bell, it received a rehearsed reading at The Salberg, Salisbury Playhouse as part of Theatre Fest West 2015, and was a Kali Workshop production at Tristan Bates Theatre in 2016. Work-in-progress includes BUSTARD which began life at Paula B. Stanic’s Writing for Multicultural Voices at Salisbury Arts Centre. BUSTARD was workshopped and given a rehearsed reading, directed by Hannah Treadaway, at Nuffield Southampton Theatres (NST) Laboratory in 2017.
In 2013, Veronica moved to Salisbury from the Isle of Wight, developing her playwriting skills with mentor Angela Street, and as a student of the Salisbury Playhouse/Out of Joint Writers’ Academy led by Samantha Potter and Barney Norris. In 2018, Veronica joined the new writers’ programme launched by NST in partnership with Up in Arms Theatre Company.
Harry is a composer, sound designer and writer. His musical THOR AND LOKI premiered at Edinburgh Fringe, HighTide and The Lowry last year. He is currently adapting ETA Hoffman’s THE SANDMAN for the Andrew Lloyd Webber Foundation Bridge Company at Southwark Playhouse. Harry is one half of award-winning comedy cabaret duo HOUSE OF BLAKEWELL.
Composition credits include: CAPTAIN CORELLI’S MANDOLIN (The Rose, Kingston and national tour); WILD EAST (Young Vic); PARADISE, THE GLASS SUPPER (Hampstead); HER NAKED SKIN, NIGHT MUST FALL, HEDDA GABLER, BIKE (Salisbury Playhouse); THE MARCH ON RUSSIA (Orange Tree); ODE TO LEEDS, RUDOLF (West Yorkshire Playhouse); BLUSH (Soho Theatre and tour); SEPTIMUS BEAN, JASON AND THE ARGONAUTS, THE SNOW CHILD (Unicorn); MEGABALL (National Theatre Let’s Play); RAPUNZEL (Cambridge Junction); THE SECRET SEVEN, THE BEGGAR’S OPERA (Storyhouse Chester); THE GRADUATE (Leicester Curve and tour); MANGA SISTER, RHINEGOLD (The Yard); THE ISLAND NATION (Arcola); CASA VALENTINA (Southwark Playhouse); P’yongyang (Finborough); TO DREAM AGAIN (Theatr Clwyd). In 2017, Harry was appointed Cameron Mackintosh Resident Composer at West Yorkshire Playhouse.
Calling all movers and shakers
Last year we held our
very first STEPPING INTO MOVEMENT workshop with the legendary Polly Bennett to
give aspiring movement directors an insight into the art, craft and
Here at PP we want to expand our network of movement directors and Polly wants to meet movement directors at the start of their careers with a view to offering mentorship. So we teamed up, and our first workshop was such a success we’re going again.
So guys, our next STEPPING INTO MOVEMENT workshop will be on Thursday 28 March, 10.30am – 5.00pm at The Mono Box Studio in London.
Movement Directors are becoming an increasing part of the theatre-making process, but how do you become one?
One of Movement Director Polly Bennett’s first solo jobs was at Paines Plough, where working with small companies, getting quick results and engaging actors from all backgrounds is the name of the game. With a view to meet movement directors at the beginning of their careers and offer mentorship, Polly Bennett invites you to come and share practice and rehearsal room ideas in this session. Working with text, space (and lack of space) she will create a dialogue around establishing and acknowledging your own movement practice and how to take your first steps into production work.
This is an opportunity to share your ideas and experiences of movement practice and to learn more about the work Paines Plough are doing to support emerging creatives. If you have an inclination for movement and want to explore the next steps this is a session for you.
Expect to move, work with text and meet potential collaborators.
Please apply here. We ask for a copy of your CV and a short paragraph about why you would like to take part in the workshop.
Deadline for applications is Friday 8 March, and you can expect to hear from us by Monday 18 March.
We particularly welcome applications from disabled and BAME candidates as disabled and BAME people are currently under-represented in movement direction. We also welcome applications from, LGB and Trans and non-binary candidates.
ABOUT POLLY BENNETT:
Polly Bennett is a Movement Director and Choreographer working nationally and internationally. She holds an MA in Movement from the Royal Central School of Speech and Drama and is Associate Movement Practitioner at the RSC.
Theatre includes: The Village (Stratford East Theatre), The Lehman Trilogy (National Theatre), As You Like It (Regents Park Open Air Theatre), Travesties (Menier Chocolate Factory, West End and Broadway), The Great Wave (National Theatre), Circle Mirror Transformation (Home), People, Places & Things (National Theatre; also West End, UK Tour and off-Broadway); Touch (Soho), Don Juan in Soho (Wyndhams), Blush (Soho), Salome (RSC), Woyzeck (Old Vic), Junkyard (Bristol Old Vic), How My Light Is Spent (Manchester Royal Exchange), A Streetcar Named Desire (Manchester Royal Exchange), My Country; a work in progress, (National Theatre and UK Tour), The Deep Blue Sea (National Theatre),Three Days in the Country (National Theatre), Pomona (National Theatre, Royal Exchange and Orange Tree), Henry V (Shanghai Dramatic Centre of Performing Arts), A Midsummer Night’s Dream (RSC), The Famous Victories of Henry V (RSC), Doctor Faustus (Duke of York’s), The Maids (Trafalgar Studios), Yen (Royal Court), Plaques and Tangles(Royal Court) hang(Royal Court), The Lion, the Witch and the Wardrobe (Birmingham Rep), The Rise and Fall of Little Voice (West Yorkshire Playhouse), A Mad World My Masters (RSC and UK Tour), The Angry Brigade (Bush), Dunsinane (National Theatre Scotland, US, Asia and UK tours), The King’s Speech (Chichester, Birmingham Rep and on UK tour), To Kill a Mockingbird (Regent’s Park Open Air Theatre), nut (National Theatre.)
Film: Bohemian Rhapsody (Movement Coach),The Little Stranger (Choreographer),Stan and Ollie (as Assistant Choreographer.)
TV:The Crown Series 3 (Netflix), Killing Eve (BBC America), Urban Myths (Sky Arts) and Gareth Malone’s Best of British (BBC)
Other work includes: Assistant Movement Director on the London 2012 Olympics Opening Ceremony, Mass Cast Choreographer on the London 2012 Paralympic Opening Ceremony and Mass Cast Choreographer on Sochi Winter Olympics Opening and Paralympic Ceremonies 2014.
Polly is co-founder of The Mono Box.
Today we announce Programme 2019: a must-see celebration of the most striking and original playwriting talent in 10 thrilling productions out on tour to every nook and cranny of the UK and beyond.
#PP2019 features our pick of the most distinctive, observant and entertaining new voices in British theatre with brand new plays by Zia Ahmed, Nathan Bryon, Ifeyinwa Frederick, Daf James, Anna Jordan, Sarah McDonald-Hughes, Charley Miles and Sam Steiner. You can catch their words on tour across the length and breadth of the UK in city centres, seaside towns and village halls.
ROUNDABOUT once again hosts a jam-packed Edinburgh Festival Fringe programme and brings mini-festivals to each stop on its nationwide tour. We’ll broadcast Anna Jordan’s POP MUSIC live and celebrate 10 years of COME TO WHERE I’M FROM with special live events and our COME TO WHERE I’M FROM app featuring more than 180 short audio plays available to download free from the App Store and GooglePlay. We will once again be holding OPEN AUDITIONS as part of our pledge to actors. Our new series of podcasts, INSIGHTS, offers a view into the writer’s experience of life inside the rehearsal room.
And as ever, we’ll be announcing a host of exciting new stuff to add to the mix as we go through the year.
Wherever you are, a Paines Plough show is touring to you soon.
James and George said:
“This programme epitomises what Paines Plough has always been about for us: urgent new plays from original new voices featuring top new talent on wide-ranging tours the length and breadth of the UK. We’re hugely proud to be presenting the best of a new generation of British playwrights. We’re celebrating 10 years of COME TO WHERE I’M FROM and another three years of ROUNDABOUT funding. Graduates of our Playwright Fellowship and Trainee Director Bursary headline the programme. Loyal venue partners reaffirm their commitment to the importance of new plays. Our newly launched podcast series INSIGHTS aims to make us ever more open and accessible, joining existing initiatives like OPEN AUDITIONS, our Casting Pledge and our UNSOLICITED SCRIPT policy. It’s everything we think a national theatre of new plays should be.”
Introducing our playwrights for 2019…
Zia Ahmed has written one of the most exciting debut plays we’ve come across in years. In partnership with Tamasha, we’re hitting the road on a national tour with the tender and lyrical love story I WANNA BE YOURS, a co-production with Tamasha, directed by our former Trainee Director Anna Himali Howard.
Zia is from North West London. He is a London Laureate, having been shortlisted to be the Young Poet Laureate for London 2015/16. He is a former Roundhouse Poetry Slam champion. Zia was Paines Plough’s Channel 4 Playwright in Residence 2016/2017. In 2016 he was one of the commissioned writers for the London leg of Paines Plough’s ongoing COME TO WHERE I’M FROM series.
Nathan Bryon is writing one of this year’s Roundabout rep plays in co-production with Theatr Clwyd, directed by Stef O’Driscoll. Nathan was our Playwright Fellow in 2016 and we co-produced his one-man show MIXED BRAIN with tiata fahodzi in 2017. We’re thrilled he’s back at PP writing a brand new show for all ages for this year’s ROUNDABOUT rep.
Nathan is a writer and actor, who grew up eating as much Uxbridge Road Caribbean food as his bank balance would allow. He is best known to viewers for his role as regular character Jamie in SOME GIRLS and BENIDORM’s sunniest holiday maker, Joey Ellis. Nathan has written for critically acclaimed CBeebies’ animation RASTAMOUSE, BAFTA award winning SWASHBUCKLE and on all three series of BAFTA nominated APPLE TREE HOUSE (CBeebies) alongside BAFTA winning GIGGLEBIZ. Last Year Nathan’s one-man show MIXED BRAIN a show about his mixed heritage premiered in Roundabout at the Edinburgh Fringe Festival. Nathan has secured a 3 picture book deal with Penguin Random House. His first book LOOK UP! will hit shelves in the US and UK in June 2019.
Daf James is writing one of this year’s ROUNDABOUT rep plays in co-production with Theatr Clwyd, directed by Stef O’Driscoll. We are long time admirers of Daf’s sharp and potent writing and we’re excited to welcome him to PP with a brand new play for ROUNDABOUT audiences everywhere.
Daf is an award-winning writer, composer and performer working across theatre, radio television and film in English and Welsh. Having trained in the Lecoq pedagogy at the London International School of Performing Arts he went on to earn a doctorate in Theatre Studies from the University of Warwick. His first full-length play LLWYTH[Tribe] was described in Contemporary Welsh Plays as ‘a water-shed play that changed the landscape of Welsh language theatre forever.’
Charley Miles is writing the third of this year’s ROUNDABOUT rep plays in co-production with Theatr Clwyd, directed by Stef O’Driscoll. Charley is our current Playwright Fellow. We fell in love with her debut play BLACKTHORN as it wowed audiences in Edinburgh last summer and we can’t wait for her new ROUNDABOUT play as part of this year’s rep.
Charley Miles is a playwright from rural North Yorkshire. She is currently the Paines Plough Playwright Fellow. Her debut play, BLACKTHORN, was produced in 2016 and went on to become a finalist for the Susan Smith Blackburn award in New York in 2017. She was the Channel 4 Playwright in Residence at the West Yorkshire Playhouse in 2017, and has recently written plays for the Royal Welsh College of Music and Drama, the Royal Court, and Leeds Playhouse. Her original television drama, IN MEMORIAM, is in development with Buccaneer Media.
With Soho Theatre we have co-commissioned a new play from Ifeyinwa Frederick, one of the 2019 Soho Six, a yearlong attachment programme for artists at Soho Theatre. Ifeyinwa’s debut THE HOES announced a major new talent, and we’re pumped to be producing her new play.
Ifeyinwa is a writer and entrepreneur, using both writing and business as creative outlets. Writing alongside her full-time job as co-founder of Chuku’s – the world’s first Nigerian tapas restaurant – she has been featured in Forbes’ list of 100 Women Founders in Europe. She began writing in 2016, joining Soho Theatre Writers’ Lab. Supported by the programme, she wrote her debut play THE HOES which received a full production at Hampstead Theatre in 2018. The play was shortlisted for the 2017 Tony Craze Award and Character 7 Award and longlisted for the 2017 Verity Bargate Award. Fuelled by a childlike curiosity and fascination with people, her stories explore the intricacies of people and the dichotomy between how we really are and how society or we portray ourselves to be.
Our Birmingham Repertory Theatre co-production of Anna Jordan’s POP MUSIC returns for live dates and a live broadcast following an acclaimed national tour in 2018. Turbo charged by non-stop pop hits from the past 30 years of chart toppers, POP MUSIC is a euphoric, nostalgic, poptastic theatre party for anyone who’s ever been a dick on the dancefloor.
Anna won the 2013 Bruntwood Prize for Playwriting for Yen (Royal Court) after having been twice longlisted for her plays MARIANNE and CHICKEN SHOP. YEN has had productions at Manchester Royal Exchange, the Royal Court and MCC New York as well as several international productions. It was also shortlisted for the Susan Smith Blackburn Prize 2015-2016. Her current projects include THE UNRETURNING (Frantic Assembly / Theatre Royal Plymouth) and a new adaptation of MOTHER COURAGE (Royal Exchange / Headlong). She is also under commission to the Royal Court Theatre.
We’re teaming up once again with Royal Welsh College of Music and Drama and The Gate Theatre to showcase the world premiere of Sarah McDonald-Hughes’s electrifying TURBINES, directed by former Trainee Director Emily Ling Williams. Sarah returns to Paines Plough following her award-winning play for young people HOW TO BE A KID.
Sarah is an actor and writer from Manchester. Plays include: SHERBET (Octagon Bolton), HOW TO BE A KID (Paines Plough); BLACKOUT (Dukes Lancaster) THE MANCHESTER PROJECT (Monkeywood Theatre/HOME/National Theatre), TRIAL, MULTI STORY (Octagon Bolton/Monkeywood), WONDROUS PLACE (Northern Spirit/Liverpool Unity/Sheffield Crucible/Northern Stage/Royal Exchange), FLESH (Monkeywood Theatre/Royal Exchange), BY FAR THE GREATEST TEAM, ONCE IN A HOUSE ON FIRE, MAINE ROAD (Monkeywood Theatre), THE TREE, NIGHT TRAIN (Action Transport Theatre), OUR PALS and THE NORTH (Royal Exchange Studio).
YOU STUPID DARKNESS! is the World Premiere of an urgent new play by rising star Sam Steiner (LEMONS, LEMONS, LEMONS, LEMONS, LEMONS; KANYE THE FIRST), directed by Paines Plough Joint Artistic Director James Grieve. In a call centre for Brightline helpline, four volunteers spend a few hours every Tuesday night on the phone to strangers telling them everything is going to be ok. A hopeful play about the struggle for optimism and community amid the chaos of a collapsing world. The production marks the continuation of a long-standing relationship between Paines Plough and Theatre Royal Plymouth and follows the success of LOVE LOVE LOVE and THE ANGRY BRIGADE.
Sam was our inaugural Playwright Fellow in 2015. YOU STUPID DARKNESS! runs at Theatre Royal Plymouth 7 – 23 February with an Opening Night on 12 February. Check out our brand new trailer below:
Thank you to our brilliant season launch creative team:
And that’s Programme 2019. Let us know what you think.
@painesplough on Twitter or comment below.
Ahead of announcing their 10th annual programme of new plays on tour, George Perrin and James Grieve have announced that they are stepping down as Artistic Directors of Paines Plough.
George and James took over from Roxana Silbert in 2010, and have since produced 45 World Premieres by writers such as Mike Bartlett, Penelope Skinner, James Graham, Sabrina Mahfouz and Vinay Patel, touring them to hundreds of villages, towns and cities across the UK and around the world.
Their playwright development initiative THE BIG ROOM has launched the careers of a whole new generation of playwrights over the last decade.
They have revitalised small-scale touring whilst at PP, and have launched celebrated initiatives such as Open Auditions, ensuring that we meet actors from all backgrounds across the whole of the UK.
They also launched COME TO WHERE I’M FROM, a national project that invites playwrights to write and perform mini plays about their home towns. Since 2010 more than 160 playwrights from across the UK have written plays about the places that shaped them, making up a theatrical tapestry of the nation – a playwrights’ guide to Great Britain. All of the audio plays are available to listen to on our free app.
In 2014, Perrin and Grieve built their own pop-up theatre ROUNDABOUT for Paines Plough to reach those communities least engaged with the arts. ROUNDABOUT is now recognised as a fixture of touring theatre across the country and a deliverable and radical touring model for British theatre.
George and James said:
“We are honoured to have been the custodians of this essential organisation for nearly a decade of our lives. We were lucky enough to inherit from Roxana Silbert a company in rude health and are proud to now pass it on to a new generation of artists and producers in an even better place that we found it. It’s been a joy to travel the country and traverse the globe bringing the best new British plays to the doorsteps of our audiences. We’ve only been able to achieve what we have with Paines Plough because of the committed partners with whom we have co-produced every production; the hunger and bravery of the venues that have programmed our work; the trust of all our funders; the belief of our board and Chairs; the dedication of our team; and the faith of the playwrights and audiences we’ve been so inspired to serve – our deepest thanks to you all. We’ll leave as we arrived: die-hard fans of the best new writing touring company in the world.”
Kim Grant, Chair of the Paines Plough Board of Trustees, said:
“George and James have led Paines Plough through nine years of outstanding achievement, unrelenting progress and unforgettable theatre experiences for audiences across the UK. Throughout their stewardship the company has remained true to its roots as the leading national touring theatre company for new plays and with ROUNDABOUT now firmly established as a unique and sophisticated flexible pop-up theatre space, they leave us and their successors a wonderful legacy.”
Our Programme 2019 will be announced later this week. James and George will leave PP in the summer to pursue new projects, and our board will begin their search for new artistic leadership in February.
Here is the full list of productions that were produced during James and George’s leadership of PP…
- LOVE LOVE LOVE by Mike Bartlett
- TINY VOLCANOES by Laurence Wilson
- COME TO WHERE I’M FROM by over 150 playwrights
- FLY ME TO THE MOON by Marie Jones
- IN THE PIPELINE by Gary Owen
- THE UNCERTAINTY FILES Linda McLean
- GOOD WITH PEOPLE by David Harrower
- CALAIS by April de Angelis
- WASTED by Kate Tempest
- THE SOUND OF HEAVY RAIN by Penelope Skinner
- ONE DAY WHEN WE WERE YOUNG by Nick Payne
- THE 8TH by Che Walker and Paul Heaton
- DIG by Katie Douglas
- LUNGS by Duncan Macmillan
- JUICY FRUITS by Leo Butler
- SIXTY FIVE MILES by Matt Hartley
- LONDON by Simon Stephens
- SMITHEREENS by Sean Buckley
- SEA WALL by Simon Stephens
- JUMPERS FOR GOALPOSTS by Tom Wells
- EVERY BRILLIANT THING by Duncan Macmillan with Jonny Donahoe
- OUR TEACHER’S A TROLL by Dennis Kelly
- THE INITIATE by Alexandra Wood
- HOPELESSLY DEVOTED by Kate Tempest
- AN INTERVENTION by Mike Bartlett
- THE ANGRY BRIGADE by James Graham
- WITH A LITTLE BIT OF LUCK by Sabrina Mahfouz
- GROWTH by Luke Norris
- LOVE, LIES AND TAXIDERMY by Alan Harris
- I GOT SUPERPOWERS FOR MY BIRTHDAY by Katie Douglas
- BROKEN BISCUITS by Tom Wells
- TEN WEEKS by Elinor Cook
- HOW TO BE A KID by Sarah McDonald Hughes
- MIXED BRAIN by Nathan Bryon
- OUT OF LOVE by Elinor Cook
- BLACK MOUNTAIN by Brad Birch
- HUSH by Alison Carr
- I WANNA BE YOURS by Zia Ahmed
- ALBATROSS by Isley Lynn
- POP MUSIC by Anna Jordan
- STICKS AND STONES by Vinay Patel
- ISLAND TOWN by Simon Longman
- HOW TO SPOT AN ALIEN by Georgia Christou
- A ROOM OF ONE’S OWN by April de Angelis, Alexandra Wood, Zodwa Nyoni and Sabrina Mahfouz
- YOU STUPID DARKNESS! By Sam Steiner
Introducing Paines Plough: Insights – a new series of podcasts live from the Paines Plough Rehearsal Room, where our director and playwright reflect on the week’s progress, featuring a different guest each week.
We are currently in the midst of rehearsals for Sam Steiner’s YOU STUPID DARKNESS!, a co-production with Theatre Royal Plymouth.
This first series – YOU STUPID PODCAST! – follows the rehearsal process from the writer’s perspective. James Grieve interviews Sam and other members of the cast and creative team during their Friday lunch break each week.
You can listen to the first two episodes by following the link below:
YOU STUPID DARKNESS! opens at Theatre Royal Plymouth on 07 February. You can book tickets here.
We are delighted to announce the two newest members of Team PP.
Gemma Grand will be taking over as our Administration and Finance Manager as of Monday, and Christabel Holmes will be taking over as Assistant Producer. We can’t wait to start working with them.
Gemma joins Paines Plough from Frantic Assembly. As their Finance and Office Administrator she has worked on a wide variety of projects including productions THINGS I KNOW TO BE TRUE, FATHERLAND and THE UNRETURNING as well as their flagship participation programme Ignition. She graduated from De Montfort University in 2014 with a first class BA(Hons) in Drama Studies. After university Gemma spent three years in the Construction industry working as a Quantity Surveyor and gained an HNC in Construction at London South Bank University. As a Quantity Surveyor she worked across numerous projects which includes new build luxury apartments, social housing maintenance and the rebuild of Walford (Eastenders) at BBC Elstree Centre. In her spare time she is an advocate and often marketing advisor to theatre company Phosphoros Theatre who work with a company of actors who came to the UK as Unaccompanied Asylum Seeking Children.
Christabel joins PP after having worked as Production Assistant at Playful Productions. She has worked at Fiery Angel across numerous touring and West End productions including LONG DAY’S JOURNEY INTO NIGHT and spent six months working at Seabright Productions as part of the Stage One Trainee Producer scheme. As a freelancer, she was Assistant Producer for Making Room, working on BLUSH by Snuff Box Theatre (Soho Theatre/UK tour). In 2016, she was the inaugural recipient of the Clive Wolfe Bursary at the Orange Tree Theatre and was selected for the Edinburgh Fringe Emerging Producers Development Programme. Christabel worked with LUNG Theatre as Assistant Producer on a number of productions including CHILCOT (The Lowry/Battersea Arts Centre), THE 56 (UK tour), E15 (Summerhall) and DOLLY WANTS TO DIE (Barnsley Civic/Underbelly). She graduated from the University of Leeds in 2015 with a First Class Honours in English Literature and Theatre Studies – spending a year studying at the Université de Nantes in France. She is still trying to learn French.